Hauke Egermann

Search results

• 2019

  Are musical emotions different from emotions experienced in everyday life?

  Kayser, D. & Egermann, H., 2019.

  Research output: Contribution to conference › Abstract › peer-review

• Measuring the audience experience - How can we capture audience experience with quantitative and qualitative methods?

  Egermann, H. W., Toelle, J. & Weining, C., 1 Feb 2019.

  Research output: Contribution to conference › Abstract › peer-review

• Psychological and Environmental Factors in the Onset of Musician’s Focal Dystonia: An Exploratory Grounded Theory Study

  Detari, A. & Egermann, H., 2019.

  Research output: Contribution to conference › Abstract › peer-review

• Psychosocial Work Environment of Musicians: How does it differ from the general workforce?

  Detari, A., Vaag, J. & Egermann, H. W., 2019.

  Research output: Contribution to conference › Abstract › peer-review

• Verwendung automatischer Gesichtsanalyse und Selbstbericht zur Erforschung musik-induzierter Emotion im Konzertsaal

  Kayser, D. & Egermann, H., 2019.

  Research output: Contribution to conference › Abstract › peer-review

• 2018

  An Investigation into The Effect of Induced Empathy On Emotional Responses to Music

  O'Neill, K. & Egermann, H. W., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• Are musical aesthetic emotions embodied?

  Egermann, H. W. & Kayser, D., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• Audience's Breath: Collective Respiratory Coordination in Response to Music

  Upham, F., Egermann, H. W. & McAdams, S., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• How do Musical Means of Expression Affect the Perception of Musical Meaning?

  Herzog, M., Lepa, S., Steffens, J., Egermann, H. W. & Schoenrock, A., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• The Effect of Temperament Systems on Emotion-Induction and Learning

  Altun, F. & Egermann, H. W., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• “Rhythm or Gestalt?” – Towards Integrating Embodied Music Cognition into Music Recommender Services via Smartphone-Assessed Movement

  Irrgang, M., Egermann, H. W., Steffens, J. & Weinzierl, S., 2018. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• 2017

  Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

  Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

  Research output: Contribution to conference › Abstract › peer-review

  Open Access

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• Conscious and Subconscious Body Movement: An Exploratory Study into Expressive and Technical Gestures in Piano Playing

  Czepiel, A. & Egermann, H. W., 2017. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• Does Practise Make Perfect? An Investigation on the Effect of the Presence of Other People on Eliciting the Dominant Response in Musical Performance.

  O'Neill, K. & Egermann, H. W., 2017. 1 p.

  Research output: Contribution to conference › Abstract › peer-review

• Interaction between Aesthetic Judgement and Emotional Processing: Studying a Concert Audience Listening to Contemporary Music

  Egermann, H. W., Reuben, F. & McCall, C. A., 2017, (Accepted/In press) p. 150-151.

  Research output: Contribution to conference › Abstract › peer-review

• "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

  Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

  Research output: Contribution to conference › Abstract › peer-review