Composing for the interactive medium

Robyn Taylor; Guy Peter Schofield; John Shearer; Pierre Boulanger; Jayne Wallace; Peter C. Wright; Patrick Olivier

Composing for the interactive medium

Robyn Taylor, Guy Peter Schofield, John Shearer, Pierre Boulanger, Jayne Wallace, Peter C. Wright, Patrick Olivier

Theatre, Film, TV and Interactive Media

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Abstract

We present a discussion of the role of the composer when developing content for the composer when developing content for the interactive, participatory medium. We describe compositional tensions which emerged during the creation and enactment of our interactive performance, humanaquarium, and discuss how the intertwined nature of interactive and aesthetic concerns inspired our creative innovation in the composition process.

Original language	English
Title of host publication	Laval Virtual
Publication status	Published - 2011

Cite this

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title = "Composing for the interactive medium",

abstract = "We present a discussion of the role of the composer when developing content for the composer when developing content for the interactive, participatory medium. We describe compositional tensions which emerged during the creation and enactment of our interactive performance, humanaquarium, and discuss how the intertwined nature of interactive and aesthetic concerns inspired our creative innovation in the composition process.",

author = "Robyn Taylor and Schofield, {Guy Peter} and John Shearer and Pierre Boulanger and Jayne Wallace and Wright, {Peter C.} and Patrick Olivier",

year = "2011",

language = "English",

booktitle = "Laval Virtual",

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TY - GEN

T1 - Composing for the interactive medium

AU - Taylor, Robyn

AU - Schofield, Guy Peter

AU - Shearer, John

AU - Boulanger, Pierre

AU - Wallace, Jayne

AU - Wright, Peter C.

AU - Olivier, Patrick

PY - 2011

Y1 - 2011

N2 - We present a discussion of the role of the composer when developing content for the composer when developing content for the interactive, participatory medium. We describe compositional tensions which emerged during the creation and enactment of our interactive performance, humanaquarium, and discuss how the intertwined nature of interactive and aesthetic concerns inspired our creative innovation in the composition process.

AB - We present a discussion of the role of the composer when developing content for the composer when developing content for the interactive, participatory medium. We describe compositional tensions which emerged during the creation and enactment of our interactive performance, humanaquarium, and discuss how the intertwined nature of interactive and aesthetic concerns inspired our creative innovation in the composition process.

M3 - Conference contribution

BT - Laval Virtual

ER -