'Explain this dark enigma': The Queen's Men and performance-as-research in Stratford-upon-Avon

TY - JOUR

T1 - 'Explain this dark enigma'

T2 - The Queen's Men and performance-as-research in Stratford-upon-Avon

AU - Jones, Oliver Edward Livingston

N1 - This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details

PY - 2017/6/17

Y1 - 2017/6/17

N2 - While extensive provincial performance by Elizabethan professional companies is now widely acknowledged, little has been done to investigate their plays in the context of the venues they once visited. Unlike the lost London theatres, these venues survive throughout the country and offer us a chance to reintroduce performance into an original space. This article argues that performance was constrained both by the material conditions in which it was situated and by the local social and political contexts of that material space. Therefore, by studying both the spaces and places that informed and framed them, we can achieve a greater understanding of both text and performance. This article therefore considers performances of scenes from The Troublesome Reign of King John, a Queen’s Men play, which were staged at Stratford in 2011. It demonstrates how an archaeological and historical understanding of the Stratford Guildhall not only enhances contextual understanding, both of its inhabitants and visiting players, but directly shapes the performance choices and decisions taken by those players. This in turn has implications both for our wider understanding of early modern staging, and for the role of buildings in approaches to performance-as-research.

AB - While extensive provincial performance by Elizabethan professional companies is now widely acknowledged, little has been done to investigate their plays in the context of the venues they once visited. Unlike the lost London theatres, these venues survive throughout the country and offer us a chance to reintroduce performance into an original space. This article argues that performance was constrained both by the material conditions in which it was situated and by the local social and political contexts of that material space. Therefore, by studying both the spaces and places that informed and framed them, we can achieve a greater understanding of both text and performance. This article therefore considers performances of scenes from The Troublesome Reign of King John, a Queen’s Men play, which were staged at Stratford in 2011. It demonstrates how an archaeological and historical understanding of the Stratford Guildhall not only enhances contextual understanding, both of its inhabitants and visiting players, but directly shapes the performance choices and decisions taken by those players. This in turn has implications both for our wider understanding of early modern staging, and for the role of buildings in approaches to performance-as-research.

M3 - Article

SN - 0748-2558

VL - 35

JO - Shakespeare Bulletin

JF - Shakespeare Bulletin

IS - 2

ER -