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Archaeology on television, 1937

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Archaeology on television, 1937. / Perry, Sara Elizabeth.

In: Public Archaeology, Vol. 16, No. 1, 2017, p. 3-18.

Research output: Contribution to journalArticle

Harvard

Perry, SE 2017, 'Archaeology on television, 1937', Public Archaeology, vol. 16, no. 1, pp. 3-18. https://doi.org/10.1080/14655187.2017.1283932

APA

Perry, S. E. (2017). Archaeology on television, 1937. Public Archaeology, 16(1), 3-18. https://doi.org/10.1080/14655187.2017.1283932

Vancouver

Perry SE. Archaeology on television, 1937. Public Archaeology. 2017;16(1):3-18. https://doi.org/10.1080/14655187.2017.1283932

Author

Perry, Sara Elizabeth. / Archaeology on television, 1937. In: Public Archaeology. 2017 ; Vol. 16, No. 1. pp. 3-18.

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@article{6c0a2a8e17884e6eace879f31dfdfa6b,
title = "Archaeology on television, 1937",
abstract = "The birth of archaeologically-themed television programmes is intimately linked to the birth of television itself. Yet little is known of the earliest broadcasts owing to both the fragmentary archival record and the longstanding hype surrounding later archaeology TV productions. This article examines two of the first such shows, likely the earliest in the English-speaking world for which records survive, focused on the British Iron Age site of Maiden Castle and on the reconstruction of prehistoric pottery. While noting the role of Mortimer Wheeler in their development, I also highlight several key women who produced the programmes, starred in them, and otherwise held critical posts in the establishment of professional archaeological practice in Britain, including Margot Eates, Ione Gedye and Delia Parker—all based at London’s Institute of Archaeology (IoA). These BBC TV broadcasts were specifically deployed to showcase the sites and methods of the burgeoning discipline of archaeology. More importantly, however, they were subtle players in the building of intellectual and institutional capital for both the IoA and the BBC. Augmented by other graphic media produced by the IoA itself, the earliest televised archaeology shows generated income, exposure, capacity and clout for these two very different but pioneering organisations.",
author = "Perry, {Sara Elizabeth}",
note = "{\circledC} 2017 Informa UK Limited. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.",
year = "2017",
doi = "10.1080/14655187.2017.1283932",
language = "English",
volume = "16",
pages = "3--18",
journal = "Public Archaeology",
issn = "1465-5187",
publisher = "Maney Publishing",
number = "1",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - Archaeology on television, 1937

AU - Perry, Sara Elizabeth

N1 - © 2017 Informa UK Limited. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.

PY - 2017

Y1 - 2017

N2 - The birth of archaeologically-themed television programmes is intimately linked to the birth of television itself. Yet little is known of the earliest broadcasts owing to both the fragmentary archival record and the longstanding hype surrounding later archaeology TV productions. This article examines two of the first such shows, likely the earliest in the English-speaking world for which records survive, focused on the British Iron Age site of Maiden Castle and on the reconstruction of prehistoric pottery. While noting the role of Mortimer Wheeler in their development, I also highlight several key women who produced the programmes, starred in them, and otherwise held critical posts in the establishment of professional archaeological practice in Britain, including Margot Eates, Ione Gedye and Delia Parker—all based at London’s Institute of Archaeology (IoA). These BBC TV broadcasts were specifically deployed to showcase the sites and methods of the burgeoning discipline of archaeology. More importantly, however, they were subtle players in the building of intellectual and institutional capital for both the IoA and the BBC. Augmented by other graphic media produced by the IoA itself, the earliest televised archaeology shows generated income, exposure, capacity and clout for these two very different but pioneering organisations.

AB - The birth of archaeologically-themed television programmes is intimately linked to the birth of television itself. Yet little is known of the earliest broadcasts owing to both the fragmentary archival record and the longstanding hype surrounding later archaeology TV productions. This article examines two of the first such shows, likely the earliest in the English-speaking world for which records survive, focused on the British Iron Age site of Maiden Castle and on the reconstruction of prehistoric pottery. While noting the role of Mortimer Wheeler in their development, I also highlight several key women who produced the programmes, starred in them, and otherwise held critical posts in the establishment of professional archaeological practice in Britain, including Margot Eates, Ione Gedye and Delia Parker—all based at London’s Institute of Archaeology (IoA). These BBC TV broadcasts were specifically deployed to showcase the sites and methods of the burgeoning discipline of archaeology. More importantly, however, they were subtle players in the building of intellectual and institutional capital for both the IoA and the BBC. Augmented by other graphic media produced by the IoA itself, the earliest televised archaeology shows generated income, exposure, capacity and clout for these two very different but pioneering organisations.

U2 - 10.1080/14655187.2017.1283932

DO - 10.1080/14655187.2017.1283932

M3 - Article

VL - 16

SP - 3

EP - 18

JO - Public Archaeology

T2 - Public Archaeology

JF - Public Archaeology

SN - 1465-5187

IS - 1

ER -