How to Do Things with Music Criticism - Research Database, The University of York

By the same authors

Displacement, repetition and repression: Die Meistersinger von Nürnberg on stage in the Weimar Republic
Sheil, A. C., 5 Feb 2018
Article in Cambridge Opera Journal
The Performance Legacy of Die Meistersinger
Sheil, Á., 2015, Die Meistersinger von Nürnberg. Kahn, G. (ed.). Richmond: Overture Publishing, p. 55 72 p. (Overture Opera Guides in association with ENO).
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Review of Richard Wagner: self-promotion and the making of a brand, by Nicholas Vazsonyi, and Music, culture and social reform in the age of Wagner by James Garratt
Sheil, Á., Jun 2013
Book/Film/Article review in NIneteenth-Century Music Review
Digital opera, new means and new meanings: an introduction in two voices
Sheil, Á. & Vear, C., Apr 2012
Editorial in International Journal of Performance Arts and Digital Media
The opera director’s voice: DVD 'extras' and the question of authority
Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).
Research output: Chapter in Book/Report/Conference proceeding › Chapter

How to Do Things with Music Criticism: Performances of Victory in German Wagner Reception, 1918–33

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Author(s)

Aine Catherine Sheil

Department/unit(s)

Music

Publication details

Title of host publication	Performance in a Militarized Culture
Date	Accepted/In press - 2017
Date	Published (current) - 2017
Pages	99-109
Number of pages	11
Publisher	Routledge
Place of Publication	London
Editors	Sara Brady, Lindsey Mantoan
Original language	English
ISBN (Print)	9781138740808, 9781138690189

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