Republican relicts: gender, memory and mourning in Irish nationalist culture, ca. 1798-1848

TY - JOUR

T1 - Republican relicts

T2 - gender, memory and mourning in Irish nationalist culture, ca. 1798-1848

AU - Kennedy, Catriona Aine

N1 - © This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.

PY - 2020/7/24

Y1 - 2020/7/24

N2 - In the past two decades, remembrance has emerged as one of the dominant preoccupations in Irish historical scholarship. There has, however, been little sustained analysis of the relationship between gender and memory in Irish studies, and gender remains under-theorized in memory studies more broadly. Yet one of the striking aspects of nineteenth-century commemorations of the 1798 and 1803 rebellions is the relatively prominent role accorded to women and the widows of three of the most celebrated United Irish “martyrs”—Sarah Curran, Pamela Fitzgerald and Matilda Tone—in particular. By analyzing the mnemonic functions these female figures performed in nineteenth-century Irish nationalist discourse, this paper offers a case study of the circumstances in which women may be incorporated into, rather than excluded, from national memory cultures. This incorporation, it is argued, had much to do with the fraught political context in which the 1798 rebellion and its leaders were memorialized. As the remembrance of the rebellion in the first half of the nineteenth century assumed a covert character, conventionally gendered distinctions between private grief and public remembrance, intimate histories and heroic reputations, and family genealogy and public biography became blurred so as to foreground women and the female mourner.

AB - In the past two decades, remembrance has emerged as one of the dominant preoccupations in Irish historical scholarship. There has, however, been little sustained analysis of the relationship between gender and memory in Irish studies, and gender remains under-theorized in memory studies more broadly. Yet one of the striking aspects of nineteenth-century commemorations of the 1798 and 1803 rebellions is the relatively prominent role accorded to women and the widows of three of the most celebrated United Irish “martyrs”—Sarah Curran, Pamela Fitzgerald and Matilda Tone—in particular. By analyzing the mnemonic functions these female figures performed in nineteenth-century Irish nationalist discourse, this paper offers a case study of the circumstances in which women may be incorporated into, rather than excluded, from national memory cultures. This incorporation, it is argued, had much to do with the fraught political context in which the 1798 rebellion and its leaders were memorialized. As the remembrance of the rebellion in the first half of the nineteenth century assumed a covert character, conventionally gendered distinctions between private grief and public remembrance, intimate histories and heroic reputations, and family genealogy and public biography became blurred so as to foreground women and the female mourner.

U2 - 10.1017/jbr.2020.69

DO - 10.1017/jbr.2020.69

M3 - Article

SN - 0021-9371

VL - 59

SP - 608

EP - 637

JO - Journal of British Studies

JF - Journal of British Studies

IS - 3

ER -