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Ceci n'est pas une pianiste
Research output: Non-textual form › Performance
Author(s)
Department/unit(s)
Publication details
| Date | Published - 2 Oct 2013 |
|---|---|
| Original language | English |
Abstract
This performance/presentation formed a starting point for the research project ‘Performance, Subjectivity and Experimentation’ (York/Orpheus Research Centre in Music). The project examines how subjectivity is constituted through musical performance: who is the ‘I’ that performs, and how is that 'I' embodied in performance?
The performance/presentation included a new version of Annea Lockwood's Ceci n'est pas un piano (originally 2002, for piano, electronics and video), reworked by Lockwood with my own text. The piece is in part concerned with the performer’s relationship to her instrument and the development of artistic identity.
Activities
Orpheus Research Centre in Music (ORCiM) (External organisation)
Activity: Membership › Committee
Projects
Performance, Subjectivity and Experimentation
Project: Other project › Research collaboration
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