Martin Charles Suckling

Search results

• 2022

  Martin Suckling: The Tuning

  Suckling, M. C., Christopher, G. (Performer), Fontanals-Simmons, M. (Performer), Campbell, J. (Performer), van Kuijk, S. (Performer), Aurora Orchestra (Performer) & Leviston, F. (Performer), 28 Jan 2022

  Research output: Non-textual form › Digital or Visual Products

  Open Access

• Òran Fìdhle / Violin Song: 21 violin duos

  Suckling, M. C., Feb 2022

  Research output: Non-textual form › Composition

• 2021

  Etude: 'Orrery': for piano

  Suckling, M. C., 2021

  Research output: Non-textual form › Composition

  Open Access

• Martin Suckling: This Departing Landscape

  Suckling, M. C., 12 Feb 2021

  Research output: Non-textual form › Digital or Visual Products

  Open Access
• 2020

  these bones, this flesh, this skin

  Suckling, M. C., Clevillé, J. & Reeves, G., 6 Aug 2020

  Research output: Non-textual form › Digital or Visual Products

  Open Access
• 2019

  Her Lullaby: for solo viola, solo violin, or solo cello

  Suckling, M. C., 2019

  Research output: Non-textual form › Composition

• The Tuning: Five Donaghy Songs

  Suckling, M. C., 2019

  Research output: Non-textual form › Composition

  Open Access

• This Departing Landscape for symphony orchestra

  Suckling, M. C., 2019

  Research output: Non-textual form › Composition

  Open Access
• 2018

  Meditation (after Donne): for chamber orchestra and live electronics

  Suckling, M. C., 2018

  Research output: Non-textual form › Composition

• Radulescu: the other spectralist

  Suckling, M. C., 19 Jun 2018, In: Tempo. 72, 285, p. 20-40

  Research output: Contribution to journal › Article

  Open Access

  File
• 2017

  Sculpting sound: metaphor, material and contemporary music

  Suckling, M. C., 8 May 2017, (Unpublished).

  Research output: Contribution to conference › Paper

• String Quintet, Emily's Electrical Absence

  Suckling, M. C., 2017

  Research output: Non-textual form › Composition

• The White Road (after Edmund de Waal): Flute Concerto

  Suckling, M. C., Jan 2017

  Research output: Non-textual form › Composition

• You say microtone, I say macrotone: Julian Anderson's expanded pitch space

  Suckling, M. C., 20 Oct 2017, (Unpublished).

  Research output: Contribution to conference › Paper

• 2016

  Feedback practices and student surveys

  Suckling, M. C., Nov 2016, In: York Scholarship of Teaching and Learning Journal . 1, 1, p. 57-66

  Research output: Contribution to journal › Article

• Piano Concerto

  Suckling, M. C., Sept 2016

  Research output: Non-textual form › Composition

  Open Access

• The sound of white

  Suckling, M. C., 2016, (Unpublished).

  Research output: Contribution to conference › Paper

• 2015

  Psalm (after Celan): for harp and three groups of four instruments

  Suckling, M. C., 2015

  Research output: Non-textual form › Composition

  Open Access

• Visiones: after Goya

  Suckling, M. C., 2015

  Research output: Non-textual form › Composition

  Open Access
• 2014

  Songs from a Bright September

  Suckling, M. C. (Composer) & Sergeant, D., 2014

  Research output: Non-textual form › Composition

  Open Access
• 2013

  Chimes at Midnight: for string orchestra

  Suckling, M. C. (Composer), 2013

  Research output: Non-textual form › Composition

  Open Access

• Nocturne: for violin and cello

  Suckling, M. C. (Composer), 2013

  Research output: Non-textual form › Composition

  Open Access

• Postcards (previously titled 'Short Stories'): for String Orchestra

  Suckling, M. C. (Composer), 2013

  Research output: Non-textual form › Composition

  Open Access

• Release: for symphony orchestra

  Suckling, M. C. (Composer), 2013

  Research output: Non-textual form › Composition

  Open Access

• Six Speechless Songs: for chamber orchestra

  Suckling, M. C., 2013

  Research output: Non-textual form › Composition

  Open Access

• Touch: for string orchestra

  Suckling, M. C. (Composer), 2013

  Research output: Non-textual form › Composition

  Open Access
• 2012

  In memoriam EMS: for string orchestra

  Suckling, M. C. (Composer), 2012

  Research output: Non-textual form › Composition

  Open Access

• London Sinfonietta Label: New Music Show

  Suckling, M. C. (Composer), Finnis, E. (Composer), Khroustaliov, I. (Composer), Hodgkinson, T. (Composer), Feshareki, S. (Composer) & Duncan, M. (Composer), 15 Oct 2012

  Research output: Non-textual form › Digital or Visual Products

• Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

  Suckling, M. C. (Composer), Mendelssohn, F. (Composer) & Dvorak, A. (Composer), May 2012

  Research output: Non-textual form › Digital or Visual Products

• Mr Jonathan Morton, His Ground: for string orchestra

  Suckling, M. C. (Composer), 2012

  Research output: Non-textual form › Composition

  Open Access

• Tenebrae: For flute, viola, and harp

  Suckling, M. C. (Composer), 2012

  Research output: Non-textual form › Composition

• 2011

  Candlebird: for baritone and 18 players

  Suckling, M. C. (Composer) & Paterson, D., 2011

  Research output: Non-textual form › Composition

  Open Access

• de sol y grana: for solo violin and 14 players

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition

  Open Access

• Lieder Ohne Worte: for piano solo

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition

  Open Access

• storm, rose, tiger: for chamber orchestra

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition

  Open Access

• The Moon, the moon! for symphony orchestra

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition

• Three Venus Haiku: for violin (or flute, viola, or cello, or clarinet) and piano (or harp)

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition

• To See the Dark Between: for 2 violins, 2 violas, 2 cellos and piano

  Suckling, M. C. (Composer), 2011

  Research output: Non-textual form › Composition