Research output per year
Research output per year
- 25 results
Search results
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2022
Player Piano and Piano Films: processes of interdisciplinary practice across music, theatre and film
Laws, C., 16 Sept 2022, (Accepted/In press).Research output: Contribution to conference › Paper › peer-review
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2021
Assembling Online: Thre(e)scapes
Laws, C., 25 Jun 2021.Research output: Contribution to conference › Paper
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2020
Being a Player: Embodied Agency in Player Piano
Laws, C., 5 Nov 2020.Research output: Contribution to conference › Paper › peer-review
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2019
Piano Archives, Piano Practices
Laws, C., 29 Jun 2019.Research output: Contribution to conference › Paper
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2018
Beckett in Contemporary Music: Intermedial Considerations
Laws, C. A., 3 May 2018.Research output: Contribution to conference › Paper
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Playful Production: Collaborative Devising in a Music Ensemble Context
Haddon, H. E. & Laws, C. A., 2018.Research output: Contribution to conference › Paper › peer-review
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2017
Performing Indeterrminacy
Laws, C. A., 30 Jun 2017.Research output: Contribution to conference › Paper
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Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?
Laws, C. A., 31 Mar 2017.Research output: Contribution to conference › Paper
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2016
Piano Personae: Performance, Subjectivity and Experimentation
Laws, C. A., 17 Jul 2016.Research output: Contribution to conference › Paper
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2015
Performance, Subjectivity and Experimentation
Laws, C., 30 Sept 2015.Research output: Contribution to conference › Paper
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The Legacy of Beckett in Music Theatre
Laws, C., 10 Apr 2015.Research output: Contribution to conference › Paper
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2014
Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction
Laws, C., 1 Dec 2014.Research output: Contribution to conference › Paper
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Musical Subjectivity in Action: Piano Personae.
Laws, C., 2 Oct 2014.Research output: Contribution to conference › Paper
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Samuel Beckett: Dramatic text as music, music as text (invited paper)
Laws, C., 19 May 2014.Research output: Contribution to conference › Paper
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2013
Fissures, fragments and the prospect of silence in the work of Samuel Beckett
Laws, C., 7 Aug 2013.Research output: Contribution to conference › Paper
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Sound and Music in Beckett's All That Fall
Laws, C., 9 Dec 2013.Research output: Contribution to conference › Paper
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2012
Music in Beckett’s Nacht und Träume: Vocality and Imagination
Laws, C., 2012.Research output: Contribution to conference › Paper
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2011
Creative Accounting: Beckett and the re-imagining of musical authority
Laws, C., Jun 2011, (In preparation).Research output: Contribution to conference › Paper
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Sounded gesture and enacted sounds (preliminary report)
Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).Research output: Contribution to conference › Paper
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Sounded Gestures and Enacted Sounds (updated version)
Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).Research output: Contribution to conference › Paper
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The Writing’s on the Wall? The piano in co-creative contexts.
Laws, C., Apr 2011.Research output: Contribution to conference › Paper
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2010
'I could show you all I know’: Elements of co-creativity in a music theatre context
Laws, C., 2010, (Unpublished).Research output: Contribution to conference › Paper
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2009
Feldman's Piano Music and Experimental Practising
Laws, C., 2009.Research output: Contribution to conference › Paper › peer-review
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'Headaches Among the Overtones': Thinking Through Music in Beckett.
Laws, C., 2009, (Unpublished).Research output: Contribution to conference › Paper