Abstract
This paper considers the characteristics of three differing styles of singing early music, as characterized by Richard Bethell [1] of the National Early Music Association, UK. In particular, the sung outputs from a postgraduate soprano who was practiced in singing all three styles are analysed along with the output from an electrolaryngograph which provides data on cycle-by-cycle fundamental variation as well as vocal fold contact area. The results are compared and contrasted with those from a group of early music and opera singers analysed previously.
Original language | English |
---|---|
Title of host publication | Models and Analysis of Vocal Emissions for Biomedical Applications - 6th International Workshop, MAVEBA 2009 |
Publisher | Firenze University Press |
Pages | 175-178 |
Number of pages | 4 |
ISBN (Print) | 9788864530963 |
Publication status | Published - 2009 |
Event | 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2009 - Firenze, Italy Duration: 14 Dec 2009 → 16 Dec 2009 |
Conference
Conference | 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications, MAVEBA 2009 |
---|---|
Country/Territory | Italy |
City | Firenze |
Period | 14/12/09 → 16/12/09 |
Keywords
- Closed quotient
- Early music
- Electrolaryngography
- Opera
- Singing
- Voice acoustics
- Voice analysis