By the same authors

  • Popular Music of World War I

    Brooks, W., 31 Dec 2020, 55 p.

    Research output: Other contribution

  • Footnotes

    Brooks, W., Wells, J. & Östersjö, S., 10 Jan 2020

    Research output: Non-textual form › Artefact

  • Footnotes

    Brooks, W., Östersjö, S. & Wells, J., 25 Nov 2019, Voices, Bodies, Practices: Performing Musical Subjectivites. Laws, C., Brooks, W., Gorton, D., Nguyễn, T. T., Östersjö, S. & Wells, J. (eds.). Leuven, Belgium: Leuven University Press, p. 171-232 62 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

  • Voices, Bodies, Practices: Performing Musical Subjectivities

    Laws, C. A., Brooks, W., Gorton, D., Thuy, N. T., Östersjö, S. & Wells, J., Nov 2019, Leuven University Press. 328 p. (Orpheus Institute Series )

    Research output: Book/Report › Book

  • Postlude: Not an End

    Brooks, W., Bashford, C. & Magee, G., 1 Oct 2019, Over Here, Over There: Transatlantic Conversations on the Music of World War I. Brooks, W., Bashford, C. & Magee, G. (eds.). Urbana, IL: University of Illinois Press, p. 241-244 5 p. (Music in American Life).

    Research output: Chapter in Book/Report/Conference proceeding › Chapter

After Yeats

Research output: Non-textual form › Composition

Standard

After Yeats. Brooks, William (Author). 2015. Lebanon, NH (USA) : Frog Peak MusicEvent: Everlasting Voices: Late Music Concert, July 4, 2015, Unitarian Chapel, St Saviourgate, York , York , United Kingdom.

Research output: Non-textual form › Composition

Harvard

Brooks, W, After Yeats, 2015, Composition, Frog Peak Music, Lebanon, NH (USA).

APA

Brooks, W. (Author). (Accepted/In press). After Yeats. Composition, Frog Peak Music.

Vancouver

Brooks W (Author). After Yeats Lebanon, NH (USA): Frog Peak Music. 2015.

Author

Brooks, William (Author). / After Yeats. [Composition].

Bibtex - Download

@misc{3125ff466a0c4fb19e05b3b93e5facde,
title = "After Yeats",
abstract = "_After Yeats_ is not a score for performance but rather a method for determining a score; it extends W. B. Yeats{\textquoteright}s practice of poetic declamation to languages other than English. _After Yeats_ describes a collaboration between a performer, who declaims a Yeats poem in translation, self-accompanied by a plucked string instrument, and a composer, who works at a remove to observe and amplify the implications of the declamation.",
keywords = "Music , Composition, William Butler Yeats, Translation, Text-setting, Chanting",
author = "William Brooks",
year = "2015",
language = "English",
publisher = "Frog Peak Music",
note = "Everlasting Voices: Late Music Concert, July 4, 2015 ; Conference date: 04-07-2015",

}

RIS (suitable for import to EndNote) - Download

TY - ADVS

T1 - After Yeats

AU - Brooks, William

PY - 2015

Y1 - 2015

N2 - _After Yeats_ is not a score for performance but rather a method for determining a score; it extends W. B. Yeats’s practice of poetic declamation to languages other than English. _After Yeats_ describes a collaboration between a performer, who declaims a Yeats poem in translation, self-accompanied by a plucked string instrument, and a composer, who works at a remove to observe and amplify the implications of the declamation.

AB - _After Yeats_ is not a score for performance but rather a method for determining a score; it extends W. B. Yeats’s practice of poetic declamation to languages other than English. _After Yeats_ describes a collaboration between a performer, who declaims a Yeats poem in translation, self-accompanied by a plucked string instrument, and a composer, who works at a remove to observe and amplify the implications of the declamation.

KW - Music

KW - Composition

KW - William Butler Yeats

KW - Translation

KW - Text-setting

KW - Chanting

M3 - Composition

PB - Frog Peak Music

CY - Lebanon, NH (USA)

T2 - Everlasting Voices: Late Music Concert, July 4, 2015

Y2 - 4 July 2015

ER -

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