By the same authors

Performance, Subjectivity, and Experimentation

Research output: Book/ReportBook

Standard

Performance, Subjectivity, and Experimentation. / Laws, Catherine Ann (Editor).

Leuven : Leuven University Press, 2020. 240 p.

Research output: Book/ReportBook

Harvard

Laws, CA (ed.) 2020, Performance, Subjectivity, and Experimentation. Leuven University Press, Leuven.

APA

Laws, C. A. (Ed.) (2020). Performance, Subjectivity, and Experimentation. Leuven University Press.

Vancouver

Laws CA, (ed.). Performance, Subjectivity, and Experimentation. Leuven: Leuven University Press, 2020. 240 p.

Author

Laws, Catherine Ann (Editor). / Performance, Subjectivity, and Experimentation. Leuven : Leuven University Press, 2020. 240 p.

Bibtex - Download

@book{07870409ac744675aa2f39b74490bc07,
title = "Performance, Subjectivity, and Experimentation",
abstract = "Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.",
editor = "Laws, {Catherine Ann}",
year = "2020",
month = jul,
language = "English",
isbn = "9789462702318",
publisher = "Leuven University Press",

}

RIS (suitable for import to EndNote) - Download

TY - BOOK

T1 - Performance, Subjectivity, and Experimentation

A2 - Laws, Catherine Ann

PY - 2020/7

Y1 - 2020/7

N2 - Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.

AB - Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.

UR - http://www.orpheusinstituut.be/en/events/performance-subjectivity-and-experimentation-in-artistic-research

M3 - Book

SN - 9789462702318

BT - Performance, Subjectivity, and Experimentation

PB - Leuven University Press

CY - Leuven

ER -