Abstract
An examination of an unglazed ceramic jug of the early Abbasid period covered in Qur'anic inscriptions written in ink. The chapter links this practice to religious and magical practices of Late Antiquity.
Original language | English |
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Title of host publication | Intersections |
Subtitle of host publication | Visual Cultures of Islamic Cosmopolitanism |
Editors | Melia Belli Bose |
Place of Publication | Gainesville |
Publisher | University Press of Florida |
Pages | 22-39 |
Number of pages | 17 |
ISBN (Print) | 9781683401971 |
Publication status | Published - 20 Jun 2021 |
Bibliographical note
Marcus Milwright, ‘An Inscribed Jug from Raqqa: Scripture and the Expression of Identity,’ in Melia Belli Bose, ed., Intersections: Visual Cultures of Islamic Cosmopolitanism, David A. Cofrin Asian Art Manuscript Series (Gainesville: University of Florida Press, 2021), pp. 22–39.Keywords
- Islamic art
- ARCHAEOLOGY
- Epigraphy
- Qur'an studies