By the same authors

Footnotes

Research output: Chapter in Book/Report/Conference proceedingChapter

Standard

Footnotes. / Brooks, William ; Östersjö, Stefan; Wells, Jez.

Voices, Bodies, Practices: Performing Musical Subjectivites. ed. / Catherine Laws; William Brooks; David Gorton; Thanh Thủy Nguyễn; Stefan Östersjö; Jeremy Wells. Leuven, Belgium : Leuven University Press, 2019. p. 171-232 (Orpheus Institute Series).

Research output: Chapter in Book/Report/Conference proceedingChapter

Harvard

Brooks, W, Östersjö, S & Wells, J 2019, Footnotes. in C Laws, W Brooks, D Gorton, TT Nguyễn, S Östersjö & J Wells (eds), Voices, Bodies, Practices: Performing Musical Subjectivites. Orpheus Institute Series, Leuven University Press, Leuven, Belgium, pp. 171-232, Who Is the 'I' That Performs?, Ghent, Belgium, 28/11/19. https://doi.org/10.2307/j.ctvmd83kv.8

APA

Brooks, W., Östersjö, S., & Wells, J. (2019). Footnotes. In C. Laws, W. Brooks, D. Gorton, T. T. Nguyễn, S. Östersjö, & J. Wells (Eds.), Voices, Bodies, Practices: Performing Musical Subjectivites (pp. 171-232). (Orpheus Institute Series). Leuven University Press. https://doi.org/10.2307/j.ctvmd83kv.8

Vancouver

Brooks W, Östersjö S, Wells J. Footnotes. In Laws C, Brooks W, Gorton D, Nguyễn TT, Östersjö S, Wells J, editors, Voices, Bodies, Practices: Performing Musical Subjectivites. Leuven, Belgium: Leuven University Press. 2019. p. 171-232. (Orpheus Institute Series). https://doi.org/10.2307/j.ctvmd83kv.8

Author

Brooks, William ; Östersjö, Stefan ; Wells, Jez. / Footnotes. Voices, Bodies, Practices: Performing Musical Subjectivites. editor / Catherine Laws ; William Brooks ; David Gorton ; Thanh Thủy Nguyễn ; Stefan Östersjö ; Jeremy Wells. Leuven, Belgium : Leuven University Press, 2019. pp. 171-232 (Orpheus Institute Series).

Bibtex - Download

@inbook{de00f06ae57147d4941acf343ee77dea,
title = "Footnotes",
abstract = "{"}Footnotes{"} (the chapter) explores, interrogates, amplifies, and confuses the research, compositional, and performative history associated with _Footnotes_ (the album) and _Footnotes_ (the composition). In a text that veers between fantasy and fact, the three authors contribute to an intertextual trialogue that places the entire project in the context of the larger volume and its exploration of _subjectivity_ in musical performance. ",
keywords = "composition, performance, guitar, contemporary music, John Cage, subjectivity, recording",
author = "William Brooks and Stefan {\"O}stersj{\"o} and Jez Wells",
year = "2019",
month = nov,
day = "25",
doi = "10.2307/j.ctvmd83kv.8",
language = "English",
isbn = "978-94-6270-205-9",
series = "Orpheus Institute Series",
publisher = "Leuven University Press",
pages = "171--232",
editor = "Catherine Laws and William Brooks and David Gorton and Nguyễn, {Thanh Thủy} and Stefan {\"O}stersj{\"o} and Wells, {Jeremy }",
booktitle = "Voices, Bodies, Practices",
note = "Who Is the 'I' That Performs? : Enacting Musical Identities ; Conference date: 28-11-2019 Through 29-11-2019",
url = "https://orpheusinstituut.be/en/news-and-events/who-is-the-i-that-performs",

}

RIS (suitable for import to EndNote) - Download

TY - CHAP

T1 - Footnotes

AU - Brooks, William

AU - Östersjö, Stefan

AU - Wells, Jez

PY - 2019/11/25

Y1 - 2019/11/25

N2 - "Footnotes" (the chapter) explores, interrogates, amplifies, and confuses the research, compositional, and performative history associated with _Footnotes_ (the album) and _Footnotes_ (the composition). In a text that veers between fantasy and fact, the three authors contribute to an intertextual trialogue that places the entire project in the context of the larger volume and its exploration of _subjectivity_ in musical performance.

AB - "Footnotes" (the chapter) explores, interrogates, amplifies, and confuses the research, compositional, and performative history associated with _Footnotes_ (the album) and _Footnotes_ (the composition). In a text that veers between fantasy and fact, the three authors contribute to an intertextual trialogue that places the entire project in the context of the larger volume and its exploration of _subjectivity_ in musical performance.

KW - composition

KW - performance

KW - guitar

KW - contemporary music

KW - John Cage

KW - subjectivity

KW - recording

U2 - 10.2307/j.ctvmd83kv.8

DO - 10.2307/j.ctvmd83kv.8

M3 - Chapter

SN - 978-94-6270-205-9

T3 - Orpheus Institute Series

SP - 171

EP - 232

BT - Voices, Bodies, Practices

A2 - Laws, Catherine

A2 - Brooks, William

A2 - Gorton, David

A2 - Nguyễn, Thanh Thủy

A2 - Östersjö, Stefan

A2 - Wells, Jeremy

PB - Leuven University Press

CY - Leuven, Belgium

T2 - Who Is the 'I' That Performs?

Y2 - 28 November 2019 through 29 November 2019

ER -