Search research publications and outputs

  1. 1987
  2. 1988
  3. 1989
  4. Jean Sibelius: Progressive Techniques in the Symphonies and Tone-Poems

    Howell, T., 1989, Garland Press. 275 p. (Outstanding Dissertations in Music from British Universities)

    Research output: Book/ReportBook

  5. 1990
  6. 1991
  7. Analysis and Performance: The Search for a Middleground

    Howell, T., 1991, A Companion to Contemporary Musical Thought. Routledge

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Eisler’s Serialism: Concepts and Methods

    Howell, T., 1991, Eisler – A Miscellany. Gordon & Breach

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Sibelius and the Fourth Dimension

    Howell, T., 1991, Sibelius-Akatemian Aikakauskirja. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. 1992
  11. A Companion to Contemporary Musical Thought,

    Howell, T., Paynter, J., Orton, R. & Seymour, P., 1992, Routledge.

    Research output: Book/ReportAnthology

  12. 1994
  13. The Best Concords: Polyphonic Music in Thirteenth-century Britain

    Losseff, N., 1994, New York: Garland Press. 298 p.

    Research output: Book/ReportBook

  14. 1995
  15. Purcell and the English Baroque

    Wainwright, J., 1995, The Purcell Companion. Burden, M. (ed.). London: Faber & Faber

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Two Versions of the Fifth Symphony: A Study in Compositional Process

    Howell, T., 1995, Proceedings from the First International Jean Sibelius Conference, August, 1990, . Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  17. 1996
  18. The Christ Church Viol-Consort Manuscripts Reconsidered: Christ Church, Oxford Music Manuscripts 2, 497–408 & 436; 417–418 & 1080; and 432 & 612–613

    Wainwright, J., 1996, John Jenkins and his Time: Studies in English Consort Music. Ashbee, A. & Holman, P. (eds.). Oxford: Oxford University Press, p. 198-241

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. 1997
  20. Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605–70)

    Wainwright, J., 1997, Aldershot: Scholar Press. 470 p.

    Research output: Book/ReportBook

  21. Queen of Heavenly Virtue (Concertare): Music for Henrietta Maria’s Chapel in Oxford

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  22. Sodzu Baba: music theatre piece for solo soprano

    Marsh, R. M. & Woolf, J., 1997

    Research output: Non-textual formComposition

  23. Ther is no rose of swych vertu (Cantores Collegiorum): Carols for a Medieval Christmas

    Wainwright, J., 1997

    Research output: Non-textual formDigital or Visual Products

  24. 1998
  25. Images of Virtue and War: Music in Civil War Oxford

    Wainwright, J., 1998, William Lawes: 1602–1645 Essays on His Life, Times and Work. Ashbee, A. (ed.). Aldershot: Ashgate Publishing Company, p. 121-42

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Morton Feldman’s 'Neither’.

    Laws, C. A., 1998, Samuel Beckett and Music. Bryden, M. (ed.). Oxford: Clarendon Press, p. 57-86 31 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Sibelius’ Tapiola: Issues of Tonality and Timescale

    Howell, T., 1998, Sibelius Forum: Proceedings from the Second International Jean Sibelius Conference, November 1995. Sibelius Academy, Helsinki

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  28. Simunye

    Hollingworth, R. M., 1998

    Research output: Non-textual formDigital or Visual Products

  29. The Dissemination and Influence of Monteverdi’s Music in England in the Seventeenth Century

    Wainwright, J., 1998, Claudio Monteverdi und die Folgen: Bericht über das Internationale Symposium, Detmold 1993. Leopold, S. & Steinheuer, J. (eds.). Kassel: Barenreiter, p. 105-121

    Research output: Chapter in Book/Report/Conference proceedingChapter

  30. 1999
  31. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  32. The King’s Music

    Wainwright, J., 1999, The Royal Image: Representations of Charles I. Corns, T. (ed.). Cambridge: Cambridge University Press, p. 162-75

    Research output: Chapter in Book/Report/Conference proceedingChapter

  33. ‘Freedom of Choice: Project-based Learning’,

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 73-84 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  34. ‘The Practical Project’

    Howell, T., 1999, Making Music Work – The Professional Integration Project. Barnes, J. (ed.). London: Royal College of Music Publications , p. 51-57 7 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  35. 2000
  36. 2001
  37. 3D audio as an information environment

    Lennox, P. P., Vaughan, J. M. & Myatt, T., 2001, PROCEEDINGS OF THE AES 19TH INTERNATIONAL CONFERENCE SURROUND SOUND: TECHNIQUES, TECHNOLOGY AND PERCEPTION. NEW YORK: AUDIO ENGINEERING SOC INC, p. 295-306 12 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  38. Carnevale Veneziano

    I Fagiolini, 2001

    Research output: Non-textual formDigital or Visual Products

  39. The Piano Concertos and the Sonata for Two Pianos and Percussion

    Losseff, N., 2001, Cambridge University Press. Bayley, A. (ed.). p. 118-132 14 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  40. The Viola da Gamba Society’s Index of Manuscripts Containing Consort Music, Vol. 1

    Wainwright, J., Ashbee, A. & Thompson, R., 2001, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  41. ‘Sibelius the Progressive’

    Howell, T., 2001, Sibelius Studies. Cambridge University Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  42. 2002
  43. Pierrot Lunaire - 50 Rondels Bergamasques: For multiple voices

    Marsh, R. M., 2002

    Research output: Non-textual formComposition

  44. The Triumphs of Oriana

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  45. Thomas Tomkins - Music Divine

    Hollingworth, R. M., 2002

    Research output: Non-textual formDigital or Visual Products

  46. H-mode pedestal characteristics and MHD stability of the edge plasma in Alcator C-Mod

    Mossessian, D. A., Snyder, P. B., Greenwald, M., Hughes, J. W., Lin, Y., Mazurenko, A., Medvedev, S., Wilson, H. R. & Wolfe, S., Apr 2002

    Article in Plasma Physics and Controlled Fusion

  47. Conversion electron cascades in NO

    Butler, P. A., Humphreys, R. D., Greenlees, P. T., Herzberg, R-D., Jenkins, D. G., Jones, G. D., Kankaanpää, H., Kettunen, H., Rahkila, P., Scholey, C., Uusitalo, J., Amzal, N., Bastin, J. E., Brew, P. M. T., Eskola, K., Gerl, J., Hammond, N. J., Hauschild, K., Helariutta, K., Heßberger, F-P. & 20 othersHürstel, A., Jones, P. M., Julin, R., Juutinen, S., Keenan, A., Khoo, T-L., Korten, W., Kuusiniemi, P., Le Coz, Y., Leino, M., Leppänen, A-P., Muikku, M., Nieminen, P., Ødegård, S. W., Page, T., Pakarinen, J., Reiter, P., Sletten, G., Theisen, C. & Wollersheim, H-J., 11 Nov 2002

    Article in Physical Review Letters

  48. 2003
  49. A video system for recognizing gestures by artificial neural networks for expressive musical control

    Modler, P. & Myatt, T., 2003, GESTURE-BASED COMMUNICATION IN HUMAN-COMPUTER INTERACTION. Camurri, A. & Volpe, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 541-548 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  50. Beethoven’s Haunting of Beckett’s 'Ghost Trio'

    Laws, C. A., 2003, Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Ben-Zvi, L. (ed.). Tel Aviv: Assaph, p. 197-214 17 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  51. Daddy, buy me a radio monkey

    Reuben, F., 2003

    Research output: Non-textual formComposition

  52. Indefinite Ockeghem

    Reuben, F., 2003

    Research output: Non-textual formComposition

  53. L'Amfiparnaso

    Hollingworth, R. M., 2003

    Research output: Non-textual formDigital or Visual Products

  54. Signals

    Stringer, J. C., 2003

    Research output: Non-textual formComposition

  55. Andrea Gabrieli -The Madrigal in Venice: Politics, Dialogues and Pastorales

    Hollingworth, R. M., May 2003

    Research output: Non-textual formDigital or Visual Products

  56. High-confinement-mode edge stability of Alcator C-mod plasmas

    Mossessian, D. A., Snyder, P., Hubbard, A., Hughes, J. W., Greenwald, M., LaBombard, B., Snipes, J. A., Wolfe, S. & Wilson, H., May 2003

    Article in Physics of Plasmas

  57. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  58. 2004
  59. The Idea of Music in Victorian Fiction

    Losseff, N. (ed.) & Fuller, S. (ed.), 2004, Ashgate Publishing Company. 318 p.

    Research output: Book/ReportBook

  60. The Nolan’s Supper: Inspired by the life and work of Giordano Bruno

    Reuben, F., 2004

    Research output: Non-textual formComposition

  61. The voice, the breath and the soul: song and poverty in Thyrza, Mary Barton, Alton Locke and A Child of the Jago

    Losseff, N., 2004, The Idea of Music in Victorian Fiction. Ashgate Publishing Company, p. 3-26 23 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  62. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  63. WinSingad: a real-time display for the singing studio

    Howard, D. M., Welch, G. F., Brereton, J., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Sep 2004

    Article in Logopedics Phoniatrics Vocology

  64. 2005
  65. Der negative Synchronisierungsfehler (NSF) - Effekte unterschiedlicher musikalischer Expertise?

    Egermann, H., Nagel, F., Kopiez, R. & Drescher, D., 2005, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Würzburg. Würzburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  66. Esférica Cantándote

    Reuben, F., 2005

    Research output: Non-textual formComposition

  67. Getting Even

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  68. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  69. Growing music: Musical interpretations of L-systems

    Worth, P. & Stepney, S., 2005, APPLICATIONS OF EVOLUTIONARY COMPUTING, PROCEEDINGS. Rothlauf, F., Branke, J., Cagnoni, S., Corne, DW., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, GD. & Squillero, G. (eds.). BERLIN: SPRINGER-VERLAG BERLIN, p. 545-550 6 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  70. Hinterland

    Stringer, J. C., 2005

    Research output: Non-textual formComposition

  71. Studies of the self-ordering process in FePt self-ordered magnetic array media

    Verdes, C., Ahner, J., Jones, P. M., Shukla, N., Chantrell, R. W. & Weller, D., 27 Jun 2005

    Article in Applied Physics Letters

  72. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  73. Probing the three shapes in 186Pb using in-beam γ-ray spectroscopy

    Pakarinen, J., Darby, I., Eeckhaudt, S., Enqvist, T., Grahn, T., Greenlees, P., Johnston-Theasby, F., Jones, P., Julin, R., Juutinen, S., Kettunen, H., Leino, M., Leppänen, A-P., Nieminen, P., Nyman, M., Page, R., Raddon, P., Rahkila, P., Scholey, C., Uusitalo, J. & 1 othersWadsworth, R., 1 Sep 2005

    Article in European physical journal A : Hadrons & Nuclei

  74. 2006
  75. A Question of Identity: Die Meistersinger von Nürnberg in Weimar Germany

    Sheil, Á., 2006, Music, Theatre and Politics in Germany: 1848 to the Third Reich. Bacht, N. (ed.). Aldershot: Ashgate Aldershot, UK:, p. 93 112 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  76. After Sibelius: Studies in Finnish Music

    Howell, T., 2006, Aldershot: Ashgate Publishing Company.

    Research output: Book/ReportBook

  77. Emotionales Erleben beim Musikhören - eine Online-Studie zur kontinuierlichen Emotionsmessung unter Verwendung des Internets.

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Freiburg. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  78. England, ii: 1603–1642

    Wainwright, J., 2006, European Music, 1520-1640. Haar, J. (ed.). Woodbridge: Boydell & Brewer, p. 509-26

    Research output: Chapter in Book/Report/Conference proceedingChapter

  79. Latin Motets: John Blow

    Wainwright, J., 2006, York: York Early Music Press.

    Research output: Book/ReportScholarly edition

  80. Making Music in Britain: Interviews with those behind the notes

    Haddon, E., 2006, Aldershot: Ashgate Publishing Company. 234 p.

    Research output: Book/ReportBook

  81. Online measurement of emotional musical experiences using internet-based methods - An exploratory approach

    Egermann, H., Nagel, F., Kopiez, R. & Altenmüller, E., 2006, Proceedings of the 9th International Conference of Music Perception and Cognition (ICMPC), Bologna, Italy.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  82. Reinita amarilla termina en el charco

    Reuben, F., 2006

    Research output: Non-textual formComposition

  83. Six Mediaeval Lyrics: for three female singers

    Brooks, W., 2006, (Unpublished)

    Research output: Non-textual formComposition

  84. The effect of subliminal messages in music on choice behaviour.

    Egermann, H. & Kopiez, R., 2006, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Freiburg, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  85. Tussen aarde en hemenl

    Reuben, F., 2006

    Research output: Non-textual formComposition

  86. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  87. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  88. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  89. Monteverdi - Flaming Heart

    Hollingworth, R. M., Nov 2006

    Research output: Non-textual formDigital or Visual Products

  90. 2007
  91. Concepts of perceptual significance for composition and reproduction of explorable surround sound fields

    Lennox, P., Myatt, T. & Scavone, G. P. (ed.), 2007, Proceedings of the 13th International Conference on Auditory Display. p. 208-212 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  92. Der Einfluss von sozialem Feedback auf die emotionale Wirkung von Musik

    Egermann, H., Altenmüller, E., Grewe, O. & Kopiez, R., 2007, Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie, Gießen. Gieße, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  93. Nicolas Gombert: Missa Media Vita

    Wainwright, J., 2007, York : York Early Music Press.

    Research output: Other contribution

  94. Pierrot Lunaire: 50 Rondels Bergamasques

    Marsh, R. M., 2007

    Research output: Non-textual formDigital or Visual Products

  95. Silence, Music, Silent Music

    Losseff, N. (ed.) & Doctor, J. R. (ed.), 2007, Ashgate Publishing Company. 253 p.

    Research output: Book/ReportBook

  96. Silent music and the eternal silence

    Losseff, N., 2007, Ashgate. p. 205 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  97. What does mental imagery mean to university music students and their professors?

    Haddon, E., 2007, Proceedings of the International Symposium on Performance Science 2007. Williamon, A. & Coimbra, D. (eds.). The Netherlands: Association Europeenne des Conservatoires, Academies de Musique et Musikhochschulen (AEC), p. 301-306

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  98. Are real-time displays of benefit in the singing studio? An exploratory study

    Howard, D. M., Brereton, J., Welch, G. F., Himonides, E., DeCosta, M., Williams, J. & Howard, A. W., 1 Jan 2007

    Article in Journal of Voice

  99. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  100. New forms of composition, and how to enable them

    Field, A. E., 13 Sep 2007, Music Education with Digital Technology. Finney, J. & Burnard, P. (eds.). London and New York: Continuum, p. 156 - 168

    Research output: Chapter in Book/Report/Conference proceedingChapter

  101. 2008
  102. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  103. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  104. Emotionen@Musik. Was Musikhörer empfinden - Eine Internet-Studie zur Emotionsmessung

    Egermann, H., 2008, Marburg: Tectum Verlag.

    Research output: Book/ReportBook

  105. Horatio Oratorio: A performance & sound installation by Aleks Kolkowski and Federico Reuben

    Reuben, F. & Kolkowski, A., 2008

    Research output: Non-textual formPerformance

  106. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  107. Il Cor Tristo: For male vocal quartet

    Marsh, R. M., 2008

    Research output: Non-textual formComposition

  108. Monteverdi - Fire & Ashes

    Hollingworth, R. M., 2008, Chandos Records Ltd.

    Research output: Other contribution

  109. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  110. Musical genre and gender as factors in higher education learning in music

    Welch, G., Papageorgi, I., Haddon, L., Creech, A., Morton, F., de Bezenac, C., Duffy, C., Potter, J., Whyton, T. & Himonides, E., 2008

    Article in Research Papers in Education

  111. Richard Dering: Motets for One, Two or Three Voices and Basso Continuo

    Wainwright, J., 2008, Musica Britannica ed. London: Stainer & Bell. 162 p. (Musica Britannica; vol. 87)

    Research output: Book/ReportScholarly edition

  112. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  113. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  114. The Morning Line Multispatial Sound System

    Myatt, T., 2008

    Research output: Non-textual formExhibition

  115. The Viola da Gamba Society Index of Manuscripts Containing Consort Music. Vol. 2

    Wainwright, J., Ashbee, A. & Thompson, R., 2008, Aldershot: Ashgate Publishing Company. 424 p.

    Research output: Book/ReportBook

  116. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  117. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  118. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  119. snd

    Myatt, T., 2008, CYNETart.08.

    Research output: Contribution to specialist publicationArticle

  120. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  121. What can historians of music in performance tell performers: progressing the Saul Seminar debate

    Eato, J. E., 7 Apr 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  122. Pianthology: 7 contemporary compositions for piano

    Losseff, N., 8 May 2008, University of York Music Press (UYMP). 73 p.

    Research output: Book/ReportScholarly edition

  123. Re-composing the saxophone: three twenty-first century examples

    Eato, J. E., 24 May 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  124. Michael Howard: A Choral Pioneer: Historic recordings from Ely and Arundel Cathedrals

    Wells, J., Jun 2008

    Research output: Non-textual formDigital or Visual Products

  125. Bach Singet dem Herrn; Byrd Ne irascaris Domine

    Seymour, P. G., 17 Jun 2008

    Research output: Non-textual formPerformance

  126. Thoughts towards a rhythmic understanding of jazz in South Africa: an update

    Eato, J. E., 28 Jul 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  127. Here, at home

    Bruce, H., Bruce, H., Eato, J., Fouche, N., Gericke, C., Iles, G., Iles, S., Mgijima, L., Mntuyedwa, V. & Mntuyedwa, V., 9 Aug 2008

    Research output: Non-textual formComposition

  128. The Politics of Musical Space – some personal encounters in South Africa

    Eato, J. E., 5 Nov 2008, (Unpublished).

    Research output: Working paperDiscussion paper

  129. 2009
  130. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  131. Being Dufay (Recorded album, Studio Realisation)

    Field, A. E., 2009

    Research output: Non-textual formComposition

  132. Disquiet

    Stringer, J. C., 2009

    Research output: Non-textual formComposition

  133. E-tudes

    Reuben, F., 2009

    Research output: Non-textual formComposition

  134. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  135. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  136. Feldman's late piano music

    Laws, C., 2009

    Research output: Non-textual formPerformance

  137. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  138. Lullaby

    Marsh, R. M., 2009

    Research output: Non-textual formDigital or Visual Products

  139. Lullaby: Song for Soprano and Marimba

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  140. MetaCage: Essays on and around Freeman Etudes / Fontana Mix / Aria

    Brooks, W. (ed.), 2009, Ghent : Orpheus Institute. 98 p. (Collected Writings of the Orpheus Institute: Subseries Orpheus Research Centre in Music [ORCiM]; vol. 2)

    Research output: Book/ReportAnthology

  141. Monteverdi - Sweet Torment

    Hollingworth, R. M., 2009, Chandos Records Ltd.

    Research output: Other contribution

  142. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  143. Nicolas Gombert: Six Motets

    Wainwright, J., 2009, York : York Early Music Press.

    Research output: Other contribution

  144. Piano and Other Things

    Laws, C., 2009

    Research output: Non-textual formPerformance

  145. Soliloquy IV for Bass Clarinet

    Simaku, T., 2009

    Research output: Non-textual formComposition

  146. Soliloquy V: Flauto Acerbo for Alto & Tenor Recorders

    Simaku, T., 2009

    Research output: Non-textual formComposition

  147. Sweet: for soprano and flute

    Brooks, W., 2009, (Unpublished)

    Research output: Non-textual formComposition

  148. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  149. What Charlie Did Next: for ensemble

    Marsh, R. M., 2009

    Research output: Non-textual formComposition

  150. Zizek!?

    Reuben, F., 2009

    Research output: Non-textual formComposition

  151. Being Dufay Live : RealTime Performance Project at 13 Major International Venues

    Field, A. E., 12 Jan 2009

    Research output: Non-textual formPerformance

  152. Lifetime measurements and coulomb excitation of light Hg nuclei

    Petts, A., Butler, P. A., Grahn, T., Blazhev, A., Bree, N., Bruyneel, B., Cederkäll, J., Clement, E., Cocolios, T. E., Dewald, A., Eberth, J., Fraile, L., Fransen, C., Hornillos, M. B. G., Greenlees, P. T., Görgen, A., Guttormsen, M., Hadynska, K., Helariutta, K., Herzberg, R-D. & 43 othersHuyse, M., Jenkins, D. G., Jolie, J., Jones, P., Julin, R., Juutinen, S., Ketelhut, S., Knapen, S., Kröll, T., Krücken, R., Larsen, A. C., Leino, M., Ljungvall, J., Maierbeck, P., Marley, P. L., Melon, B., Napiorkowski, P. J., Nyman, M., Page, R. D., Pakarinen, J., Pascovici, G., Patronis, N., Peura, P. J., Piselli, E., Pissulla, T., Rahkila, P., Reiter, P., Sarén, J., Scheck, M., Scholey, C., Semchenkov, A., Siem, S., Stefanescu, I., Sorri, J., Uusitalo, J., Van De Walle, J., Van Duppen, P., Voulot, D., Wadsworth, R., Warr, N., Weisshaar, D., Wenander, F. & Zielinska, M., 28 Jan 2009

    Article in AIP Conference Proceedings

  153. Je me complains : composition (6m 22s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  154. Je vous pri : composition (7m 48s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  155. La doce vista

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  156. Presque quelque chose : composition (2m 30s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  157. Sanctus : composition (7m 28s)

    Field, A. E., 13 Feb 2009

    Research output: Non-textual formComposition

  158. Pedestal stability comparison and ITER pedestal prediction

    Snyder, P. B., Aiba, N., Beurskens, M., Groebner, R. J., Horton, L. D., Hubbard, A. E., Hughes, J. W., Huysmans, G. T. A., Kamada, Y., Kirk, A., Konz, C., Leonard, A. W., Loennroth, J., Maggi, C. F., Maingi, R., Osborne, T. H., Oyama, N., Pankin, A., Saarelma, S., Saibene, G. & 3 othersTerry, J. L., Urano, H. & Wilson, H. R., Aug 2009

    Article in Nuclear fusion

  159. Being Dufay : composition (12m 21s, 3rd revision)

    Field, A. E., 2 Dec 2009

    Research output: Non-textual formComposition

  160. 2010
  161. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  162. A Lyke Wake Dirge: for choir

    Marsh, R. M., 2010

    Research output: Non-textual formComposition

  163. A Worcester Ladymass

    Losseff, N., 2010

    Research output: Non-textual formDigital or Visual Products

  164. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  165. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  166. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  167. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  168. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  169. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  170. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  171. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  172. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  173. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  174. Too Hot to Handel

    Squib-box, 2010

    Research output: Non-textual formComposition

  175. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  176. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  177. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  178. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  179. Home Cooking Abroad: Chris McGregor and the Brotherhood of Breath, an editing project in progress

    Eato, J. E., 12 Apr 2010, (Unpublished).

    Research output: Working paperDiscussion paper

  180. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 22 May 2010

    Research output: Non-textual formPerformance

  181. Institutional culture and learning I: perceptions of the learning environment and musicians' attitudes to learning

    Papageorgi, I., Haddon, E., Creech, A., Morton, F., de Bezenac, C., Himonides, E., Potter, J., Duffy, C., Whyton, T. & Welch, G., Jun 2010

    Article in Music education research

  182. The Cape Jeremy Affair

    Vear, C. & Eato, J. E., 5 Jul 2010

    Research output: Non-textual formPerformance

  183. Monteverdi Vespers della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  184. Monteverdi Vespro Della Beata Vergine

    Seymour, P. G., 9 Jul 2010

    Research output: Non-textual formPerformance

  185. Bach Johannes-Passion; Ampleforth Abbey; Ryedale Festival

    Seymour, P. G., 23 Jul 2010

    Research output: Non-textual formPerformance

  186. Bach, JS – St John Passion

    Seymour, P. G., 23 Aug 2010

    Research output: Non-textual formPerformance

  187. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  188. Italian Baroque Cantatas & Trios. Knechtsteden Festival Altemusik

    Seymour, P. G., 23 Sep 2010

    Research output: Non-textual formPerformance

  189. Guests

    Lansley, J., Brinkman, T., Eato, J., Chivers, F., Early, U., Hope, C., Jackson, B., Kelly, A., Motley, P., Taylor, T. & Beech, L., 25 Sep 2010

    Research output: Non-textual formComposition

  190. 2011
  191. A Wake of Music: four songs for soprano, clarinet, cello, and piano

    Brooks, W., 2011

    Research output: Non-textual formComposition

  192. Alessandro Striggio - Mass in 40 parts

    Hollingworth, R. M., 2011, Decca Records.

    Research output: Other contribution

  193. Candlebird: for baritone and 18 players

    Suckling, M. C. & Paterson, D., 2011

    Research output: Non-textual formComposition

  194. Chambre 119

    Laws, C. & Jessen, E., 2011

    Research output: Non-textual formDigital or Visual Products

  195. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  196. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  197. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  198. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  199. Lieder Ohne Worte: for piano solo

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  200. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  201. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  202. Not a soul but ourselves: for four amplified voices

    Marsh, R. M., 2011

    Research output: Non-textual formDigital or Visual Products

  203. Orwell Fragments

    Reuben, F., Lash, D. & Laubrock, I., 2011

    Research output: Non-textual formArtefact

  204. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  205. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  206. Pianthology: 7 piano pieces

    Losseff, N., 2011

    Research output: Non-textual formDigital or Visual Products

  207. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  208. Process and systems in computer Music: from meta to matter

    Myatt, T., 2011, Quadern d'àudio, 5, p. 1-9 9 p.

    Research output: Contribution to specialist publicationFeatured article

  209. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  210. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  211. Reworking Musical Strategies In the Digital Age

    Reuben, F., 2011, 137 p.

    Research output: ThesisDoctoral Thesis

  212. Shadow Prophets

    Reuben, F., Luck, N., de la Cour, A. & Knowles, M. L., 2011

    Research output: Non-textual formComposition

  213. Shadows of a Brass Line for Orchestra

    Simaku, T., 2011

    Research output: Non-textual formComposition

  214. Signals

    Stringer, J. C. (ed.) & Maxwell, M. (ed.), 2011, 31 p. York : University of York Music Press (UYMP).

    Research output: Other contribution

  215. Sporcizia Accademica

    Reuben, F., 2011

    Research output: Non-textual formArtefact

  216. String Quartet No 4: Written for and dedicated to Quatuor Diotima

    Simaku, T., 2011

    Research output: Non-textual formComposition

  217. The Master of Music: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  218. The Moon, the moon! for symphony orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  219. The Practice of Practising

    Laws, C. (ed.), 2011, Leuven: Leuven University Press. 92 p. (Collected Writings of the Orpheus Research Centre in Music; vol. 4)

    Research output: Book/ReportAnthology

  220. Three Folksongs: for mixed choir

    Brooks, W., 2011, (Unpublished)

    Research output: Non-textual formComposition

  221. bingoise

    Eato, J. E. & Vear, C., 2011, (Accepted/In press)

    Research output: Non-textual formComposition

  222. de sol y grana: for solo violin and 14 players

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  223. storm, rose, tiger: for chamber orchestra

    Suckling, M. C., 2011

    Research output: Non-textual formComposition

  224. A Sentimental Journey

    Vear, C. & Eato, J. E., 8 Feb 2011

    Research output: Non-textual formPerformance

  225. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  226. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  227. Why Would We Want To Repeat That? Understandings of text for the musical here and now

    Eato, J. E., 26 Apr 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  228. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  229. Contemporary Composers in the Here and Now

    Eato, J. E., 24 May 2011, (Unpublished).

    Research output: Working paperDiscussion paper

  230. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  231. Bach, JS - Mass in B Minor

    Seymour, P. G., 27 Jun 2011

    Research output: Non-textual formPerformance

  232. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  233. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  234. Bach, JS B Minor Mass

    Seymour, P. G., 29 Jul 2011

    Research output: Non-textual formPerformance

  235. Effect of N2, Ne and Ar seeding on Alcator C-Mod H-mode confinement

    Reinke, M. L., Hughes, J. W., Loarte, A., Brunner, D., Hutchinson, I. H., LaBombard, B., Payne, J. & Terry, J. L., 1 Aug 2011

    Article in Journal of Nuclear Materials

  236. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  237. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  238. Kaija Saariaho: Visions, Narratives, Dialogues

    Howell, T. (ed.), 19 Sep 2011, England: Ashgate Publishing Company. 225 p.

    Research output: Book/ReportAnthology

  239. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  240. Charles E. Ives: Symphony No. 4

    Brooks, W. (ed.), Sinclair, J. (ed.), Singleton, K. (ed.) & Shirley, W. (ed.), 31 Dec 2011, Milwaukee, Wisconsin: Associated Music Publishers, Inc. 214 p.

    Research output: Book/ReportScholarly edition

  241. 2012
  242. 1612 Italian Vespers

    Hollingworth, R. M., 2012, Decca Records.

    Research output: Other contribution

  243. A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy

    Howell, T., 2012, (Accepted/In press) Proceedings of the Fifth International Sibelius Conference, Oxford 2010. Helsinki: http://sibeliusone.com/sibelius-reconsidered/

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  244. Beckett in contemporary music

    Laws, C., 2012

    Research output: Non-textual formPerformance

  245. Bird

    Reuben, F. & Lixenberg, L., 2012

    Research output: Non-textual formPerformance

  246. Black Heroes liner notes / discography

    Eato, J. E., 2012, 13 p. JISA Records.

    Research output: Other contribution

  247. Disjointed (live performances linked to the project 'Sounded Gesture and Enacted Sounds')

    Laws, C. & Harron, D., 2012

    Research output: Non-textual formPerformance

  248. HMS Concert: London Improvisers Orchestra

    Reuben, F., Blunt, A., Bohman, A., Ramanan, R., Beresford, S., Taylor, N., Northover, A. & Tejero, R., 2012

    Research output: Non-textual formArtefact

  249. In memoriam EMS: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  250. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  251. Monteverdi Vespers (1610)

    Wainwright, J., 2012, The Cambridge History of Musical Performance. Lawson, C. & Stowell, R. (eds.). Cambridge: Cambridge University Press, p. 448–469

    Research output: Chapter in Book/Report/Conference proceedingChapter

  252. Mr Jonathan Morton, His Ground: for string orchestra

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  253. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  254. New Music from Old York: The 24 and Gamelan Sekar Petak

    Sorrell, N. F. I., 2012

    Research output: Non-textual formDigital or Visual Products

  255. On Violence

    Reuben, F., 2012

    Research output: Non-textual formComposition

  256. Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music

    Egermann, H., Gaulin, M. & McAdams, S., 2012, Tagungsband der Jahrestagung der deutschen Gesellschaft für Musikpsychologie. Bremen, Germany: Deutsche Gesellschaft für Musikpsychologie

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  257. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  258. Six Mediaeval Lyrics [composition issued in print]: for women's choir

    Brooks, W., 2012

    Research output: Non-textual formComposition

  259. Tenebrae: For flute, viola, and harp

    Suckling, M. C., 2012

    Research output: Non-textual formComposition

  260. The Look of the Thing

    Eato, J. E., Bruce, H., Lawrence, S., Ganz, L., Arstall, S., Starkey, D. & Morrison, M., 2012

    Research output: Non-textual formComposition

  261. The opera director’s voice: DVD 'extras' and the question of authority

    Sheil, Á., 2012, Opera and Video : Technology and spectatorship. Pérez, H. J. (ed.). Bern: Peter Lang, p. 129-150 22 p. (Film Cultures).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  262. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  263. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  264. A History of Singing

    Potter, J. & Sorrell, N., Jan 2012, Cambridge University Press.

    Research output: Book/ReportBook

  265. Suite Inserts

    Eato, J. E., Feb 2012

    Research output: Non-textual formComposition

  266. Ultrafast magnetism as seen by x-rays

    Radu, I., Vahaplar, K., Stamm, C., Kachel, T., Pontius, N., Radu, F., Abrudan, R., Dürr, H., Ostler, T., Barker, J., Evans, R., Chantrell, R., Tsukamoto, A., Itoh, A., Kirilyuk, A., Rasing, T., Kimel, A. & Evans, R. F. L., 23 Mar 2012, Proceedings of SPIE - The International Society for Optical Engineering. Vol. 8260. 82601M

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  267. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  268. Mendelssohn, Suckling, Dvořák: Aronowitz Ensemble

    Suckling, M. C., Mendelssohn, F. & Dvorak, A., May 2012

    Research output: Non-textual formDigital or Visual Products

  269. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  270. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  271. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  272. L'Olimpiade: an opera, as set by Pergolesi, Vivaldi, Caldara and Jommelli

    Seymour, P. G., 13 Jul 2012

    Research output: Non-textual formPerformance

  273. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  274. London Sinfonietta Label: New Music Show

    Suckling, M. C., Finnis, E., Khroustaliov, I., Hodgkinson, T., Feshareki, S. & Duncan, M., 15 Oct 2012

    Research output: Non-textual formDigital or Visual Products

  275. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  276. Township comets: The impact of South African jazz on the UK scene

    Eato, J. E., Dec 2012, iaspm 2011 proceedings: Situating popular musics. Montano, E. & Nardi, C. (eds.). International Association for the Study of Popular Music, Vol. IASPM 16th International Conference Proceedings. p. 112-118

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  277. 2013
  278. An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening

    Ditter, D., Schmidt, L., Tessmer, N. & Egermann, H., 2013, Abstract Book of the 3rd International Conference on Music Emotion.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  279. Black Heroes (Tete Mbambisa)

    Eato, J. E., 2013, International Library of African Music / Red Location Museum.

    Research output: Other contribution

  280. Chimes at Midnight: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  281. Concerto for Orchestra

    Simaku, T., 2013

    Research output: Non-textual formComposition

  282. Disjointed

    Laws, C., Brooks, W. & Harron, D., 2013

    Research output: Non-textual formDigital or Visual Products

  283. Everlasting Voices: for bass clarinet, actor and fixed media

    Brooks, W., 2013

    Research output: Non-textual formComposition

  284. Hoichi: for solo alto flute with live electronics

    Marsh, R. M., 2013

    Research output: Non-textual formDigital or Visual Products

  285. Kinderproducts

    Reuben, F., Potter, S. & Chirstensen, J., 2013

    Research output: Non-textual formComposition

  286. Linking Theories of Emotion-Induction to Applications in Audio Branding

    Egermann, H., 2013, Audio Branding Yearbook 2012-2013. Bronner, K., Hirt, R. & Ringe, C. (eds.). Baden-Baden: Nomos, p. 155-166 12 p.

    Research output: Chapter in Book/Report/Conference proceedingOther chapter contribution

  287. Manifesto: A Performance and Exhibition of 20th Century Music and Sound Manifestos

    Lixenberg, L., Reuben, F. & Kolkowski, A., 2013

    Research output: Non-textual formPerformance

  288. Nocturne: for violin and cello

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  289. Notari, Angelo

    Wainwright, J. P., 2013, Dizionario biografico degli Italiani . Rome: Istituto della Enciclopedia Italiana, Vol. 78. p. 770-2

    Research output: Chapter in Book/Report/Conference proceedingChapter

  290. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  291. Postcards (previously titled 'Short Stories'): for String Orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  292. Ravi Shankar

    Sorrell, N. F. I., 2013, (Unpublished)

    Research output: Other contribution

  293. Release: for symphony orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  294. Six Speechless Songs: for chamber orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  295. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  296. Touch: for string orchestra

    Suckling, M. C., 2013

    Research output: Non-textual formComposition

  297. Tracce: for SATB quartet, amplified

    Brooks, W., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  298. Trois Esquisses: Written for and dedicated to Joseph Houston

    Simaku, T., 2013, (Accepted/In press)

    Research output: Non-textual formComposition

  299. “I could show you all I know”: Elements of co-creativity in a music theatre context.

    Laws, C., 2013, (In preparation) Productive Tensions : Co-creative Practices in Music. Brooks, W. & Laws, C. (eds.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music ).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  300. Lombardiran: theatre piece for alto and baritone, with auxiliary instruments

    Brooks, W., Feb 2013

    Research output: Non-textual formComposition

  301. Schubert Winterreise with James Gilchrist (tenor)

    Seymour, P. G., 19 Feb 2013

    Research output: Non-textual formPerformance

  302. What does it mean to study music at university in the UK today?

    Haddon, E., Mar 2013, National Association of Music Educators Magazine.

    Research output: Contribution to specialist publicationArticle

  303. Purcell: Dido & Aeneas (semi-staged) with theatre songs

    Seymour, P. G., 1 Mar 2013

    Research output: Non-textual formPerformance

  304. Live BBC lunchtime: Biber, Purcell

    Seymour, P. G., 15 Mar 2013

    Research output: Non-textual formPerformance

  305. Samuel Beckett and Music

    Laws, C., Apr 2013, Samuel Beckett in Context. Uhlmann, A. (ed.). Cambridge University Press, p. 266-278 13 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  306. Schubert Winterreise with Stephen Varcoe (bass); Corfu Academy

    Seymour, P. G., 6 Apr 2013

    Research output: Non-textual formPerformance

  307. Six Mediaeval Lyrics [composition issued as recording]: for women's choir

    Brooks, W., 30 Apr 2013

    Research output: Non-textual formComposition

  308. Some Reflections

    Bruce, H., Lawrence, S., Eato, J. E., Morrison, M., Kolesova, J., Lampshire, S., Lloyd-Curtis, T., Newman, C., Roberts, A., Taylor, S., Wall, C., Bernath, V., Eato, J. & Longworth, H., May 2013

    Research output: Non-textual formComposition

  309. Choral Music for 25 Voices: Pod Twoją obronę : In memoriam H.M. Górecki

    Field, A. E., 1 May 2013

    Research output: Non-textual formPerformance

  310. Developing a national 'low risk' febrile neutropenia framework for use in children and young people's cancer care

    Gibson, F., Chisholm, J., Blandford, E., Donachie, P., Hartley, J., Lane, S., Selwood, K., Skinner, R. & Phillips, R., 1 May 2013

    Article in Supportive care in cancer

  311. How Like An Angel

    Hollingworth, R. M., 10 May 2013, IAR.

    Research output: Other contribution

  312. Capturing protein-coding genes across highly divergent species

    Li, C., Hofreiter, M., Straube, N., Corrigan, S. & Naylor, G. J. P., 1 Jun 2013

    Article in Biotechniques

  313. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  314. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  315. A Scalable Architecture for General Real-Time Array-Based DSP on FPGAs with Application to the Wave Equation

    Kirk, R. & Wells, J., Sep 2013, Proceedings of the 16th International Conference on Digital Audio Effects (DAFx13).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  316. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  317. Northern Loop: Northern Loop - dur 80 mins

    Field, A. E. & Fretwell, P., 25 Sep 2013

    Research output: Non-textual formComposition

  318. Continuing professional development for the musician as teacher in a university context

    Haddon, E., Oct 2013, Developing the Musician: Contemporary Perspectives on Teaching and Learning. Stakelum, M. (ed.). Aldershot: Ashgate Publishing Company, p. 191-206 16 p. (SEMPRE Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  319. Experimental Systems: Future Knowledge in Artistic Research

    Brooks, W. & Schwab, M. (ed.), Oct 2013, Leuven: Leuven University Press. 229 p. (Orpheus Institute)

    Research output: Book/ReportBook

  320. Exploring Expressivity and Emotion
 with Artificial Voice and Speech Technologies

    Pauletto, S., Balentine, B., Pidcock, C., Jones, K., Bottaci, L., Aretoulaki, M., Wells, J., Mundy, D. & Balentine, J., Oct 2013

    Article in Logopedics Phoniatrics Vocology

  321. Sound & Score: Essays on Sound, Score and Notation

    Brooks, W. (ed.), de Assis, P. (ed.) & Coessens, K. (ed.), Oct 2013, Leuven: Leuven University Press. 228 p. (Orpheus Institute Series)

    Research output: Book/ReportBook

  322. Ceci n'est pas une pianiste

    Laws, C., 2 Oct 2013

    Research output: Non-textual formPerformance

  323. Participatory scenario development for environmental management: A methodological framework illustrated with experience from the UK uplands

    Reed, M. S., Kenter, J., Bonn, A., Broad, K., Burt, T. P., Fazey, I. R., Fraser, E. D. G., Hubacek, K., Nainggolan, D., Quinn, C. H., Stringer, L. C. & Ravera, F., 5 Oct 2013

    Article in Journal of Environmental Management

  324. Il Cor Tristo: for male vocal quartet. Settings of Dante 'Inferno' Cantos XXXii and XXXiii

    Marsh, R. M., Nov 2013

    Research output: Non-textual formDigital or Visual Products

  325. Poor Yorick

    Marsh, R. M., Nov 2013

    Research output: Non-textual formComposition

  326. The Ian Bruce Huntley Archive

    Eato, J. E., Nov 2013, Keeping Time: Photographs and Cape Town Jazz Recordings - 1964-1974 . Albertyn, C. (ed.). Chris Albertyn and Associates CC, p. 23-37 15 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  327. "Headaches Among the Overtones": Music in Beckett/ Beckett in Music

    Laws, C., Dec 2013, Amsterdam/ New York: Rodopi. 508 p.

    Research output: Book/ReportBook

  328. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  329. Concert of music edited by Seymour, P (Conti, Corelli, Scarlatti)

    Seymour, P. G., 13 Dec 2013

    Research output: Non-textual formPerformance

  330. 2014
  331. 'Embodiment and Gesture in Performance: Practice-led Perspectives

    Laws, C. A., 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven: Leuven University Press, p. 131-142 11 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  332. 3DMIN - Challenges and Interventions for the Design, Development and Dissemination of New Musical Instruments.

    Bovermann, T., Egermann, H., Foerstel, A., Hardjowirogo, S-I., Hinrichsen, A., Hildebrand Marques Lopes, D., Pysiewicz, A., Weinzierl, S. & de Campo, A., 2014, Proceedings of the 40th International Computer Music Conference. International Computer Music Association, Vol. 2014. 5 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  333. Bewegungsmuster von DJs im Club-Kontext

    Foerstel, A. & Egermann, H., 2014, Tagungsband der 13. Jahrestagung der Gesellschaft für Musikpsychologie.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  334. Communicating National and Temporal Origin of Music: An Experimental Approach to Applied Musical Semantics

    Egermann, H. & Stiegler, C., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  335. Creativity and the institutional mindset

    Haddon, E. & Potter, J., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Papageorgi, I. (ed.). Aldershot: Ashgate Publishing Company, p. 129-142 14 p. (SEMPRE Studies in The Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  336. Die Verwendung von hierachrischen linearen Modellen zur Audio-Feature-basierten Vorhersage von kontinuierlichen emotionalen Reaktionen auf Musik

    Graefe, C. & Egermann, H., 2014, Fortschritte der Akustik: DAGA 2014. Deutsche Gesellschaft für Akustik, Vol. 2014. p. 786-787 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  337. Experiment in Practice

    Laws, C., 2014, Artistic Experimentation in Music: An Anthology. Crispin, D. & Gilmore, B. (eds.). Leuven: Leuven University Press, Vol. 262. p. 565-574 10 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  338. Hidden instrumental and vocal learning in Undergraduate University Music Education

    Haddon, E., 2014, Advanced Musical Performance: Investigations in Higher Education Learning. Aldershot: Ashgate Publishing Company, p. 247-264 18 p. (Sempre Studies in the Psychology of Music).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  339. Morton Feldman: Music for 3 and 4 pianos

    Laws, C., Thomas, P. & Tilbury, J., 2014

    Research output: Non-textual formDigital or Visual Products

  340. Negotiating Tradition, Modernity, and Cultural Identity in Contemporary South Africa: the music of Tete Mbambisa, Louis Moholo-Moholo and Zim Ngqawana

    Eato, J. E., 2014, Readings in Ethnomusicology: a collection of papers presented at Ethnomusicology Symposium 2013. Dar es Salaam: University of Dar es Salaam, p. 119-126 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  341. New Media Use and Music Appreciation: Connections Between Contemporary Access to Music and its Perceived Value

    Egermann, H., Kahlhoefer, D., Schultz, C-M. & Seedorf, M., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  342. Nocturn

    Losseff, N., 2014, Czech radio.

    Research output: Other contribution

  343. Reappraising the Seicento: Compositional Procedure in Italy and England

    Cheetham, A. (ed.), Knowles, J. (ed.) & Wainwright, J. (ed.), 2014, Newcastle upon Tyne: Cambridge Scholars Publishing. 240 p.

    Research output: Book/ReportBook

  344. Recording of Martin Iddon's head down among the stems and bells (2010): Catherine Laws: amplified, prepared piano.

    Laws, C. & Iddon, M., 2014

    Research output: Non-textual formDigital or Visual Products

  345. Running Jumping and Standing Still: for ensemble

    Marsh, R. M., 2014

    Research output: Non-textual formComposition

  346. Songs from a Bright September

    Suckling, M. C. & Sergeant, D., 2014

    Research output: Non-textual formComposition

  347. Systematising History: A Database for Electronic and Digital Musical Instruments Including Functional and Aesthetical Properties

    Hardjowirogo, S-I. & Egermann, H., 2014, Proceedings of the 9th Conference on Interdisciplinary Musicology. Staatliches Institut für Musikforschung, 4 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  348. The Effects of Continuous Subjective Music Experience Ratings on Physiological and Psychological Measures of Activation and Valence

    Foerstel, A., Egermann, H. & McAdams, S., 2014, Abstract Book of the 13th International Conference of Music Perception and Cognition. Seoul: International Conference of Music Perception and Cognition

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  349. The Walk to the Tarn: for pianist

    Brooks, W., 2014, (Accepted/In press)

    Research output: Non-textual formComposition

  350. Untersuchung zur Validität von Hörversuchen im Internet

    Pysiewicz, A. & Egermann, H., 2014, Fortschritte der Akustik - DAGA 2014. Deutsche Gesellschaft für Akustik, p. 788-789 2 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  351. World Music, World Literature

    Sorrell, N. F. I., 2014, (Unpublished)

    Research output: Non-textual formDigital or Visual Products

  352. Yestervisions of the Futurepast

    Reuben, F. & Kolkowski, A., 2014

    Research output: Non-textual formPerformance

  353. A Child Went Forth: Hanns Eisler, American Progressives, and Folk Song

    Brooks, W., Feb 2014, Crosscurrents: American and European Music in Interaction, 1900–2000. Meyer, F., Oja, C. J., Rathert, W. & Shreffler, A. C. (eds.). Woodbridge, UK: Boydell Press

    Research output: Chapter in Book/Report/Conference proceedingChapter

  354. Far from home

    Hollingworth, R. M., Mar 2014

    Research output: Non-textual formPerformance

  355. Cosi-Cosi

    Eato, J. E., Dlamini, S., Bruce, H., Mgijima, V., Jansen, E., Antonio, C., Kadhimo, N., Vaalbooi, I., Scholtz, M., Goulding, S., Gulliey, M. K., Paul, D., Happiness, B., Jonas, D., Dasheka, N., Naidoo, S., Moon, M., Dax, H., Mahleza, N., Essery, I. & 1 othersNazier, E., 11 Mar 2014

    Research output: Non-textual formComposition

  356. Concert and live EBU/NEMA streaming: Handel, Blavet, Purcell

    Seymour, P. G., 21 Mar 2014

    Research output: Non-textual formPerformance

  357. The Claim

    Eato, J. E., Bruce, H., Morrison, M., Worth, P., Burt, T., Arstall, S., Lawrence, S., Gavin, E., Hill, G., Bernath, V., Goulding, S., Adams, T., Longworth, H. & Stocker, B., 28 Mar 2014

    Research output: Non-textual formComposition

  358. Composing under the Skin: The Music-making Body at the Composer's Desk

    Brooks, W. & Craenen, P., Apr 2014, Leuven: Leuven University Press. 284 p. (Orpheus Institute)

    Research output: Book/ReportBook

  359. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  360. Venetian Carnival

    Hollingworth, R. M., 21 May 2014

    Research output: Non-textual formPerformance

  361. Chronic health issues of adolescents: Is the World Listening? Jane's Story: 3Sixty Audio-Visual Animation

    Mason-Jones, A. J., Morris, N. J., Pauletto, S., Armstrong, K-M., Wells, J., Walus, B., Hall, A., Mikocka-Walus, A. A., Mensah, J., Kerrigan, P. & Titley, P. P. (ed.), 17 Jun 2014

    Research output: Non-textual formExhibition

  362. CPE Bach: Die lezten Leiden des Erlösers

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  363. Early Lieder: Devising, editing and performing

    Seymour, P. G., 12 Jul 2014

    Research output: Non-textual formPerformance

  364. Six mediaeval lyrics: for three female singers: No. 6: Vale, dulcis amice

    Brooks, W., 16 Jul 2014

    Research output: Non-textual formPerformance

  365. Historical Precedents for Artistic Research in Music: The Case of William Butler Yeats

    Brooks, W., Sep 2014, Artistic Experimentation in Music: An Anthology. Gilmore, B. & Crispin, D. (eds.). Leuven, Belgium: Leuven University Press, p. 185-196 12 p. (Orpheus Institute Series).

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  366. Multiple Paths: Bach / Parra / Tenney

    Brooks, W. (ed.), Cancino, J. P., Gilmore, B. & Bhagwati, S., Sep 2014

    Research output: Non-textual formDigital or Visual Products

  367. Semi-Blind Audio Source Separation of Linearly Mixed Two-Channel Recordings via Guided Matching Pursuit

    Zantalis, D. & Wells, J., 1 Sep 2014, (Accepted/In press) Proceedings of the 17th International Conference on Digital Audio Effects (DAFx-14).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  368. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  369. Touch and Go: for solo piano

    Marsh, R. M., 30 Sep 2014

    Research output: Non-textual formComposition

  370. After Vicentino: for alto, viola, and electronic keyboard

    Brooks, W. & Trio Scordatura, ., 1 Oct 2014

    Research output: Non-textual formPerformance

  371. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  372. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 28 Oct 2014, Beckett and Musicality. Till, N. & Bailes, S. J. (eds.). Ashgate, p. 233-254 22 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  373. Ohne Worte: Vocality and Instrumentality in the Era of Schumann and Chopin

    Brooks, W. (ed.), Bartoli, J-P., Torbianelli, E., Roudet, J., Moßburger, H. & Seaton, D., Nov 2014, Leuven: Leuven University Press. 227 p. (Collected Writings of the Orpheus Institute; vol. 12)

    Research output: Book/ReportBook

  374. Preface

    Brooks, W., Nov 2014, Ohne Worte: Instrumentality and Vocality in 19th-century Music. Brooks, W. (ed.). Leuven: Leuven University Press, p. 7-13 7 p. (Collected Writings of the Orpheus Institute; vol. 12).

    Research output: Chapter in Book/Report/Conference proceedingForeword/postscript

  375. Vale, dulcis amice [composition issued as recording]: for three female singers

    Brooks, W., 24 Nov 2014

    Research output: Non-textual formComposition

  376. Feldman Pianos

    Laws, C., Thomas, P., Tilbury, J. & Knoop, M., 25 Nov 2014

    Research output: Non-textual formPerformance

  377. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  378. A Climbing Vine Through Concrete: Jazz in 1960s apartheid South Africa

    Eato, J. E., 3 Dec 2014.

    Research output: Working paperDiscussion paper

  379. 2015
  380. Activating Diverse Musical Creativities: Teaching and Learning in Higher Music Education

    Burnard, P. (ed.) & Haddon, H. E. (ed.), 2015, Paperback ed. London: Bloomsbury Academic. 272 p.

    Research output: Book/ReportBook

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