Musical Subjectivity in Action:: Piano Personae.

Catherine Laws

Musical Subjectivity in Action: Piano Personae.

Music

Research output: Contribution to conference › Paper

Abstract

Paper presented at the research festival '(im)possible worlds - new (im)possibilities', Orpheus Research Centre in Music, Ghent, October 1-3, 2014. Presented along with premiere performances of 2 new works, developed collaboratively with composers Roger Marsh (University of York) and Paul Whitty (Oxford Brooks University). This work forms part of the overarching research project 'Performance, Subjectivity and Experimentation', in collaboration with the Orpheus Research Centre in Music, Ghent.

Original language	English
Publication status	Published - 2 Oct 2014
Event	(im)possible worlds – new (im)possibilities: Research Festival of the Orpheus Insitute, 2014 - Orpheus Institute, Korte Meer 12, 9000 Gent , Ghent, Belgium Duration: 1 Oct 2014 → 3 Oct 2014

Conference

Conference	(im)possible worlds – new (im)possibilities: Research Festival of the Orpheus Insitute, 2014
Country/Territory	Belgium
City	Ghent
Period	1/10/14 → 3/10/14

Access to Document

http://www.orpheusinstituut.be/en/events/category/research-festival

1 Active

Performance, Subjectivity and Experimentation
Laws, C. (Principal investigator), Losseff, N. (Co-investigator), Östersjö, S. (Researcher) & Gloor, V. (Researcher)
1/12/13 → …
Project: Other project › Research collaboration

Cite this

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title = "Musical Subjectivity in Action:: Piano Personae.",

abstract = "Paper presented at the research festival '(im)possible worlds - new (im)possibilities', Orpheus Research Centre in Music, Ghent, October 1-3, 2014. Presented along with premiere performances of 2 new works, developed collaboratively with composers Roger Marsh (University of York) and Paul Whitty (Oxford Brooks University). This work forms part of the overarching research project 'Performance, Subjectivity and Experimentation', in collaboration with the Orpheus Research Centre in Music, Ghent.",

author = "Catherine Laws",

year = "2014",

month = oct,

day = "2",

language = "English",

note = "(im)possible worlds – new (im)possibilities: Research Festival of the Orpheus Insitute, 2014 ; Conference date: 01-10-2014 Through 03-10-2014",

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TY - CONF

T1 - Musical Subjectivity in Action:

T2 - (im)possible worlds – new (im)possibilities: Research Festival of the Orpheus Insitute, 2014

AU - Laws, Catherine

PY - 2014/10/2

Y1 - 2014/10/2

N2 - Paper presented at the research festival '(im)possible worlds - new (im)possibilities', Orpheus Research Centre in Music, Ghent, October 1-3, 2014. Presented along with premiere performances of 2 new works, developed collaboratively with composers Roger Marsh (University of York) and Paul Whitty (Oxford Brooks University). This work forms part of the overarching research project 'Performance, Subjectivity and Experimentation', in collaboration with the Orpheus Research Centre in Music, Ghent.

AB - Paper presented at the research festival '(im)possible worlds - new (im)possibilities', Orpheus Research Centre in Music, Ghent, October 1-3, 2014. Presented along with premiere performances of 2 new works, developed collaboratively with composers Roger Marsh (University of York) and Paul Whitty (Oxford Brooks University). This work forms part of the overarching research project 'Performance, Subjectivity and Experimentation', in collaboration with the Orpheus Research Centre in Music, Ghent.

M3 - Paper

Y2 - 1 October 2014 through 3 October 2014

ER -

Musical Subjectivity in Action: Piano Personae.

Abstract

Conference

Access to Document

Projects

Performance, Subjectivity and Experimentation

Cite this