By the same authors

Authority and judgement in the digital archive

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

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Authority and judgement in the digital archive. / Dix, Alan; Cowgill, Rachel; Bashford, Christina; McVeigh, Simon; Ridgewell, Rupert.

Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), 2014. p. 1-8.

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Harvard

Dix, A, Cowgill, R, Bashford, C, McVeigh, S & Ridgewell, R 2014, Authority and judgement in the digital archive. in Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), pp. 1-8. https://doi.org/10.1145/2660168.2660171

APA

Dix, A., Cowgill, R., Bashford, C., McVeigh, S., & Ridgewell, R. (2014). Authority and judgement in the digital archive. In Proceedings of the 1st International Workshop on Digital Libraries for Musicology (pp. 1-8). Association for Computing Machinery (ACM). https://doi.org/10.1145/2660168.2660171

Vancouver

Dix A, Cowgill R, Bashford C, McVeigh S, Ridgewell R. Authority and judgement in the digital archive. In Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM). 2014. p. 1-8 https://doi.org/10.1145/2660168.2660171

Author

Dix, Alan ; Cowgill, Rachel ; Bashford, Christina ; McVeigh, Simon ; Ridgewell, Rupert. / Authority and judgement in the digital archive. Proceedings of the 1st International Workshop on Digital Libraries for Musicology. Association for Computing Machinery (ACM), 2014. pp. 1-8

Bibtex - Download

@inproceedings{5db2b38d0bd2491eb23b897ee4e32ff3,
title = "Authority and judgement in the digital archive",
abstract = "The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, related to expertise, volume and complexity, the gap between cost and benefit, and the desire for an authoritative and complete dataset that forces a particular linear process of curation. We explore the potential for more radical approaches where curation and use are interleaved, and where digitally maintained provenance allows professional judgement to be applied to incomplete, crowdsourced, or automatically processed data.",
keywords = "Concerts, Digital archives, Digital humanities, Ephemera, Linked data, Musicology, Open data, Performance history",
author = "Alan Dix and Rachel Cowgill and Christina Bashford and Simon McVeigh and Rupert Ridgewell",
year = "2014",
month = sep,
day = "12",
doi = "10.1145/2660168.2660171",
language = "English",
isbn = "978-1-4503-3002-2",
pages = "1--8",
booktitle = "Proceedings of the 1st International Workshop on Digital Libraries for Musicology",
publisher = "Association for Computing Machinery (ACM)",
address = "United States",

}

RIS (suitable for import to EndNote) - Download

TY - GEN

T1 - Authority and judgement in the digital archive

AU - Dix, Alan

AU - Cowgill, Rachel

AU - Bashford, Christina

AU - McVeigh, Simon

AU - Ridgewell, Rupert

PY - 2014/9/12

Y1 - 2014/9/12

N2 - The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, related to expertise, volume and complexity, the gap between cost and benefit, and the desire for an authoritative and complete dataset that forces a particular linear process of curation. We explore the potential for more radical approaches where curation and use are interleaved, and where digitally maintained provenance allows professional judgement to be applied to incomplete, crowdsourced, or automatically processed data.

AB - The transformative promise of the digital humanities is not without problems. This paper looks at digital archive curation using a database of 19th-century London concerts as a case study. We examine some of the barriers faced in its development, related to expertise, volume and complexity, the gap between cost and benefit, and the desire for an authoritative and complete dataset that forces a particular linear process of curation. We explore the potential for more radical approaches where curation and use are interleaved, and where digitally maintained provenance allows professional judgement to be applied to incomplete, crowdsourced, or automatically processed data.

KW - Concerts

KW - Digital archives

KW - Digital humanities

KW - Ephemera

KW - Linked data

KW - Musicology

KW - Open data

KW - Performance history

U2 - 10.1145/2660168.2660171

DO - 10.1145/2660168.2660171

M3 - Conference contribution

SN - 978-1-4503-3002-2

SP - 1

EP - 8

BT - Proceedings of the 1st International Workshop on Digital Libraries for Musicology

PB - Association for Computing Machinery (ACM)

ER -

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