TY - JOUR
T1 - Baroque around the clock:
T2 - Daniello Bartoli SJ (1608-1685) and the uses of global history
AU - Ditchfield, Simon Richard
N1 - This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details
PY - 2021/11/8
Y1 - 2021/11/8
N2 - Right from its foundation in 1540, the Society of Jesus realised the value and role of visual description (ekphrasis) in the persuasive rhetoric of Jesuit missionary accounts. Over a century later, when Jesuit missions were to be found on all the inhabited continents of the world then known to Europeans, descriptions of these new found lands were to be read for entertainment as well as the edification of their Old World audiences. As author of the first official history of the Society’s missions in the vernacular, the volumes by Daniello Bartoli (1608–85) also played an important role in giving not only their Jesuit readers a sense of the distinctiveness of the order's global mission. Referred to by Giacomo Leopardi (1798– 1837) as the ‘Dante of baroque prose’, Bartoli developed a particularly variegated and intensely visual idiom to meet the challenge of describing parts of the world which the majority of his readers, including himself, would never visit.
AB - Right from its foundation in 1540, the Society of Jesus realised the value and role of visual description (ekphrasis) in the persuasive rhetoric of Jesuit missionary accounts. Over a century later, when Jesuit missions were to be found on all the inhabited continents of the world then known to Europeans, descriptions of these new found lands were to be read for entertainment as well as the edification of their Old World audiences. As author of the first official history of the Society’s missions in the vernacular, the volumes by Daniello Bartoli (1608–85) also played an important role in giving not only their Jesuit readers a sense of the distinctiveness of the order's global mission. Referred to by Giacomo Leopardi (1798– 1837) as the ‘Dante of baroque prose’, Bartoli developed a particularly variegated and intensely visual idiom to meet the challenge of describing parts of the world which the majority of his readers, including himself, would never visit.
UR - https://www.cambridge.org/core/journals/transactions-of-the-royal-historical-societ
U2 - 10.1017/S0080440121000037
DO - 10.1017/S0080440121000037
M3 - Article
SN - 0080-4401
VL - 31
SP - 1
EP - 25
JO - Transactions of the Royal Historical Society
JF - Transactions of the Royal Historical Society
M1 - 1
ER -