New forms of composition, and how to enable them

Reverse Spectralism: Composing with site-specific resonance mapping: AR techniques in musical composition. Paper presented at "Spectralisms", An International Conference, University of Oxford, UK
Field, A. E., 15 Mar 2017, (Unpublished) p. 1-8. 8 p.
Research output: Contribution to conference › Paper
Fostering effective group creativity
Field, A. E., 16 Jun 2016, Creative Teaching for Creative Learning in Higher Music Education. Haddon, E. & Burnard, P. (eds.). Routledge, p. 240-253
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Composing for the resonance: finding new relationships between architecture and musical composition.
Field, A. E., 1 Jan 2016, IRCAM Open Music Composer’s Book . Bresson, J., Assayag, G. & Agon, C. (eds.). Paris: Editions Delatour/IRCAM, Paris, Vol. 3. 12 p.
Research output: Chapter in Book/Report/Conference proceeding › Chapter
Field,A. : "Transmission Cycle" for Strings and Solo Tenor. Dur: 42 mins. TV broadcast of first performance.
Field, A. E., 5 Apr 2015
Research output: Non-textual form › Composition
Imperfect Forms #2: in Kirschner: Imperfect Forms, multimedia project, edited by Tobias Fischer
Field, A. E., 1 Nov 2014
Research output: Non-textual form › Composition

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Author(s)

Title of host publication	Music Education with Digital Technology
Date	Published - 13 Sep 2007
Pages	156 - 168
Publisher	Continuum
Place of Publication	London and New York
Editors	John Finney, Pamela Burnard
Original language	English
ISBN (Print)	0-8264-9414-5

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