TY - JOUR
T1 - Active roles of light in performance design
AU - Graham, Katherine Joy
N1 - This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details
PY - 2016/6/8
Y1 - 2016/6/8
N2 - This article is written in response to the 2015 Prague Quadrennial and considers some of the difficulties inherent in disseminating the active role of light beyond performance. Building on Hannah and Harsløf's notion of performance design as both ‘a doing and a thing done’, which is drawn from Elin Diamond, I consider the active functions of light in performance, and the challenges in representing these through exhibition. Drawing from my work as both a practitioner and a researcher, I offer a definition of ‘scenographic light’ as light that contributes independently to meaning in performance, listing three formative functions that detail its dramaturgical, rather than strictly aesthetic, affectivity.
AB - This article is written in response to the 2015 Prague Quadrennial and considers some of the difficulties inherent in disseminating the active role of light beyond performance. Building on Hannah and Harsløf's notion of performance design as both ‘a doing and a thing done’, which is drawn from Elin Diamond, I consider the active functions of light in performance, and the challenges in representing these through exhibition. Drawing from my work as both a practitioner and a researcher, I offer a definition of ‘scenographic light’ as light that contributes independently to meaning in performance, listing three formative functions that detail its dramaturgical, rather than strictly aesthetic, affectivity.
UR - http://www.scopus.com/inward/record.url?scp=85040558215&partnerID=8YFLogxK
U2 - 10.1080/23322551.2016.1178006
DO - 10.1080/23322551.2016.1178006
M3 - Article
SN - 2332-2551
VL - 2
SP - 73
EP - 81
JO - Theatre and Performance Design
JF - Theatre and Performance Design
IS - 1-2
ER -