Louise Emma Lepage

Search results

• 2020

  The Importance of Realism, Character, and Genre: How Theatre Can Support the Creation of Likeable Sociable Robots

  LePage, L., 12 Dec 2020, (E-pub ahead of print) In: International Journal of Social Robotics. 15 p.

  Research output: Contribution to journal › Article › peer-review

  Open Access

  File
• 2017

  Believing in Robots

  LePage, L., May 2017, (Unpublished).

  Research output: Contribution to conference › Paper

  File
• 2016

  Inside Robot Theatre: What Happens When Robots (and Children) Take to the Stage?

  LePage, L., 20 Apr 2016, Louise LePage, www.robottheatre.co.uk.

  Research output: Other contribution

  Open Access

• Introduction: What Happens Now

  LePage, L. & Adiseshiah, S., Jul 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 1-13 13 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter

• Machine-Hamlet: To be, or not to be

  LePage, L., 20 Apr 2016

  Research output: Non-textual form › Digital or Visual Products

• Things That Always Tend to Happen in Simon Stephens' Plays

  LePage, L., Sept 2016, In: Contemporary Theatre Review. Interventions 26, 3

  Research output: Contribution to journal › Article

  Open Access

• www.robottheatre.co.uk

  LePage, L., 1 Jun 2016

  Research output: Non-textual form › Web publication/site

• ‘Thinking Something Makes It So': Performing robots, the workings of mimesis and the importance of character

  LePage, L., Jul 2016, Twenty-First Century Drama: What Happens Now. Adiseshiah, S. & LePage, L. (eds.). Palgrave Macmillan, p. 279-301 23 p.

  Research output: Chapter in Book/Report/Conference proceeding › Chapter
• 2014

  Rethinking Sarah Kane's Characters: A Human(ist) Form and Politics

  LePage, L., Jul 2014, In: Modern Drama. 57, 2, p. 252-272 21 p.

  Research output: Contribution to journal › Article › peer-review
• 2012

  Beyond Character: A Post/Humanist Approach to Modern Theatre

  LePage, L. E., 2012

  Research output: Thesis › Doctoral Thesis

• 2008

  Posthuman Perspectives and Postdramatic Theatre: The Theory and Practice of Hybrid Ontology in Katie Mitchell’s The Waves

  Lepage, L., 2008, In: Cultura, lenguaje y representación: revista de estudios culturales de la Universitat Jaume I. 6, p. 137-149 13 p.

  Research output: Contribution to journal › Article