Emily Claire Worthington — York Research Database

Phone(01904) 321857
Emailemily.worthingtonyork.acuk

3 Paper
3 Performance
3 Other contribution
2 Chapter
More
- 1 Other
- 1 Article

Individuality, Corporate Identity and the Development of Wind Playing Style in the Recordings of the BBC Symphony Orchestra and London Philharmonic Orchestra, 1930-1939
Worthington, E. C., 2023, Early Sound Recordings: Academic Research and Practice. Moreda Rodriguez, E. & Stanovic, I. (eds.). Abingdon, Oxon; New York: Routledge, p. 31-49 19 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Whose arrangement is it anyway? Coming to terms with Carl Czerny’s use of extended instrumental range in his 1805 Harmoniemusik of Beethoven’s Septet Op. 20.
Worthington, E. C., 24 Nov 2022, (Unpublished).
Research output: Contribution to conference › Paper
Beethoven Transformed: Vol. 2
Worthington, E., 30 Oct 2020, Resonus.
Research output: Other contribution

Baermann's Body: Understanding Embodiment in Historically Informed Performance
Worthington, E. C.
AHRC
16/01/23 → 15/07/25
Project: Research project (funded) › Research

2 Oral presentation
1 Seminar/workshop/course

19th Century Salon & les Salons Bruxello-Gantoises
Emily Claire Worthington (Advisor)
7 Dec 2022 → 9 Dec 2022
Activity: Participating in or organising an event › Seminar/workshop/course
Practice-led Methodologies in Early Recording Research: Researching player agency in early orchestral recordings
Emily Claire Worthington (Speaker)
2 Jul 2022
Activity: Talk or presentation › Oral presentation
Whose arrangement is it anyway? Coming to terms with Carl Czerny’s use of extended instrumental range in his 1805 Harmoniemusik of Beethoven’s Septet Op. 20.
Emily Claire Worthington (Speaker)
2 Jul 2022
Activity: Talk or presentation › Oral presentation