Andrew Douglas Higson

Search results

• 2020

  Bond Rebooted: The Transnational Appeal of the Daniel Craig Bond Films

  Higson, A. D. & Jones, H. D., 2020, Beyond 007: James Bond Reconsidered. Verheul, J. (ed.). Amsterdam University Press

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  Open Access

  File

• Soft Power and National Cinema: James Bond, Great Britain and Brexit

  Higson, A. D., 30 Sept 2020, Cinema and Soft Power: Configuring the National and Transnational in GeoPolitics. Dwyer, R. (ed.). Edinburgh University Press, p. 210-235

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

  File
• 2016

  From political power to the power of the image? Contemporary ‘British’ cinema and the nation’s monarchs

  Higson, A. D., 28 Feb 2016, The British Monarchy on Screen. Merck, M. (ed.). Manchester: Manchester University Press, p. 339-362 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Historical Films in Europe: The Transnational Production, Circulation and Reception of 'National' Heritage Drama

  Higson, A. D., Aug 2016, Screening European Heritage: Creating and Consuming History on Film. Cooke, P. & Stone, R. (eds.). Palgrave Macmillan, p. 183-207 25 p. (Palgrave European Film and Media Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Silent landscapes: some reflections on the use of rural settings in British silent cinema

  Higson, A. D., 1 Sept 2016, British Rural Landscapes on Film. Newman, P. (ed.). Manchester: Manchester University Press, p. 24-46 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2015

  British cinema, Europe and the global reach for audiences

  Higson, A. D., 2015, European Cinema and Television: Cultural Policy and Everyday Life. Bondebjerg, I., Novrup Redvall, E. & Higson, A. (eds.). Houndmills: Palgrave Macmillan, p. 127-150 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2013

  Brit Lit Biopics

  Higson, A. D., 2013, The Writer on Film: Screening Literary Authorship. Buchanan, J. (ed.). Houndmills: Palgrave Macmillan, p. 106-120

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2012

  For love or money: transnational developments in European cinema in the 1920s

  Higson, A., Apr 2012, Europe and Love in Cinema. Passerini, L., Labanyi, J. & Diehl, K. (eds.). Bristol: Intellect, p. 43-58 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Re presenting the national past: nostalgia and pastiche in the heritage film

  Higson, A. D., 2012, Film Genre Reader IV. Grant, B. K. (ed.). Austin: University of Texas Press, p. 602-627

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• "The efforts of the wretched pianist": learning to play to the pictures in Britain, 1911-1913

  Higson, A., 20 Dec 2012, The Sounds of the Silents in Britain. Brown, J. & Davison, A. (eds.). Oxford: Oxford University Press, p. 126-143 18 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2011

  Private lives and public conflicts: the English Renaissance on film, 1998-2010

  Higson, A., 2011, Filming and Performing Renaissance History. Thornton Burnett, M. & Streete, A. (eds.). Houndmills: Palgrave Macmillan, p. 178-192 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2010

  A visit to the cinema in 1912: "The Sense of Touch"

  Higson, A., 2010, Reading the Cinematograph: The Cinema in British Short Fiction, 1896-1912. Shail, A. (ed.). Exeter: Exeter University Press, p. 240-256 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2009

  "Medievalism", the period film and the British past in contemporary cinema

  Higson, A., 2009, Medieval Film. Bernau, A. & Bildhauer, B. (eds.). Manchester: Manchester University Press, p. 203-224 21 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2007

  ‘A indústria cinematográfica britânica’

  Higson, A. D. & Caterer, J., 2007, Cinema No Mundo: Indústria, Política e Mercado. Meleiro, A. (ed.). Escrituras Editora, p. 59-85

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2006

  ‘A green and pleasant land: rural spaces and British cinema’

  Higson, A. D., 2006, Representing the Rural: Space, Place and Identity in Films About the Land. Fowler , C. & Helfield, G. (eds.). Wayne State University Press, p. 240-255

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Crossing over: exporting indigenous heritage to the USA’

  Higson, A. D., 2006, Trading Culture: Global Traffic and Local Cultures in Film and Television. Harvey, S. (ed.). John Libbey, p. 203-217

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Fiction and the film industry’

  Higson, A. D., 2006, The Concise Companion to Contemporary British Fiction. English, J. (ed.). Wiley-Blackwell, p. 58-79

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2004

  ‘English heritage, English literature, English cinema: selling Jane Austen to movie audiences in the 1990s’

  Higson, A. D., 2004, "Janespotting” and Beyond: British Heritage Retrovisions Since the Mid-1990s. Voigts-Virchow, E. (ed.). Gunter Narr Verlag, p. 35-50

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2002

  ‘The Flag Lieutenant: waving the flag differently in Britain and America’

  Higson, A. D., 2002, Crossing the Pond: The ‘Special Relationship’. Burton, A. & Porter, L. (eds.). Flicks Books, p. 82-91

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2001

  ‘Figures in a landscape: the performance of Englishness in Hepworth’s Tansy’

  Higson, A. D., 2001, The Showman, the Spectacle and the Two-Minute Silence: Performing British Cinema Before 1930. Burton , A. & Porter, L. (eds.). Flicks Books, p. 53-62

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Heritage cinema and television’

  Higson, A. D., 2001, British Cultural Studies. Robins , K. & Morley, D. (eds.). Oxford University Press, p. 249-260

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• '“Britain’s finest contribution to the screen”: Flora Robson and character acting’

  Higson, A. D., 2001, British Stars and Stardom: from Alma Taylor to Sean Connery. Babington, B. (ed.). Manchester University Press, p. 68-79

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2000

  ‘Great Britain’

  Higson, A. D., 2000, The International Movie Industry. Kindem, G. (ed.). Southern Illinois University Press, p. 234-246

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘National cinemas, international markets, cross-cultural identities’

  Higson, A. D., 2000, Moving Images, Culture and the Mind. Bondebjerg, I. (ed.). University of Luton Press, p. 205-214

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘The limiting imagination of national cinema’

  Higson, A. D., 2000, Cinema and Nation. Hjort, M. & MacKenzie, S. (eds.). Routledge, p. 63-74

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1998

  ‘British Cinema’

  Higson, A. D., 1998, The Oxford Guide to Film Studies. Hill, J. & Church-Gibson, P. (eds.). Oxford University Press, p. 501-509

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Heritage discourses and British Cinema before 1920’

  Higson, A. D., 1998, Celebrating 1895: Proceedings of the International Conference on Film Before 1920. Fullerton, J. (ed.). John Libbey, p. 182-189

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1997

  ‘Nationality and the media’

  Higson, A. D., 1997, The Media: An Introduction. Briggs , A. & Cobley, P. (eds.). Longman, p. 354-364

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Pool of London’

  Higson, A. D., 1997, Liberal Directions: Basil Dearden and Postwar British Film Culture. Burton, A., O’Sullivan, T. & Wells, P. (eds.). Flicks Books, p. 162-171

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘“A film League of Nations”: Gainsborough, Gaumont-British and “Film Europe”’

  Higson, A. D., 1997, Gainsborough Pictures. Cook, P. (ed.). Cassell, p. 60-79

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1996

  ‘Film-Europa: Kulturpolitik und Industrielle Praxis’

  Higson, A. D., 1996, Hallo? Berlin? Ici Paris!: Deutsch-französische Filmbeziehungen, 1918-1939. M. Sturm , S. & Wohlgemuth, A. (eds.). Edition Text + Kritik, p. 63-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1995

  ‘The victorious re-cycling of national history: Nelson’

  Higson, A. D., 1995, Film and the First World War. Dibbets , K. & Hogenkamp, B. (eds.). Amsterdam University Press, p. 108-115

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1994

  ‘A diversity of film practices: renewing British cinema in the 1970s’

  Higson, A. D., 1994, Catastrophe Culture? : The Challenge of the Arts in the 1970s. Moore Gilbert, B. (ed.). Routledge, p. 216-239.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Gothic fantasy as art cinema: the secret of female desire in The Innocents’

  Higson, A. D., 1994, Gothick Origins and Innovations. Lloyd Smith , A. & Sage, V. (eds.). Rodopi, p. 204-216

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1993

  ‘Re presenting the national past: nostalgia and pastiche in the heritage film’

  Higson, A. D., 1993, Fires Were Started: British Cinema and Thatcherism,. Friedman, L. (ed.). University of Minnesota Press, p. 109-129

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• ‘Way West: Deutsche Emigranten und die britische Filmindustrie’

  Higson, A. D., 1993, London Calling: Deutsche im britischen Film der dreissiger Jahre. Schöning, J. (ed.). Edition Text + Kritik, p. 42-54

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1992

  ‘Film-Europa: Dupont und die britische Filmindustrie’

  Higson, A. D., 1992, Ewald Andre Dupont: Autor und Regisseur. Bretschneider, J. (ed.). Edition Text + Kritik, p. 89-100

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1986

  ‘“Britain’s outstanding contribution to the film”: the documentary realist tradition’

  Higson, A. D., 1986, All Our Yesterdays: 90 Years of British Cinema. Barr, C. (ed.). British Film Institute, p. 72-97

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1984

  ‘Five films: addressing the nation’; ‘Afterword’

  Higson, A. D. & Neale, S., 1984, National Fictions: World War 2 in British Films and TV. Hurd, G. (ed.). British Film Institute, p. 22-26; 73-76

  Research output: Chapter in Book/Report/Conference proceeding › Chapter