Theatre, Film, TV and Interactive Media

Research output

Research output per year 1976 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024

• 422 Article
• 300 Conference contribution
• 213 Chapter
• 125 Paper
• 406 More
  • 81 Book
  • 52 Book/Film/Article review
  • 34 Digital or Visual Products
  • 33 Chapter (peer-reviewed)
  • 24 Other contribution
  • 20 Performance
  • 19 Commissioned report
  • 17 Anthology
  • 14 Other
  • 11 Comment/debate
  • 11 Editorial
  • 10 Special issue
  • 9 Other chapter contribution
  • 9 Web publication/site
  • 8 Abstract
  • 8 Doctoral Thesis
  • 7 Featured article
  • 7 Exhibition
  • 5 Conference article
  • 5 Composition
  • 5 Working paper
  • 4 Patent
  • 3 Poster
  • 3 Master's Thesis
  • 2 Other report
  • 1 Scholarly edition
  • 1 Foreword/postscript
  • 1 Review article
  • 1 Software
  • 1 Preprint

Research output per year

Research output per year

Search results

• 2024

  Gaslight: The Play, the Film, Noun, the Verb

  Poore, B., 21 Jan 2024, The Palgrave Handbook of Neo-Victorianism. Maier, S. E. & Ayres, B. (eds.). Palgrave Macmillan, p. 71-87 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Threat Trajectories: Cinema, FPV Drones, and Pandemic Anxiety

  Jones, N., 1 Aug 2024, Drones in Society: New Visual Aesthetics. Serafinelli, E. (ed.). Palgrave Pivot

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2023

  Crossing Space-Time Action: Digital Self-tracking Technologies and the Zero-Dimensionality of the Transmedia Self

  Ng, J. P-S., 20 Oct 2023, Transmedia Selves: Identity and Persona Creation in the Age of Mobile and Multiplatform Media. Dalby, J. & Freeman, M. (eds.). Abingdon: Routledge, p. 85-99 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Empathy Machines, Indifference Engines, and Digital Extensions of Perception

  Jones, N., 1 Jun 2023, Contemporary Screen Ethics. University of Edinburgh Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Plays for the Seventies: Canon Formation Before and After the 1968 Theatres Act

  Poore, B., 1 Oct 2024, The Routledge Companion to Twentieth-Century British Theatre and performance. Cochraine, C., Goddard, L., Hindson, C. & Reid, T. (eds.). Routledge

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Interactive Letter: Co-Authorship and Interactive Media in Emily Short's First Draft of the Revolution

  Ng, J. P-S., 14 Feb 2023, Epistolary Entanglements in Film, Media and the Visual Arts. Higgins, T. & Fowler, C. (eds.). Amsterdam: Amsterdam University Press, p. 173-189 17 p. (Film Culture in Transition).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2022

  Where the Violence Lies: Re-reading rape and revenge in Freeze Me (Takashi Ishii, 2000)

  Ng, J. P-S., 2022, The Forgotten Victims of Sexual Violence in Film, Television and New Media. Patrick, S. & Rajiva, M. (eds.). Palgrave Macmillan, p. 179-202

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• “People Inside”: Creating Digital Community Projects on the YARN Platform

  Ng, J. P-S., 5 Nov 2022, Palgrave Handbook of Digital and Public Humanities. Palgrave Macmillan, p. 357-376

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
• 2021

  An Alternative Rationalisation of Creative AI by De-Familiarising Creativity: Towards an Intelligibility of Its Own Terms

  Ng, J. P-S., 2021, AI for Everyone?: Critical Perspectives . Verdegem, P. (ed.). London: University of Westminster Press, (Critical, Digital and Social Media Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Transmedia Non-Fiction in China: Mapping the Transmediality of “Yiyi”, the Youngest Survivor of the 2011 Wenzhou Train Crash

  Ng, J. P-S. & Jiang, S., 7 Mar 2021, Transmedia in Asia and the Pacific: Industry, Practice, and Transcultural Dialogues. Lam, C. & Gilardi, F. (eds.). Palgrave Macmillan, p. 83-105

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2020

  The Cut Between Us: Digital remix and the expression of self

  Ng, J. P-S., 2020, The Routledge Companion to Cult Cinema. Mathijs, E. & Sexton, J. (eds.). Abingdon; New York: Routledge, p. 217-228 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2019

  Masters of the Universe: Viewers, the Media and Sherlock's Showrunners

  Poore, B., 1 Oct 2019, Adaptation in the Age of Media Covergence. Fehrle, J. & Schäfke, W. (eds.). University of Amsterdam Press, p. 133-157 25 p. (Transmedia: Participatory Culture and Media Convergence).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2018

  Chapter 1: Introduction

  Jones, K., Poore, B. & Dean, R., 14 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Palgrave Macmillan, p. 1-18 18 p. (Palgrave Gothic).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Definitions of Role-Playing Games

  Zagal, J. P. & Deterding, C. S., 18 Apr 2018, Role-Playing Game Studies: Transmedia Foundations. Zagal, J. P. & Deterding, S. (eds.). Routledge, p. 19-52 34 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

  File

• Playful Research Fiction: A Fictional Conference

  Kirman, B. J., Lindley, J., Blythe, M., Coulton, P., Lawson, S., Linehan, C., Maxwell, D., O'Hara, D., Sturdee, M. & Thomas, V., 11 Feb 2018, (Accepted/In press) Funology 2: From Usability to Enjoyment. Springer

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Reorienting Geolocation Data through Mischievous Design

  Kirman, B. J., Linehan, C. & Lawson, S., 11 Feb 2018, (Accepted/In press) Funology 2: From Usability to Enjoyment. Springer

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Staging the Séance: The Spirit Medium and the Gothic in Modern Theatre

  Poore, B., 14 Aug 2018, Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage. Jones, K., Dean, R. & Poore, B. (eds.). Palgrave Macmillan, p. 223-242 20 p. (Palgrave Gothic).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Many Faces of Role-Playing Game Studies

  Deterding, C. S. & Zagal, J. P., 18 Apr 2018, Role-Playing Game Studies: Transmedia Foundations. New York: Routledge, p. 1 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

  File

• 'The Organic and the Technical': a Psychophysical Approach to Television Acting

  Cantrell, T. E., 31 May 2018, Exploring Television Acting. Cantrell, T. & Hogg, C. (eds.). London: Methuen, p. 63-78 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2017

  Hunger, Rebellion and Rage: Adapting Villette

  Poore, B., 24 Jul 2017, Charlotte Brontė: Legacies and Afterlives. Regis, A. & Wynne, D. (eds.). Manchester: Manchester University Press, p. 182-196 15 p. 8. (Rethinking the Nineteenth Century).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

  Open Access

  File

• The Trickster, Remixed: Sherlock Holmes as Master of Disguise

  Poore, B., 6 Apr 2017, Sherlock Holmes in Context. Naidu, S. (ed.). Palgrave Macmillan, p. 83-100 18 p. (Crime Files).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Villain-Effect: Distance and Ubiquity in Neo-Victorian Popular Culture

  Poore, B., 21 Jun 2017, Neo-Victorian Villains. Brill, (Neo-Victorian Series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• "We Are Data": The Cyberpunk Imaginary of Data Worlds in Watch Dogs

  Ng, J. P-S. & Macdonald, J., 2017, Cyberpunk and Visual Culture. Schmeink, L. & Murphy, G. (eds.). New York: Routledge, p. 174-189 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2016

  Machinima

  Ng, J. P-S., 2016, Debugging Game History: A Critical Lexicon. Lowood, H. & Guins, R. (eds.). MIT Press , p. 287-296 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
• 2015

  'HERE & NOW, There & Then: in conversation with Veronica Dyas’

  Quigley, K., 2015, Radical Contemporary Theatre Practices by Women in Ireland. Haughton, M. & Kurdi, M. (eds.). Carysfort Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2014

  Neverending Stories? The Paradise and the Period Drama Series

  Poore, B., 16 Dec 2014, Upstairs and Downstairs: British Costume Drama Television from The Forsyte Saga to Downton Abbey. Leggott, J. & Taddeo, J. (eds.). Lanham, Maryland: Rowman and Littlefield, p. 67-78 12 p. 5

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2013

  Agency, simulation, gamification, machinima: An interview with Isabelle Arvers

  Ng, J. P-S. & Arvers, I., 2013, Understanding Machinima: Essays on filmmaking in virtual worlds. Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. 245 251 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• A Pedagogy of Craft: Teaching Culture Analysis with Machinima

  Ng, J. & Barrett, J., 2013, Understanding Machinima: essays on filmmaking in virtual worlds. Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. 227 244 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Introduction

  Ng, J. P-S., 2013, Understanding Machinima: Essays on filmmaking in virtual worlds . Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. xii-xxvii 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• ‘Auto-ethnography and dissolving dichotomies: Some Notes on the 'shift' format at Performance Studies international’

  Quigley, K., 2013, Performance and Ethnography. Harrop, P. & Njaradi, D. (eds.). Cambridge Scholars Publishing, p. 131-146

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2011

  Neoliberalism and authoritarianism in Singaporean cinema: a case study of Perth

  Ng, J., 11 Apr 2011, Neoliberalism and Global Cinema: Capital, culture and Marxist critique. Kapur, J. & Wagner, K. (eds.). New York: Routledge, p. 261-278 18 p. (Routledge Advances in Film Studies; vol. 9).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
• 2009

  A Point of Light: Epiphanic Cinephilia in Mamoru Oshii’s Avalon

  Ng, J., 2009, Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture. Sperb, J. & Balcerzak, S. (eds.). Wallflower Press, p. 71-88

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2007

  Virtual Cinematography and the Digital Real: (Dis)placing the Moving Image Between Reality and Simulacra

  Ng, J., 2007, The State of the Real : Aesthetics in the Digital Age. Sutton, D., McKenzie, R. & Brind, S. (eds.). IB Tauris, p. 172-180

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review