By the same authors

Bach - St Matthew Passion

Research output: Non-textual formPerformance

Standard

Bach - St Matthew Passion. Seymour, Peter Geoffrey (Author). 2017.

Research output: Non-textual formPerformance

Harvard

Seymour, PG, Bach - St Matthew Passion, 2017, Performance.

APA

Seymour, P. G. (Author). (2017). Bach - St Matthew Passion. Performance

Vancouver

Seymour PG (Author). Bach - St Matthew Passion 2017.

Author

Seymour, Peter Geoffrey (Author). / Bach - St Matthew Passion. [Performance].

Bibtex - Download

@misc{dc5d5c6f725243a98b57dc90db118fd4,
title = "Bach - St Matthew Passion",
abstract = "Staged performance as part of York Early Music Festival of Bach St Matthew Passion. Peter Seymour directed his specially-prepared edition of Bach{\textquoteright}s early 1727 version and used the forces Bach would have used for that first performance including solo voices for each of the two choirs. Liturgical context was achieved with audience chorales and chorale preludes flanked the Passion itself and with the closing motet by Jacob H{\"a}ndl Gallus. ",
author = "Seymour, {Peter Geoffrey}",
year = "2017",
month = jul,
day = "12",
language = "German",

}

RIS (suitable for import to EndNote) - Download

TY - ADVS

T1 - Bach - St Matthew Passion

AU - Seymour, Peter Geoffrey

PY - 2017/7/12

Y1 - 2017/7/12

N2 - Staged performance as part of York Early Music Festival of Bach St Matthew Passion. Peter Seymour directed his specially-prepared edition of Bach’s early 1727 version and used the forces Bach would have used for that first performance including solo voices for each of the two choirs. Liturgical context was achieved with audience chorales and chorale preludes flanked the Passion itself and with the closing motet by Jacob Händl Gallus.

AB - Staged performance as part of York Early Music Festival of Bach St Matthew Passion. Peter Seymour directed his specially-prepared edition of Bach’s early 1727 version and used the forces Bach would have used for that first performance including solo voices for each of the two choirs. Liturgical context was achieved with audience chorales and chorale preludes flanked the Passion itself and with the closing motet by Jacob Händl Gallus.

M3 - Performance

ER -