Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction
Research output: Contribution to conference › Paper
Author(s)
Department/unit(s)
Conference
| Conference | Tacit or Loud: Where is the Knowledge in Art? |
|---|---|
| Country/Territory | Sweden |
| City | Malmö |
| Conference date(s) | 30/11/14 → 3/12/14 |
Publication details
| Date | Published - 1 Dec 2014 |
|---|---|
| Original language | English |
Abstract
Paper and performance presented at the symposium and festival for artistic research 'Tacit or Loud: Where is the Knowledge in Art?', InterArts Centre/ Malmö Academy of Music, Malmö, December 2014. This work forms part of the overarching research project 'Performance, Subjectivity and Experimentation', in collaboration with the Orpheus Research Centre in Music, Ghent.
Research outputs
Performances of 2 new pieces for piano and other things, plus one new version of an extant work.
Research output: Non-textual form › Performance
Premieres of two new pieces for piano (and other elements) by Roger Marsh and Paul Whitty.
Research output: Non-textual form › Performance
Musical Subjectivity in Action: Piano Personae.
Research output: Contribution to conference › Paper
Activities
Study Day: Performance and Subjectivity
Activity: Participating in or organising an event › Symposium
Projects
Performance, Subjectivity and Experimentation
Project: Other project › Research collaboration
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