Abstract
This article argues for acknowledging and exploring actors’ processes in critical considerations of television drama. Theatre Studies boasts a tradition of research privileging the actor, including a century’s worth of actor-training manuals, academic works observing rehearsals and performances, and actor accounts. However, such considerations within Television Studies are relatively nascent. Drawing upon continuing drama as a fertile case study for investigating the specificities of television acting, the article concludes that the only way to understand television acting is through the analysis of insights from actors themselves, in combination with the well-established practices of analysing the textual end-products of television acting.
Original language | English |
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Article number | 1 |
Pages (from-to) | 283-298 |
Number of pages | 17 |
Journal | Critical Studies in Television |
Volume | 11 |
Issue number | 3 |
Early online date | 12 Sept 2016 |
DOIs | |
Publication status | Published - 1 Nov 2016 |
Bibliographical note
© The Author(s) 2016. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.Keywords
- Actor training
- Continuing drama
- Soap opera
- Television acting
- Television performance