Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin
Research output: Book/Report › Book
Author(s)
Department/unit(s)
Publication details
| Date | Published - Nov 2014 |
|---|---|
| Number of pages | 227 |
| Publisher | Leuven University Press |
| Place of Publication | Leuven |
| Original language | English |
| ISBN (Print) | 978 90 5876 9987 |
Publication series
| Name | Collected Writings of the Orpheus Institute |
|---|---|
| Publisher | Leuven University Press |
| Volume | 12 |
Abstract
Six contributions by five authors, with a preface by the editor, on topics ranging from narrativity in Mendelssohn to vocality in Berlioz. Three essays concern aspects of research into piano performance and composition, with particular attention to Clara Schumann and Frederic Chopin.
- musicology, narrative, voice, instrumental, 19th century, schumann, mendelssohn, berlioz, piano, aesthetics, performance practice
Research areas
Research outputs
Preface
Research output: Chapter in Book/Report/Conference proceeding › Foreword/postscript
Experimental Affinities in Music
Research output: Book/Report › Anthology
Composing under the Skin: The Music-making Body at the Composer's Desk
Research output: Book/Report › Book
Activities
Orpheus Research Centre in Music (ORCiM) (External organisation)
Activity: Membership › Institution
Orpheus Institute Series of publications (Journal)
Activity: Publication peer-review and editorial work › Journal or guest editorship
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