Beckett in contemporary music

By the same authors

Review: Renée Levine Packer & Mary Jane Leach (eds), Gay Guerrilla: Julius Eastman and His Music
Laws, C. A., Sep 2018
Book/Film/Article review in Transposition: Musique et Sciences Sociales
Beckett in Contemporary Music: Intermedial Considerations
Laws, C. A., 3 May 2018.
Research output: Contribution to conference › Paper
Touch and Go
Laws, C., Marsh, R. M. & Im, M., 2018
Research output: Non-textual form › Digital or Visual Products
This Is Not A...
Laws, C. A., 2018, Collaborative and Distributed Processes in Contemporary Music-Making. Redhead, L. & Glover, R. (eds.). Cambridge Scholars Publishing
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Bodies of Evidence: movement, music, meaning
Laws, C. A., Coessens, K. & Sewell, S., 2018, Leuven: Leuven University Press.
Research output: Book/Report › Book

Research output: Non-textual form › Performance

Author(s)

Catherine Laws (Performer)

Department/unit(s)

Music

Publication details

Date	Published - 2012
Original language	English

Abstract

This performance forms part of a project exploring the influence of Samuel becektt on contemporary music (composition and performance). The performance was part of the event 'Dark at its Full' held at Castle Coole as part of the 'Happy Days' INternational Beckett Festival, Enniskillen. The performances were of 2 Beckett-influenced works:
Edward Jessen's chambre 119 (2009, for piano, toy piano, voice and CD); Martin Iddon's head down among the stems and bells (2010, for amplified, prepared piano).