Canonizing Remembrance :: Music for Armistice Day on the BBC, 1922-7

Rachel Cowgill

doi:10.1080/19475020.2011.555499

Canonizing Remembrance : Music for Armistice Day on the BBC, 1922-7

Rachel Cowgill

Music

Research output: Contribution to journal › Article › peer-review

Abstract

Broadcasting was one of the principal means by which the affective, social, and political meanings of Armistice Day were constituted in British culture, and music programming was crucial to that process. In the years leading up to its nationalization in 1927, the BBC was inventing itself; and its varying approaches to the selection and scheduling of specific musical repertoire for 11 November over that period have much to tell us about changing responses to the Great War, as well as conflicting notions of national identity, modernity, and tradition. Building on recent historical and musicological scholarship, this article examines the basis of Armistice Day programming decisions at the BBC; reconstructs the internal dialogue surrounding specific works, genres, and composers; and illuminates processes of canonization whereby Elgar's wartime cantata The Spirit of England emerged pre-eminent over works such as John Foulds's A World Requiem.

Original language	English
Pages (from-to)	75-107
Number of pages	33
Journal	First World War Studies
Volume	2
Issue number	1
DOIs	https://doi.org/10.1080/19475020.2011.555499
Publication status	Published - 9 Jun 2011

Bibliographical note

Special issue: Music & Literature

Keywords

anti-nationalism
Armistice Day
clairaudience

Access to Document

10.1080/19475020.2011.555499

Cite this

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