Abstract
When adjusting the contrast setting on a television set, we experience a
perceptual change in the global image contrast. But how is that
statistic computed? We addressed this using a contrast-matching task for
checkerboard configurations of micro-patterns in which the contrasts
and spatial spreads of two interdigitated components were controlled
independently. When the patterns differed greatly in contrast, the
higher contrast determined the perceived global contrast. Crucially,
however, low contrast additions of one pattern to intermediate contrasts
of the other caused a paradoxical reduction in the perceived
global contrast. None of the following metrics/models predicted this:
max, linear sum, average, energy, root mean squared (RMS), Legge and
Foley. However, a nonlinear gain control model, derived from contrast
detection and discrimination experiments, incorporating wide-field
summation and suppression, did predict the results with no free
parameters, but only when spatial filtering was removed. We conclude
that our model describes fundamental processes in human contrast vision
(the pattern of results was the same for expert and naive observers),
but that above threshold—when contrast pedestals are clearly
visible—vision's spatial filtering characteristics become transparent,
tending towards those of a delta function prior to spatial summation.
The global contrast statistic from our model is as easily derived as the
RMS contrast of an image, and since it more closely relates to human
perception, we suggest it be used as an image contrast metric in
practical applications.
Original language | English |
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Article number | 170285 |
Pages (from-to) | 1-15 |
Number of pages | 15 |
Journal | Royal Society Open Science |
Volume | 4 |
Issue number | 9 |
DOIs | |
Publication status | Published - 6 Sept 2017 |
Bibliographical note
©2017 The AuthorsKeywords
- human vision
- psychophysics
- Battenbergs
- contrast summation
- image processing
- contrast gain control