Projects per year
Abstract
In studies of the popular music industry, there has been much interest in the market share of the leading firms (majors), and the apparent connections between a high level of concentration and musical innovation and diversity. Peterson and Berger argued that in the United States the majors lost market share to independent companies in 1955-62, then recovered their position to 1973. This article uses a newly-constructed database and concentration measures to test the proposition in relation to Britain for 1952-75. We find that British majors also lost market share, but the process started much later, and was not followed by a recovery. Instead, American majors entered the market directly from the late 1960s.
Original language | English |
---|---|
Pages (from-to) | 187-206 |
Number of pages | 20 |
Journal | Business History |
Volume | 52 |
Issue number | 2 |
DOIs | |
Publication status | Published - Apr 2010 |
Keywords
- British music industry
- concentration
- competitive entry
- SYMBOL PRODUCTION
- DIVERSITY
- CYCLES
Projects
- 1 Finished
-
Enterprise and Creativity: The British Popular Music Industry 1950-1975
Gourvish, T., Tennent, K. D. & Coopey, R.
31/03/08 → 30/03/11
Project: Other project › Project from former institution