Enhancing Audio Description: Inclusive Cinematic Experiences Through Sound Design

TY - JOUR

T1 - Enhancing Audio Description

T2 - Inclusive Cinematic Experiences Through Sound Design

AU - Lopez, Mariana Julieta

AU - Kearney, Gavin

AU - Hofstadter, Krisztian

N1 - ©2021 Lopez, Kearney & Hofstädter

PY - 2021/10/29

Y1 - 2021/10/29

N2 - This paper explores the creation of an alternative to traditional Audio Description for visually impaired film and television audiences. The Enhanced Audio Description (EAD) methods utilise sound design as the main vehicle for accessibility and advocate for the integration of accessibility practices to filmmaking workflows. Moreover, this integrated strategy results in an organic form of accessibility that can cater for both visually impaired and sighted audiences, championing inclusive cinematic experiences. The present article reflects on the discussions held during focus groups in which mixed audiences of visually impaired and sighted people watched the same film, with the same EAD soundtrack over headphones. The discussions highlight the potential of the format as an example of universal design and accessible filmmaking, which can be enjoyed regardless of audience’s sight condition and can be offered alongside traditional Audio Description (AD) in order to cater for different aesthetic preferences.

AB - This paper explores the creation of an alternative to traditional Audio Description for visually impaired film and television audiences. The Enhanced Audio Description (EAD) methods utilise sound design as the main vehicle for accessibility and advocate for the integration of accessibility practices to filmmaking workflows. Moreover, this integrated strategy results in an organic form of accessibility that can cater for both visually impaired and sighted audiences, championing inclusive cinematic experiences. The present article reflects on the discussions held during focus groups in which mixed audiences of visually impaired and sighted people watched the same film, with the same EAD soundtrack over headphones. The discussions highlight the potential of the format as an example of universal design and accessible filmmaking, which can be enjoyed regardless of audience’s sight condition and can be offered alongside traditional Audio Description (AD) in order to cater for different aesthetic preferences.

U2 - 10.47476/jat.v4i1.2021.154

DO - 10.47476/jat.v4i1.2021.154

M3 - Article

SN - 2617-9148

VL - 4

SP - 157

EP - 182

JO - Journal of Audiovisual Translation

JF - Journal of Audiovisual Translation

IS - 1

ER -