Jenna Pei-Suin Ng

Search results

• 2023

  Crossing Space-Time Action: Digital Self-tracking Technologies and the Zero-Dimensionality of the Transmedia Self

  Ng, J. P-S., 20 Oct 2023, Transmedia Selves: Identity and Persona Creation in the Age of Mobile and Multiplatform Media. Dalby, J. & Freeman, M. (eds.). Abingdon: Routledge, p. 85-99 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Here I Am, Telling You My Story: Faces, Imagination and Storytelling in People We Love

  Ng, J. P-S., 2023, 2 p. Viborg : Viborg Kunsthal.

  Research output: Other contribution

  Open Access

  File

• Spooker Trouper: ABBA Voyage, Virtual Humans and the Rise of the Digital Apparition

  Ng, J. P-S. & Bax, N., 1 Jul 2023, In: Paragraph. 46, 2, p. 160-175 16 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• The Interactive Letter: Co-Authorship and Interactive Media in Emily Short's First Draft of the Revolution

  Ng, J. P-S., 14 Feb 2023, Epistolary Entanglements in Film, Media and the Visual Arts. Higgins, T. & Fowler, C. (eds.). Amsterdam: Amsterdam University Press, p. 173-189 17 p. (Film Culture in Transition).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal

  Ng, J. P-S. & Tomkins, O., 1 Jul 2023, In: Screenworks. 13, 1, 11.

  Research output: Contribution to journal › Article › peer-review

  Open Access

• The New Virtuality: A Creative Website on Blurred Boundaries Between the Real and Unreal

  Ng, J. P-S. & Tomkins, O., 26 Apr 2023, In: MAST: The Journal of Media Art, Study Theory. 4, Blurring Digital Media Culture, p. 96-108

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• The New Virtuality: A Creative Website on the Disappearing Differences Between Real and Unreal

  Ng, J. P-S. & Tomkins, O., 17 Jun 2023, In: Interactive film and media journal. 3, 2, 9 p., 1771.

  Research output: Contribution to journal › Conference article › peer-review

  Open Access

  File
• 2022

  Between Subjectivity and Flourishing: Creativity and Game Design as Existential Meaning

  Newsome-Ward, T. & Ng, J. P-S., 1 Jun 2022, In: Games and Culture. 17, 4, p. 552-575 24 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• Framing the Startup Accelerator Through Assemblage Theory: A case study of an intensive hub in Indonesia

  Luik, J., Hook, J. D. & Ng, J. P-S., Dec 2022, In: Convergence: The International Journal of Research into New Media Technologies. 28, 6, p. 1783-1799

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• The New Virtuality: A Creative Practice Research Website on the Disappearing Differences Between Real and Unreal

  Ng, J. P-S. & Tomkins, O., 31 Aug 2022

  Research output: Non-textual form › Web publication/site

• The New Virtuality: A Video Essay on the Disappearing Differences Between Real and Unreal

  Ng, J. P-S. & Tomkins, O., 26 Aug 2022

  Research output: Non-textual form › Digital or Visual Products

  Open Access

• Wayfaring in space: Story as environmental encounters in Ruins (2011) and Sacramento (2016)

  Ng, J. P-S. & Carter, R., Dec 2022, In: New Techno-Humanities. 2, 2, p. 113-120

  Research output: Contribution to journal › Article › peer-review

  Open Access

• Where the Violence Lies: Re-reading rape and revenge in Freeze Me (Takashi Ishii, 2000)

  Ng, J. P-S., 2022, The Forgotten Victims of Sexual Violence in Film, Television and New Media. Patrick, S. & Rajiva, M. (eds.). Palgrave Macmillan, p. 179-202

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• “People Inside”: Creating Digital Community Projects on the YARN Platform

  Ng, J. P-S., 5 Nov 2022, Palgrave Handbook of Digital and Public Humanities. Palgrave Macmillan, p. 357-376

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review
• 2021

  An Alternative Rationalisation of Creative AI by De-Familiarising Creativity: Towards an Intelligibility of Its Own Terms

  Ng, J. P-S., 2021, AI for Everyone?: Critical Perspectives . Verdegem, P. (ed.). London: University of Westminster Press, (Critical, Digital and Social Media Studies).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Post-Screen Through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie

  Ng, J. P-S., 28 Nov 2021, Amsterdam: Amsterdam University Press. 282 p. (MediaMatters)

  Research output: Book/Report › Book

• Transmedia Non-Fiction in China: Mapping the Transmediality of “Yiyi”, the Youngest Survivor of the 2011 Wenzhou Train Crash

  Ng, J. P-S. & Jiang, S., 7 Mar 2021, Transmedia in Asia and the Pacific: Industry, Practice, and Transcultural Dialogues. Lam, C. & Gilardi, F. (eds.). Palgrave Macmillan, p. 83-105

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2020

  The Cut Between Us: Digital remix and the expression of self

  Ng, J. P-S., 2020, The Routledge Companion to Cult Cinema. Mathijs, E. & Sexton, J. (eds.). Abingdon; New York: Routledge, p. 217-228 12 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2019

  She Crawls Out of the TV, or, On the Gendered Screen

  Ng, J. P-S., 1 Jul 2019, In: Media Fields Journal: Critical Explorations in Media and Space. 14

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• Virtual Hubs: Understanding Relational Aspects and Remediating Incubation

  Luik, J. E., Ng, J. P-S. & Hook, J. D., 4 May 2019, Proceedings of the ACM CHI 2019 Conference on Human Factors in Computing Systems. ACM

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

  File
• 2018

  Algorithmic Studies

  Goldberg, D. T. & Ng, J. P-S., 2018, Posthuman Glossary. Braidotti, R. & Hlavajova, M. (eds.). Bloomsbury Publishing, p. 26-27 2 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• “More than just Space”: Designing to Support Assemblage in Virtual Creative Hubs

  Luik, J. E., Ng, J. P-S. & Hook, J. D., 8 Jun 2018, DIS 2018 - Proceedings of the 2018 Designing Interactive Systems Conference. ACM, p. 1269-1282 14 p. (ACM Proceedings).

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

  File
• 2017

  "We Are Data": The Cyberpunk Imaginary of Data Worlds in Watch Dogs

  Ng, J. P-S. & Macdonald, J., 2017, Cyberpunk and Visual Culture. Schmeink, L. & Murphy, G. (eds.). New York: Routledge, p. 174-189 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• 2016

  Machinima

  Ng, J. P-S., 2016, Debugging Game History: A Critical Lexicon. Lowood, H. & Guins, R. (eds.). MIT Press , p. 287-296 15 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Half-Imagined Past: The Audio-Depiction of 1960s Capitalism and Freedom in the Music of Wolfenstein: The New Order and Mad Men

  Barrett, J. & Ng, J. P-S., 31 Dec 2016, In: Kinephanos: Journal of Media Studies and Popular Culture. 6, 1, p. 87-113

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
• 2014

  Surface, Display, Life: Re-thinking the Screen from Projection to Video Mapping

  Ng, J. P-S., Feb 2014, In: Archives of Design Research. 27, 1, p. 73-91 19 p.

  Research output: Contribution to journal › Article › peer-review

• "You have all the weapons you need": Sucker Punch and the Multiform Gaze

  McKeown, C. & Ng, J. P-S., 1 Oct 2014, In: The Computer Games Journal. 3, 2, p. 54-63 10 p.

  Research output: Contribution to journal › Article › peer-review
• 2013

  Agency, simulation, gamification, machinima: An interview with Isabelle Arvers

  Ng, J. P-S. & Arvers, I., 2013, Understanding Machinima: Essays on filmmaking in virtual worlds. Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. 245 251 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• A Pedagogy of Craft: Teaching Culture Analysis with Machinima

  Ng, J. & Barrett, J., 2013, Understanding Machinima: essays on filmmaking in virtual worlds. Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. 227 244 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Genuinely New: The Strategy of Remix in Live Blogs

  Ng, J. P-S., 2013, In: Authorship. 2, 2, 13 p.

  Research output: Contribution to journal › Article › peer-review

• Introduction

  Ng, J. P-S., 2013, Understanding Machinima: Essays on filmmaking in virtual worlds . Ng, J. (ed.). New York; London: Bloomsbury Publishing, p. xii-xxvii 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• Talk to me: a digital art web installation

  Ng, J. P-S., Troisi, A. & Gregg, S., 15 Oct 2013, Proc. of the 10th International Symposium on Computer Music Multidisciplinary Research, Marseille, France. p. 1025-1028 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

• Understanding Machinima: Essays on filmmaking in virtual worlds

  Ng, J. (ed.), 2013, London, New York: Bloomsbury Publishing. 266 p.

  Research output: Book/Report › Book

• 2012

  Avatar (James Cameron, 2009)

  Ng, J. (ed.) & Brown, W. (ed.), Nov 2012, In: Animation: an interdisciplinary journal. 7, 3

  Research output: Contribution to journal › Special issue › peer-review

• Media X In the Interstices: Emergent spaces between print and digital (or, on machinima, QR codes, and turning ten)

  Ng, J., Jun 2012, In: Inquire: Journal of Comparative Literature. 2, 2

  Research output: Contribution to journal › Special issue

• Seeing Movement: On Motion Capture Animation and James Cameron’s Avatar

  Ng, J., Nov 2012, In: Animation. 7, 3, p. 273-286 14 p.

  Research output: Contribution to journal › Article › peer-review
• 2011

  Fingers, Futures, Fates: Viewing Interactive Cinema in Kinoautomat and Sufferrosa

  Ng, J., Dec 2011, In: Screening the Past. 32, n/a

  Research output: Contribution to journal › Article › peer-review

• Neoliberalism and authoritarianism in Singaporean cinema: a case study of Perth

  Ng, J., 11 Apr 2011, Neoliberalism and Global Cinema: Capital, culture and Marxist critique. Kapur, J. & Wagner, K. (eds.). New York: Routledge, p. 261-278 18 p. (Routledge Advances in Film Studies; vol. 9).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• "We Walk Amid Crowds, Ride, Fly and Fall with the Hero": Avatars and Posthumanism

  Ng, J., 2011, The Projected and the Prophetic: Humanity in Cyberculture, Cyberspace, and Science Fiction. Copeland, J. J. (ed.). Inter-Disciplinary Press, p. 13-20 7 p.

  Research output: Chapter in Book/Report/Conference proceeding › Other chapter contribution

• 2010

  Derived embodiment: Interrogating posthuman identity through the digital avatar

  Ng, J. P-S., 2010, IEEE Xplore. Vol. 2. p. 315-318 4 p.

  Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

  Open Access

• Svensk synd och japansk oskuld? En jämförelse av syndiga filmer 1950-1980

  Translated title of the contribution: Swedish sin or Japanese virgin? : A comparison of sinful films 1950-1980Ng, J. & Danielsson, J., 2010, In: Kulturella Perspektiv . 2, p. 12-24

  Research output: Contribution to journal › Article › peer-review

• The Myth of Total Cinephilia

  Ng, J., Dec 2010, In: Cinema Journal. 49, 2, p. 146-151 6 p.

  Research output: Contribution to journal › Article › peer-review

• 2009

  A Point of Light: Epiphanic Cinephilia in Mamoru Oshii’s Avalon

  Ng, J., 2009, Cinephilia in the Age of Digital Reproduction: Film, Pleasure and Digital Culture. Sperb, J. & Balcerzak, S. (eds.). Wallflower Press, p. 71-88

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

• The Handheld Digital Camera Aesthetics of The Blair Witch Project and Cloverfield (via Strange Days)

  Ng, J. P-S., Jun 2009, In: 16:9: A Danish Journal of Film Studies. 32

  Research output: Contribution to journal › Article › peer-review

  Open Access

• World of Grey: All About Lily Chou-Chou

  Ng, J., Mar 2009, In: Rouge. 13

  Research output: Contribution to journal › Book/Film/Article review

• 2008

  Reality, Revealing, Revelation: Conference review of “New Directions in Turkish Film Studies Conference IX: Cinema and Reality", Kadir Has Üniversitesi, Istanbul, 2-4 May 2008

  Ng, J., Oct 2008, In: Scope: an online journal of film & TV studies. 12

  Research output: Contribution to journal › Book/Film/Article review

• The Question of Value: A Review of Michael Clayton

  Ng, J., 2008, In: Opticon 1826. 4

  Research output: Contribution to journal › Book/Film/Article review

• 2007

  Cinephilia in Turin, Or, Passion in a Handful of Dust

  Ng, J., Feb 2007, In: Bright Lights Film Journal . 55

  Research output: Contribution to journal › Book/Film/Article review

• Poetry of Squalor: Exploring the borgata in Pier Paolo Pasolini’s Accattone

  Ng, J., 2007, In: Opticon 1826. 2

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File

• Virtual Cinematography and the Digital Real: (Dis)placing the Moving Image Between Reality and Simulacra

  Ng, J., 2007, The State of the Real : Aesthetics in the Digital Age. Sutton, D., McKenzie, R. & Brind, S. (eds.). IB Tauris, p. 172-180

  Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review