Abstract
This paper considers the characteristics of three differing styles of singing early music, as characterized by Richard Bethell [1] of the National Early Music Association, UK. In particular, the sung outputs from a postgraduate soprano who was practiced in singing all three styles are analysed along with the output from an electrolaryngograph which provides data on cycle-by-cycle fundamental variation as well as vocal fold contact area. The results are compared and contrasted with those from a group of early music and opera singers analysed previously.
| Original language | English |
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| Title of host publication | Models and Analysis of Vocal Emissions for Biomedical Applications - 6th International Workshop, MAVEBA 2009 |
| Publisher | Firenze University Press |
| Pages | 175-178 |
| Number of pages | 4 |
| ISBN (Print) | 9788864530963 |
| Publication status | Published - 2009 |
| Event | 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2009 - Firenze, Italy Duration: 14 Dec 2009 → 16 Dec 2009 |
Conference
| Conference | 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2009 |
|---|---|
| Country/Territory | Italy |
| City | Firenze |
| Period | 14/12/09 → 16/12/09 |
Keywords
- Closed quotient
- Early music
- Electrolaryngography
- Opera
- Singing
- Voice acoustics
- Voice analysis