Reinita amarilla termina en el charco

By the same authors

“A Good Algorithm Does Not Steal – It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much
Yin, Z., Reuben, F., Stepney, S. & Collins, T., 2 Apr 2021, Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2021. Springer, Vol. 12693. p. 360-375 16 p. 24. (Lecture Notes in Computer Science).
Research output: Chapter in Book/Report/Conference proceeding › Conference contribution
“Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music
Egermann, H. & Reuben, F., 13 Nov 2020
Article in Frontiers in Psychology
Midlockdown listening :: HDArchive_(date.today)
Reuben Paris, F., 8 May 2020
Research output: Non-textual form › Artefact
Baza
Reuben Paris, F. & Korolczuk, K., 12 Nov 2018
Research output: Non-textual form › Artefact
Her High Noise
Reuben Paris, F., Hanslip, M. W. & Hession, P., 20 Sep 2018
Research output: Non-textual form › Artefact

Research output: Non-textual form › Composition

Author(s)

Federico Reuben

Department/unit(s)

Music

Publication details

Date	Published - 2006
Original language	English

Abstract

Composition for harpsichord, viola da gamba and recorders. World premiere and tour by The Roentgen Connection, Guarnerius, Belgrade, Serbia, Podchorazówka, Warsaw, Poland. Kings College Chapel, London, 2010. Kammer Klang, Cafe OTO, London, 2010.

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By the same authors

“A Good Algorithm Does Not Steal – It Imitates”: The Originality Report as a Means of Measuring When a Music Generation Algorithm Copies Too Much

“Beauty is how you feel inside”: Aesthetic judgements are related to emotional responses to contemporary music

Midlockdown listening :: HDArchive_​(​date​.​today)

Baza

Her High Noise