FerroSynth: A Ferromagnetic Music Interface

Stuart Taylor; Jonathan David Hook

FerroSynth: A Ferromagnetic Music Interface

Theatre, Film, TV and Interactive Media

Research output: Chapter in Book/Report/Conference proceeding › Conference contribution

Abstract

We present a novel user interface device based around ferromagnetic sensing. The physical form of the interface can easily be reconfigured by simply adding and removing a variety
of ferromagnetic objects to the device’s sensing surface. This allows the user to change the physical form of the interface resulting in a variety of different interaction modes. When used in a musical context, the performer can leverage the physical reconfiguration of the device to affect the method of playing and ultimately the sound produced. We describe the implementation of the sensing system, along with a range of mapping techniques used to transform the sensor data into musical output, including both the direct synthesis of sound and also the generation of MIDI data for use with Ableton Live. We conclude with a discussion of future directions for the device.

Original language	English
Title of host publication	Proceedings of the International Conference on New Interfaces for Musical Expression
Pages	463-466
Publication status	Published - 2010
Event	International Conference on New Interfaces for Musical Expression 2010 - Sydney, Australia Duration: 15 Jun 2010 → 18 Jun 2010

Conference

Conference	International Conference on New Interfaces for Musical Expression 2010
Country/Territory	Australia
City	Sydney
Period	15/06/10 → 18/06/10

Cite this

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title = "FerroSynth: A Ferromagnetic Music Interface",

abstract = "We present a novel user interface device based around ferromagnetic sensing. The physical form of the interface can easily be reconfigured by simply adding and removing a varietyof ferromagnetic objects to the device{\textquoteright}s sensing surface. This allows the user to change the physical form of the interface resulting in a variety of different interaction modes. When used in a musical context, the performer can leverage the physical reconfiguration of the device to affect the method of playing and ultimately the sound produced. We describe the implementation of the sensing system, along with a range of mapping techniques used to transform the sensor data into musical output, including both the direct synthesis of sound and also the generation of MIDI data for use with Ableton Live. We conclude with a discussion of future directions for the device. ",

author = "Stuart Taylor and Hook, {Jonathan David}",

year = "2010",

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booktitle = "Proceedings of the International Conference on New Interfaces for Musical Expression",

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AU - Taylor, Stuart

AU - Hook, Jonathan David

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N2 - We present a novel user interface device based around ferromagnetic sensing. The physical form of the interface can easily be reconfigured by simply adding and removing a varietyof ferromagnetic objects to the device’s sensing surface. This allows the user to change the physical form of the interface resulting in a variety of different interaction modes. When used in a musical context, the performer can leverage the physical reconfiguration of the device to affect the method of playing and ultimately the sound produced. We describe the implementation of the sensing system, along with a range of mapping techniques used to transform the sensor data into musical output, including both the direct synthesis of sound and also the generation of MIDI data for use with Ableton Live. We conclude with a discussion of future directions for the device.

AB - We present a novel user interface device based around ferromagnetic sensing. The physical form of the interface can easily be reconfigured by simply adding and removing a varietyof ferromagnetic objects to the device’s sensing surface. This allows the user to change the physical form of the interface resulting in a variety of different interaction modes. When used in a musical context, the performer can leverage the physical reconfiguration of the device to affect the method of playing and ultimately the sound produced. We describe the implementation of the sensing system, along with a range of mapping techniques used to transform the sensor data into musical output, including both the direct synthesis of sound and also the generation of MIDI data for use with Ableton Live. We conclude with a discussion of future directions for the device.

M3 - Conference contribution

SP - 463

EP - 466

BT - Proceedings of the International Conference on New Interfaces for Musical Expression

T2 - International Conference on New Interfaces for Musical Expression 2010

Y2 - 15 June 2010 through 18 June 2010

ER -