Abstract
Yeats's experiments in poetic declamation, his lecture-performances with Florence Farr, and the links between these and his relationship with Maud Gonne are presented as an early instance of artistic research, as the phrase is used today. Brooks's own composition, Everlasting Voices, which is based on all these materials, is then a further application of artistic research.
| Original language | English |
|---|---|
| Title of host publication | Artistic Experimentation in Music |
| Subtitle of host publication | An Anthology |
| Editors | Bob Gilmore, Darla Crispin |
| Place of Publication | Leuven, Belgium |
| Publisher | Leuven University Press |
| Pages | 185-196 |
| Number of pages | 12 |
| ISBN (Print) | 978 94 6270 013 0 |
| Publication status | Published - Sept 2014 |
Publication series
| Name | Orpheus Institute Series |
|---|---|
| Publisher | Leuven University Press |
Keywords
- artistic research
- William Butler Yeats
- music
- declamation
- Florence Farr
- composition
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Oooo Will!
Brooks, W. (Composer)
11 Apr 2016Activity: Participating in or organising an event › Performance
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After Yeats: two realisations by Nguyen Thanh Thuy
Brooks, W. (Invited speaker)
8 Jul 2015Activity: Talk or presentation › Performance
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