By the same authors

Piano Personae: Performance, Subjectivity and Experimentation

Research output: Contribution to conferencePaper

Author(s)

Department/unit(s)

Conference

ConferenceFourth Performance Studies Network International Conference
CountryUnited Kingdom
CityBath
Conference date(s)14/07/1617/07/16

Publication details

DatePublished - 17 Jul 2016
Original languageEnglish

Abstract

The arts of the last century have pushed us to interrogate notions of the self, exposing the fragmented, fluid, dynamic, embodied and contingent nature of subjectivity. Musical subject-formation through performance is inherently intersubjective: every musician develops a sound, style and performance persona through a process of identification with and differentiation from the playing of others, whether peers, teachers, or idolised performer-heroes. Nevertheless, the discourse of the individual self persists. Developing an ‘authentic’ performing ‘voice,’ predicated on the self, is often regarded as key to musical success, while popular media commentary encourages the idea of performance as self-realisation.

This presentation considers these issues via performance of my version of Annea Lockwood's Ceci n'est pas un piano (originally 2002, for piano, recorded voice and electronics). The research is part of a practice-led project ‘Piano Personae’, examining the relationship between performance, experimentation, embodied knowledge and subjectivity.

Research outputs

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