Catherine Laws

Search results

• 2022

  Experiencing Indeterminacy in Performance

  Laws, C., 4 Jul 2022, In: Contemporary Music Review. 41, 2-3, p. 130-154 25 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• Player Piano and Piano Films: processes of interdisciplinary practice across music, theatre and film

  Laws, C., 16 Sept 2022, (Accepted/In press).

  Research output: Contribution to conference › Paper › peer-review

• Playful Production: Collaborative facilitation in a music ensemble context

  Haddon, E. & Laws, C., Feb 2022, Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford University Press, p. 59-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2021

  Assembling Online: Thre(e)scapes

  Laws, C., 25 Jun 2021.

  Research output: Contribution to conference › Paper

• 2020

  Beckett, music, intermediality: John Tilbury’s Worstward Ho

  Laws, C. A., 17 Apr 2020, (E-pub ahead of print) In: Samuel Beckett Today/Aujourd’hui. 32, 1, p. 116-128 13 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• Being a Player: Embodied Agency in Player Piano

  Laws, C., 5 Nov 2020.

  Research output: Contribution to conference › Paper › peer-review

• Ceci n'est pas un piano (film)

  Laws, C., Im, M., Hughes, J. M. & Quek, L., 2020

  Research output: Non-textual form › Digital or Visual Products

  Open Access

• Performance, Subjectivity, and Experimentation

  Laws, C. A. (ed.), Jul 2020, Leuven: Leuven University Press. 240 p.

  Research output: Book/Report › Book

• Performance, Subjectivity, and Experimentation/ Ceci n’est pas un piano

  Laws, C., 2020, Leuven University Press.

  Research output: Other contribution

• 2019

  Piano Archives, Piano Practices

  Laws, C., 29 Jun 2019.

  Research output: Contribution to conference › Paper

• Ten Bellows (film)

  Laws, C. A., Jessen, E., Im, M., Quek, L. W. & Butterfield, H., 2019

  Research output: Non-textual form › Digital or Visual Products

  Open Access

• under and under

  Laws, C. A., Whitty, P., Im, M. & Quek, L. W., 2019

  Research output: Non-textual form › Digital or Visual Products

• Voices, Bodies, Practices: Performing Musical Subjectivities

  Laws, C. A., Brooks, W., Gorton, D., Thuy, N. T., Östersjö, S. & Wells, J., Nov 2019, Leuven University Press. 328 p. (Orpheus Institute Series )

  Research output: Book/Report › Book

• Voices, Bodies, Practices/ Player Piano

  Laws, C., 2019, Leuven University Press.

  Research output: Other contribution

• 2018

  Beckett in Contemporary Music: Intermedial Considerations

  Laws, C. A., 3 May 2018.

  Research output: Contribution to conference › Paper

• Bodies of Evidence: movement, music, meaning

  Laws, C. A., Coessens, K. & Sewell, S., 2018, Leuven: Leuven University Press.

  Research output: Book/Report › Book

• Moving Bodies, Piano Body

  Laws, C. A., 29 Oct 2018, In: Performance Research. 23, 4-5, p. 351-354 4 p.

  Research output: Contribution to journal › Article › peer-review

• Musical Arts at Dartington

  Laws, C., Wiggins, T., Denyer, F., Sanderson, G. & Prior, D., 2018, In: Theatre, Dance and Performance Training. 9, 3, p. 393-395 3 p.

  Research output: Contribution to journal › Article

• Playful Production: Collaborative Devising in a Music Ensemble Context

  Haddon, H. E. & Laws, C. A., 2018.

  Research output: Contribution to conference › Paper › peer-review

• Review: Renée Levine Packer & Mary Jane Leach (eds), Gay Guerrilla: Julius Eastman and His Music

  Laws, C. A., Sept 2018, In: Transposition: Musique et Sciences Sociales. 7, 7 p.

  Research output: Contribution to journal › Book/Film/Article review

  Open Access

• This Is Not A...

  Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Touch and Go

  Laws, C., Marsh, R. M. & Im, M., 2018

  Research output: Non-textual form › Digital or Visual Products

• When the Wind Blows

  Laws, C. A., Hodkinson, J. & Im, M., 2018

  Research output: Non-textual form › Digital or Visual Products
• 2017

  Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

  Laws, C., 31 Mar 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Performing Indeterrminacy

  Laws, C. A., 30 Jun 2017.

  Research output: Contribution to conference › Paper

• Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

  Laws, C. A., 31 Mar 2017.

  Research output: Contribution to conference › Paper

• THIS IS… IS IT?

  Laws, C. A., 29 Apr 2017.

  Research output: Contribution to conference › Paper

• Winter Music

  Laws, C. A., Thomas, P., Tilbury, J. & Knoop, M., 2017

  Research output: Non-textual form › Digital or Visual Products

• 2016

  Audio recording: 'Ceci n'est pas un piano,' for piano, recorded voice and electronics

  Laws, C. A. & Hughes, J. M., 2016

  Research output: Non-textual form › Digital or Visual Products

• Film: The Writing's on the Wall

  Laws, C. A., Harron, D. & Productions, S. A., Jun 2016, (Accepted/In press)

  Research output: Non-textual form › Digital or Visual Products

• Piano Personae: Performance, Subjectivity and Experimentation

  Laws, C. A., 17 Jul 2016.

  Research output: Contribution to conference › Paper

• Player Piano

  Laws, C. A., 5 May 2016

  Research output: Non-textual form › Performance

• 2015

  Performance, Subjectivity and Experimentation

  Laws, C., 30 Sept 2015.

  Research output: Contribution to conference › Paper

• Premiere of Ten Bellows (for piano, electronics and assistant) by Edward Jessen

  Laws, C., 30 Sept 2015

  Research output: Non-textual form › Performance

• The Legacy of Beckett in Music Theatre

  Laws, C., 10 Apr 2015.

  Research output: Contribution to conference › Paper
• 2014

  Beckett in New Musical Composition

  Laws, C., 2014, In: Journal of Beckett Studies . 23, 1, p. 54-72 19 p.

  Research output: Contribution to journal › Article › peer-review

• 'Embodiment and Gesture in Performance: Practice-led Perspectives

  Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Experiment in Practice

  Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Feldman Pianos

  Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

  Research output: Non-textual form › Performance

• Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

  Laws, C., 1 Dec 2014.

  Research output: Contribution to conference › Paper

• Morton Feldman: Music for 3 and 4 pianos

  Laws, C., Thomas, P. & Tilbury, J., 2014

  Research output: Non-textual form › Digital or Visual Products

• Musical Subjectivity in Action: Piano Personae.

  Laws, C., 2 Oct 2014.

  Research output: Contribution to conference › Paper

• Music in Beckett’s Nacht und Träume: Vocality and Imagination

  Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Performances of 2 new pieces for piano and other things, plus one new version of an extant work.

  Laws, C., 1 Dec 2014

  Research output: Non-textual form › Performance

• Premieres of two new pieces for piano (and other elements) by Roger Marsh and Paul Whitty.

  Laws, C., 2 Oct 2014

  Research output: Non-textual form › Performance

• Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

  Laws, C. & Iddon, M., 2014

  Research output: Non-textual form › Digital or Visual Products

• Samuel Beckett: Dramatic text as music, music as text (invited paper)

  Laws, C., 19 May 2014.

  Research output: Contribution to conference › Paper
• 2013

  Ceci n'est pas une pianiste

  Laws, C., 2 Oct 2013

  Research output: Non-textual form › Performance

• Disjointed

  Laws, C., Brooks, W. & Harron, D., 2013

  Research output: Non-textual form › Digital or Visual Products

• Fissures, fragments and the prospect of silence in the work of Samuel Beckett

  Laws, C., 7 Aug 2013.

  Research output: Contribution to conference › Paper