Beckett in contemporary music

By the same authors

Player Piano and Piano Films: processes of interdisciplinary practice across music, theatre and film
Laws, C., 16 Sep 2022, (Accepted/In press).
Research output: Contribution to conference › Paper › peer-review
Experiencing Indeterminacy in Performance
Laws, C., 4 Jul 2022
Article in Contemporary Music Review
Playful Production: Collaborative facilitation in a music ensemble context
Haddon, E. & Laws, C., Feb 2022, Together in music: Participation, coordination, and creativity in ensembles. Timmers, R., Bailes, F. & Daffern, H. (eds.). Oxford: Oxford University Press, p. 59-64
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Assembling Online: Thre(e)scapes
Laws, C., 25 Jun 2021.
Research output: Contribution to conference › Paper
Being a Player: Embodied Agency in Player Piano
Laws, C., 5 Nov 2020.
Research output: Contribution to conference › Paper › peer-review

Research output: Non-textual form › Performance

Author(s)

Catherine Laws (Performer)

Department/unit(s)

Music

Publication details

Date	Published - 2012
Original language	English

Abstract

This performance forms part of a project exploring the influence of Samuel becektt on contemporary music (composition and performance). The performance was part of the event 'Dark at its Full' held at Castle Coole as part of the 'Happy Days' INternational Beckett Festival, Enniskillen. The performances were of 2 Beckett-influenced works:
Edward Jessen's chambre 119 (2009, for piano, toy piano, voice and CD); Martin Iddon's head down among the stems and bells (2010, for amplified, prepared piano).