By the same authors

Beckett in contemporary music

Research output: Non-textual formPerformance

Standard

Beckett in contemporary music. Laws, Catherine (Performer). 2012. Event: 'Happy Days' International Beckett Festival, Enniskillen, United Kingdom.

Research output: Non-textual formPerformance

Harvard

Laws, C, Beckett in contemporary music, 2012, Performance.

APA

Laws, C. (Performer). (2012). Beckett in contemporary music. Performance

Vancouver

Laws C (Performer). Beckett in contemporary music 2012.

Author

Laws, Catherine (Performer). / Beckett in contemporary music. [Performance].

Bibtex - Download

@misc{5afdbd934ceb4624803fa0ca46e10900,
title = "Beckett in contemporary music",
abstract = "This performance forms part of a project exploring the influence of Samuel becektt on contemporary music (composition and performance). The performance was part of the event 'Dark at its Full' held at Castle Coole as part of the 'Happy Days' INternational Beckett Festival, Enniskillen. The performances were of 2 Beckett-influenced works: Edward Jessen's chambre 119 (2009, for piano, toy piano, voice and CD); Martin Iddon's head down among the stems and bells (2010, for amplified, prepared piano).",
author = "Catherine Laws",
year = "2012",
language = "English",
note = "'Happy Days' International Beckett Festival ; Conference date: 23-08-2012 Through 27-08-2012",

}

RIS (suitable for import to EndNote) - Download

TY - ADVS

T1 - Beckett in contemporary music

A2 - Laws, Catherine

PY - 2012

Y1 - 2012

N2 - This performance forms part of a project exploring the influence of Samuel becektt on contemporary music (composition and performance). The performance was part of the event 'Dark at its Full' held at Castle Coole as part of the 'Happy Days' INternational Beckett Festival, Enniskillen. The performances were of 2 Beckett-influenced works: Edward Jessen's chambre 119 (2009, for piano, toy piano, voice and CD); Martin Iddon's head down among the stems and bells (2010, for amplified, prepared piano).

AB - This performance forms part of a project exploring the influence of Samuel becektt on contemporary music (composition and performance). The performance was part of the event 'Dark at its Full' held at Castle Coole as part of the 'Happy Days' INternational Beckett Festival, Enniskillen. The performances were of 2 Beckett-influenced works: Edward Jessen's chambre 119 (2009, for piano, toy piano, voice and CD); Martin Iddon's head down among the stems and bells (2010, for amplified, prepared piano).

M3 - Performance

T2 - 'Happy Days' International Beckett Festival

Y2 - 23 August 2012 through 27 August 2012

ER -