Emily Claire Worthington

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• 2022

  Whose arrangement is it anyway? Coming to terms with Carl Czerny’s use of extended instrumental range in his 1805 Harmoniemusik of Beethoven’s Septet Op. 20.

  Worthington, E. C., 24 Nov 2022, (Unpublished).

  Research output: Contribution to conference › Paper

• 2015

  (Re-)constructing Richard Mühlfeld? Rubato and Rhythmic Freedom in Brahms's Clarinet Sonata Op. 120 No. 2 Mvt. 1

  Worthington, E. C., 2 Jul 2015, (Unpublished).

  Research output: Contribution to conference › Paper

• Orchestrating British Musical Identity: Boult and the BBC Symphony Orchestra, 1930–39

  Worthington, E. C., 16 Apr 2015, (Unpublished).

  Research output: Contribution to conference › Paper