Abstract
This essay focuses on Pasolini’s cinematic representation of the Roman slums, or the borgate, in Accattone by analysing on various levels its significance as a specific topographical space. My primary argument is that Pasolini’s alternate take on the borgate, replete with myth, utopian idealism and ideological ambition, nonetheless remains a flawed striving of romanticism,whose redemption remains out of reach, and whose doom is inescapable.
Original language | English |
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Journal | Opticon 1826 |
Volume | 2 |
Publication status | Published - 2007 |
Keywords
- cinema and the city