Peterson and Berger revisited: Changing market dominance in the British popular music industry, c.1950-80

Terry Gourvish, Kevin Tennent

Research output: Contribution to journalArticlepeer-review

Abstract

In studies of the popular music industry, there has been much interest in the market share of the leading firms (majors), and the apparent connections between a high level of concentration and musical innovation and diversity. Peterson and Berger argued that in the United States the majors lost market share to independent companies in 1955-62, then recovered their position to 1973. This article uses a newly-constructed database and concentration measures to test the proposition in relation to Britain for 1952-75. We find that British majors also lost market share, but the process started much later, and was not followed by a recovery. Instead, American majors entered the market directly from the late 1960s.

Original languageEnglish
Pages (from-to)187-206
Number of pages20
JournalBusiness History
Volume52
Issue number2
DOIs
Publication statusPublished - Apr 2010

Keywords

  • British music industry
  • concentration
  • competitive entry
  • SYMBOL PRODUCTION
  • DIVERSITY
  • CYCLES

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