Projects per year
Humphry Repton developed a set of landscape principles over the course of his career,which he set out in his key publications, and that shaped ideas about designed landscape throughout the nineteenth century. These have usually been studied within the context of his position between the Brownian era of the late eighteenth century and that of the Picturesque of the early nineteenth. This paper, however, explores two of his late commissions, at Harewood House, Yorkshire, and Sheringham, Norfolk, through the lens of his formative years spent in the Netherlands. It suggests that although little is known of his time on the continent, it exposed him to a highly cultured society among one the wealthiest merchant families: the Hopes of Amsterdam and Rotterdam. It then contrasts Repton’s experience at Harewood with that at Sheringham and argues that the different approaches to the two landscapes, and his own reaction to them, were shaped by his social experiences, including in the Netherlands as a young man and with his own family. Domesticity becomes a key feature of his preferred landscape and architectural designs, and Repton locates this in smaller estates and houses, rather than the palaces of the nobility.
|Number of pages||15|
|Issue number||Suppl. 1|
|Publication status||Published - 11 Feb 2019|
Bibliographical noteThis is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.
- Humphry Repton
- landscape history
- Parks and gardens
- 1 Finished
The Global Landscape: Harewood and the Caribbean in the 18th and 19th centuries
1/04/11 → 31/03/12
Project: Research project (funded) › Research