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Expressive perception as projective imagining

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Expressive perception as projective imagining. / Noordhof, Paul.

In: Mind and Language, Vol. 23, No. 3, 06.2008, p. 329-358.

Research output: Contribution to journalArticle

Harvard

Noordhof, P 2008, 'Expressive perception as projective imagining', Mind and Language, vol. 23, no. 3, pp. 329-358. https://doi.org/10.1111/j.1468-0017.2008.00346.x

APA

Noordhof, P. (2008). Expressive perception as projective imagining. Mind and Language, 23(3), 329-358. https://doi.org/10.1111/j.1468-0017.2008.00346.x

Vancouver

Noordhof P. Expressive perception as projective imagining. Mind and Language. 2008 Jun;23(3):329-358. https://doi.org/10.1111/j.1468-0017.2008.00346.x

Author

Noordhof, Paul. / Expressive perception as projective imagining. In: Mind and Language. 2008 ; Vol. 23, No. 3. pp. 329-358.

Bibtex - Download

@article{3dda06ec867c43099b0cf9a9ea9c8ca4,
title = "Expressive perception as projective imagining",
abstract = "I argue that our experience of expressive properties (such as the joyfulness or sadness of a piece of music) essentially involves the sensuous imagination (through simulation) of an emotion-guided process which would result in the production of the properties which constitute the realisation of the expressive properties experienced. I compare this proposal with arousal theories, Wollheim's Freudian account, and other more closely related theories appealing to imagination such as Kendall Walton's. I explain why the proposal is most naturally developed in terms of simulation and briefly comment upon the impact of work on cross-cultural perception of facial expression, modularity and autism for the proposal.",
keywords = "MUSIC, EMOTION, ART",
author = "Paul Noordhof",
year = "2008",
month = "6",
doi = "10.1111/j.1468-0017.2008.00346.x",
language = "English",
volume = "23",
pages = "329--358",
journal = "Mind and Language",
issn = "0268-1064",
publisher = "Wiley-Blackwell",
number = "3",

}

RIS (suitable for import to EndNote) - Download

TY - JOUR

T1 - Expressive perception as projective imagining

AU - Noordhof, Paul

PY - 2008/6

Y1 - 2008/6

N2 - I argue that our experience of expressive properties (such as the joyfulness or sadness of a piece of music) essentially involves the sensuous imagination (through simulation) of an emotion-guided process which would result in the production of the properties which constitute the realisation of the expressive properties experienced. I compare this proposal with arousal theories, Wollheim's Freudian account, and other more closely related theories appealing to imagination such as Kendall Walton's. I explain why the proposal is most naturally developed in terms of simulation and briefly comment upon the impact of work on cross-cultural perception of facial expression, modularity and autism for the proposal.

AB - I argue that our experience of expressive properties (such as the joyfulness or sadness of a piece of music) essentially involves the sensuous imagination (through simulation) of an emotion-guided process which would result in the production of the properties which constitute the realisation of the expressive properties experienced. I compare this proposal with arousal theories, Wollheim's Freudian account, and other more closely related theories appealing to imagination such as Kendall Walton's. I explain why the proposal is most naturally developed in terms of simulation and briefly comment upon the impact of work on cross-cultural perception of facial expression, modularity and autism for the proposal.

KW - MUSIC

KW - EMOTION

KW - ART

UR - http://www.scopus.com/inward/record.url?scp=43949113294&partnerID=8YFLogxK

U2 - 10.1111/j.1468-0017.2008.00346.x

DO - 10.1111/j.1468-0017.2008.00346.x

M3 - Article

VL - 23

SP - 329

EP - 358

JO - Mind and Language

JF - Mind and Language

SN - 0268-1064

IS - 3

ER -