Description
This is a story about a popular song: “America, I Love You,” with words by Edgar Leslie and music by Archie Gottler, published in 1915 by Kalmar and Puck. But it’s also about a moment in history. And it’s about memory: memory of that moment, memory of that song. Popular songs do that. We remember them—that’s why they’re popular—and, with them, we remember their moments. Popular songs—by their very definition experienced by thousands, even millions of people—are one of the best ways we have to reach a collective understanding now about the collective understanding back then.. This is also a case study of the music industry in 1915. A technological revolution was underway, in which recordings would eventually replace piano rolls and sheet music. The industry served three masters: professional entertainers, amateurs at home, and record companies. As a commercial song negotiated its way among different constituents and different media, its function could change, reflecting and influencing the historical moment.Period | 6 Apr 2016 |
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Held at | University of Chicago |
Keywords
- World War I
- popular music
- Archie Gottler
- sheet music
- publishing
Related content
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Publications
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Interlude: The Middle
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Of Stars, Soldiers, Mothers, and Mourning
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths
Research output: Contribution to conference › Paper › peer-review
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Prelude: Beginnings
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Johnnies, Tommies, and Sammies: Music and transnational identities
Research output: Contribution to conference › Paper › peer-review
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Wikipedia articles: American composers, lyricists, performers, publishers
Research output: Other contribution
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"America, I Love You": Music and the Nation in 1915
Research output: Contribution to conference › Paper
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Postlude: Not an End
Research output: Chapter in Book/Report/Conference proceeding › Chapter
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"America, I Love You": Music and the Nation in 1915
Research output: Contribution to conference › Paper › peer-review
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Over Here, Over There: the Great War and its Musical Consequences
Research output: Book/Report › Anthology
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Activities
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Johnnies, Tommies and Sammies: Music and the WWI alliance
Activity: Talk or presentation › Lecture
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The Music of World War I
Activity: Talk or presentation › Public lecture
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Projects
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Still bravely singing: 'In Flanders fields' Composers and American culture dring the great war
Project: Research project (funded) › Research