Abstract
This article discusses nostalgic images of white working-class life through the twin figures of ‘the heroic worker’ and ‘the angry young man’. Using a case study of a discussion of Roy Williams’ play Vultures, I consider the ways in which nostalgic figures are used to position a contemporary white working class as lacking value. I argue that these nostalgic figures provide anchor points in decline narratives which, I argue, have come to define the ways in which the English white working class are represented. Hence, I argue that some forms of nostalgic class representations may be one means through which continued disparagement of contemporary white working-class people is rendered respectable.
Original language | English |
---|---|
Pages (from-to) | 701-720 |
Number of pages | 20 |
Journal | The European Journal of Cultural Studies. |
Volume | 17 |
Issue number | 6 |
Early online date | 6 Aug 2014 |
DOIs | |
Publication status | Published - Dec 2014 |
Keywords
- Benjamin
- Bourdieu
- nostalgia
- social class
- time