Liz Prettejohn

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• 2022

  Frederick Cayley Robinson, The Pre-Raphaelite Legacy, and The Close of the Day

  Prettejohn, L., 12 May 2022, Modern Pre-Raphaelite Visionaries: British Art 1880-1930. Eden, A. (ed.). Leamington Spa: Leamington Spa Art Gallery & Museum, p. 59-63

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2018

  Burne-Jones: Intellectual, Designer, People's Man

  Prettejohn, E. F., 24 Oct 2018, Edward Burne-Jones. Smith, A. (ed.). London: Tate Publishing, p. 13-21

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• High Renaissance Inspirations: Raphael and the Venetians

  Prettejohn, E. F., 4 Jun 2018, Truth & Beauty: The Pre-Raphaelites and the Old Masters. Buron, M. (ed.). San Francisco: Fine Arts Museums of San Francisco, p. 165-70

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Series Paintings

  Prettejohn, E. F., 24 Oct 2018, Edward Burne-Jones. Smith, A. (ed.). London: Tate Publishing, p. 169-195

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Winckelmann and the Art of Modernity

  Prettejohn, E. F. & Martindale, C. A., 2 Mar 2018, The Classical Now. Squire, M., Cahill, J. & Allen, R. (eds.). London: King's College London/Elephant Publishing, p. 47-60

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2016

  Botticelli and the Pre-Raphaelites

  Prettejohn, E. F., Feb 2016, Botticelli Reimagined. Evans, M. & Weppelmann, S. (eds.). London: Victoria and Albert Museum , p. 76-81

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Leighton's Last Academy

  Prettejohn, E. F., 2016, Flaming June: The Making of an Icon. Blake, C. (ed.). London: The Royal Borough of Kensington and Chelsea, p. 36-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2015

  Introduction

  Prettejohn, E. F., Feb 2015, Liberating Fashion: Aesthetic Dress in Victorian Portraits. Addison, R. & Underwood, H. (eds.). Compton, Surrey: Watts Gallery, p. 9-11 3 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2014

  Burne-Jones's Love Among the Ruins, Rossetti's Proserpine

  Prettejohn, E. F., 2014, Pre-Raphaelite and Other Masters: The Andrew Lloyd Weber Collection: A Supplement. London: Royal Academy of Arts / Christie's, p. 14-16, 34-7

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• La question de la peinture d'histoire en Grande-Bretagne

  Translated title of the contribution: The Question of History Painting in Great BritainPrettejohn, E. F., 2014, L'Invention du passe: Histoires de coeur et d'epee en Europe. Paccoud, S. & Bann, S. (eds.). Lyon: Musee des Beaux-Arts de Lyon, p. 254-63, 294-7 14 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2013

  In Dialogue with Antiquity: Alma-Tadema's Studio Houses

  Prettejohn, E. F., 2013, In the Temple of the Self: The Artist's Residence as a Total Work of Art: Europe and America 1800=1948. Munich: Hatje Cantz, p. 104-19 16 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2012

  Seeing and Making Art in Rome: Carel Vosmaer's The Amazon

  Prettejohn, L., 2012, Romans and Romantics. Saunders, T. (ed.). Oxford University Press, (Classical Presences series).

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Pre-Raphaelite Legacy

  Prettejohn, L., 2012, Pre-Raphaelites: Victorian Avant-Garde Exhibition Catalogue. Barringer, T., Rosenfeld, J. & Smith, A. (eds.). Tate Publishing, p. 231-6

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2011

  'Aestheticism in Painting' and 'Late Paintings'

  Prettejohn, L., 2011, The Cult of Beauty: The Aesthetic Movement 1860-1900 Exhibition Catalogue. Calloway, S. & Federle Orr , L. (eds.). Victoria and Albert Museum , p. 64-79, 238-41

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Introduction: Life, Legend and Landscape: A Miscellany

  Prettejohn, L., 2011, Life, Legend, Landscape: Victorian Drawings and Watercolours Exhibition Catalogue. Selborne, J. (ed.). Courtauld Gallery/Paul Holberton Publishing, p. 8-16

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2010

  Art

  Prettejohn, L., 2010, The Cambridge Companion to Victorian Culture. O'Gorman, F. (ed.). Cambridge University Press, p. 195-218

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Medea, Frederick Sandys, and the Aesthetic Moment

  Prettejohn, L., 2010, Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. Bartel, H. & Simon, A. (eds.). Legenda, p. 94-112

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2009

  Alma-Tadema, Phidias Showing the Frieze of the Parthenon to his Friends

  Prettejohn, L., 2009, Sculpture in Painting: Exhibition Catalogue. Curtis, P. (ed.). Henry Moore Institute Leeds, p. 106-7

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Frederic Leightons Klassizismus

  Prettejohn, L., 2009, Frederic Lord Leighton 1830-1896: Maler und Bildhauer der viktorianischen Zeit Exhibition Catalogue. Th. Brandlhuber , M. & Buhrs, M. (eds.). Munich: Museum Villa Stuck/ Prestel Verlag, p. 32-77

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Pre-Raphaelite Beauty

  Prettejohn, L., 2009, The Pre-Raphaelites: Exhibition Catalogue. Ahlund, M. (ed.). Stockholm: Nationalmuseum, p. 53-65

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2008

  'The Pre-Raphaelite Brotherhood and the Painting of Contemporary Life` and ‘Aestheticism’

  Prettejohn, L., 2008, The History of British Art. Bindman, D. (ed.). Tate Publishing, p. vol. 2, pp. 184-5, and vol. 3, pp. 34-5

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2006

  Reception and Ancient Art: The Case of the Venus de Milo

  Prettejohn, L., 2006, Classics and the Uses of Reception. Martindale, C. & Thomas, R. (eds.). Wiley-Blackwell, p. 227-49

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The Pre-Raphaelite Model

  Prettejohn, L., 2006, Model and Supermodel: the artist’s model in British art and culture. Desmarais, J., Postle, M. & Vaughan, W. (eds.). Manchester University Press, p. 24-46

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2005

  Solomon’s Classicism

  Prettejohn, L., 2005, Love Revealed: Simeon Solomon and the Pre-Raphaelites: Exhibition Catalogue. Cruise, C. (ed.). Merrell Publishers, p. 39-45

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2004

  Between Homer and Ovid: metamorphoses of the “grand style” in G.F. Watts

  Prettejohn, L., 2004, Representations of G.F. Watts: Art Making in Victorian Culture. Trodd, C. & Brown, S. (eds.). Ashgate, p. 49-64

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2001

  Images of the Past in Victorian Painting

  Prettejohn, L., 2001, Love and Death: Art in the Age of Queen Victoria Exhibition Catalogue. Trumble, A. (ed.). Art Gallery of South Australia, p. 85-91

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 2000

  Leighton: the aesthete as academic

  Prettejohn, L., 2000, Art and the academy in the nineteenth century. Cardoso Denis , R. & Trodd, C. (eds.). Manchester University Press, p. 33-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• The modernism of Frederic Leighton

  Prettejohn, L., 2000, English Art 1860-1914: modern artists and identity. Peters Corbett, D. & Perry, L. (eds.). Manchester University Press, p. 31-48

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1999

  Out of the Nineteenth Century: Roger Fry’s Early Art Criticism, 1900-06

  Prettejohn, L., 1999, Art Made Modern: Roger Fry’s Vision of Art Exhibition Catalogue. Green, C. (ed.). Merrell Publishers, p. 31-44

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• “The monstrous diversion of a show of gladiators”: Simeon Solomon’s Habet!

  Prettejohn, L., 1999, Roman Presences: Receptions of Rome in European Culture, 1789-1945. Edwards, C. (ed.). Cambridge University Press, p. 157-72

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1997

  La Real Academia victoriana: mercado moderno e institución tradicional

  Prettejohn, L., 1997, La era victoriana: un siglo de pintura Británica Exhibition Catalogue. Museo Nacional de San Carlos, p. 42-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1996

  Recreating Rome in Victorian Painting: from History to Genre and Catalogue II Recreating Rome

  Prettejohn, L., 1996, Imagining Rome: British Artists and Rome in the Nineteenth Century: Exhibition Catalogue. Liversidge, M. & Edwards, C. (eds.). Merrell Holberton Publishers, p. 54-69, 125-70

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• 1994

  Checklist of Samuel Courtauld’s Acquisitions of Modern French Paintings` and `Modern Foreign Paintings and the National Art Collections: Anthology of British Texts, 1905-32`

  Prettejohn, L., 1994, Impressionism for England: Samuel Courtauld as Patron and Collector: Exhibition Catalogue. House, J. (ed.). Yale University Press, p. 221-52

  Research output: Chapter in Book/Report/Conference proceeding › Chapter