Catherine Laws

Search results

• 2022

  Playful Production: Collaborative facilitation in a music ensemble context

  Haddon, E. & Laws, C., Feb 2022, Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford University Press, p. 59-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2018

  This Is Not A...

  Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2017

  Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett’s All That Fall

  Laws, C., 31 Mar 2017, Samuel Beckett and BBC Radio : A Reassessment. Addyman, D., Feldman, M. & Tonning, E. (eds.). Palgrave Macmillan, p. 103-138 35 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2014

  'Embodiment and Gesture in Performance: Practice-led Perspectives

  Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Experiment in Practice

  Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Music in Beckett’s Nacht und Träume: Vocality and Imagination

  Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2013

  Samuel Beckett and Music

  Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2011

  Morton Feldman’s Late Piano Music: Experimentalism in Practice

  Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2010

  Beckett and Unheard Sound

  Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2009

  Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

  Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2003

  Beethoven’s Haunting of Beckett’s 'Ghost Trio'

  Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1998

  Morton Feldman’s 'Neither’.

  Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter