Search research publications and outputs

  1. 2011
  2. Dualities and Dialogues: Saariaho’s Concertos

    Howell, T., 19 Sep 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. 133 -157 25 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  3. A comparison of analysis and resynthesis methods for directional segmentation of stereo audio

    Wells, J., Sep 2011, Proceedings of the 14th International Conference on Digital Audio Effects (DAFx-11), Paris, France, September 19-23, 2011. Peeters, G. (ed.). Paris: IRCAM, p. 191-198 8 p.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  4. Expectation and Emotion in a Live Concert Experiment

    Egermann, H., Pearce, M., Wiggins, G. & McAdams, S., 2011, Abstract Book of the Meeting of the Society for Music Perception and Cognition Rochester, New York 11.-14. August 2011.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  5. From the Air to the Earth: Reading the Ashes

    March, D. T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. Howell, T., Hargreaves, J. & Rofe, M. (eds.). Ashgate, p. 15-40

    Research output: Chapter in Book/Report/Conference proceedingChapter

  6. Morton Feldman’s Late Piano Music: Experimentalism in Practice

    Laws, C. A., 2011, The Practice of Practising . Laws, C. (ed.). Leuven University Press, (Collected Writings of the Orpheus Research Centre in Music; vol. 4).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  7. Multispatial Sound

    Myatt, T., 2011, The Morning Line Vienna. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary, (Verlag für moderne Kunst Nürnberg).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  8. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Peter Lennox, P., 2011, Proceedings of the 17th International Conference on Auditory Display. Budapest, Hungary: I.C.A.D., Vol. 2011.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  9. Preludes and Codas

    Howell, T., 2011, Kaija Saariaho: Visions, Narratives, Dialogues. England: Ashgate Publishing Company, p. xv -xxiii 9 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  10. Psychological and physiological correlates of expectation and emotion in a live concert experiment

    Egermann, H. & McAdams, S., 2011, Abstracts for the 51st Annual Meeting Society for Psychophysiological Research. Psychophysiology.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  11. 2010
  12. Beckett and Unheard Sound

    Laws, C. A., 2010, Beckett and Nothing: Trying to understand Beckett. Caselli, D. (ed.). Manchester: Manchester University Press, p. 176-191 16 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  13. Early Western Pioneers: John Foulds and Maud MacCarthy

    Sorrell, N., 2010, Hindustani Music Thirteenth to Twentieth Centuries. Bor, J., Delvoye, F. N., Harvey, J. & Nijenhuis, E. T. (eds.). New Delhi: Codarts Manohar, p. 511-519

    Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

  14. Multispatial Sound

    Myatt, T., 2010, The Morning Line: Istanbul. Zyman, D. & Ebersberger, E. (eds.). Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  15. New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflote

    Cowgill, R., 2010, Art and Ideology in European Opera. Cowgill, R., Cooper, D. & Brown, C. (eds.). Woodbridge: Boydell and Brewer Ltd, p. 194-221 28 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  16. Of Science and Nature: Mozart versus the Modern Bel Canto in Early Nineteenth-Century London

    Cowgill, R., 2010, Mozart, Marcos Portugal e o seu tempo. Cranmer, D. (ed.). Lisbon: Centro de Estudos da Sociologia e Estetica Musical, p. 35-51 and 197-280

    Research output: Chapter in Book/Report/Conference proceedingChapter

  17. Recognition is different from feeling: experimental evidence for two different types of emotional processes in music using a between-subjects design in a web experiment

    Egermann, H. & McAdams, S., 2010, Proceedings of the 11th International Conference on Music Perception and Cognition (ICMPC11). Seattle, Washington, USA.. Demorest, S. M., Morrison, S. J. & Campbell, P. S. (eds.).

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  18. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Worth, P. J. & Blake, T., 2010, Proceedings of the International Computer Music Conference 2010. Vol. 2010.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  19. “No delicacies of tone”: bells and identity in Gissing’s London

    Losseff, N., 2010, Writing Otherness: The Pathways of George Gissing’s Imagination. Huguet, C. (ed.). Groningen: Equilibris, p. 71-82 12 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  20. 2009
  21. Feldman – Beckett – Johns: Patterning, Memory and Subjectivity

    Laws, C. A., 2009, The Modernist Legacy: Essays on New Music. Heile, B. (ed.). Aldershot: Ashgate, p. 135-158 24 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  22. Internationalization and the Irish state’s relationship with theatre and opera

    Sheil, Á. & Edelman, J., 2009, Global Changes, Local Stages: How theatre functions in smaller European countries. van Maanen, H., Kotte, A. & Saro, A. (eds.). Amsterdam: Rodopi, p. 146-175 30 p. (Themes in Theatre - Collective Approaches to Theatre and Performance; vol. 5).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  23. The Influence of Social Situations on Music Listening: A Physiological and Psychological Perspective on Strong Emotions

    Egermann, H., Sutherland, E. M., Kopiez, R. & Altenmüller, E., 2009, Abstract Book of the 7th Triennial ESCOM Conference.

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  24. 2008
  25. 'Such scientific and profound harmonies': The Italian Opera Orchestra and Early Performances of Mozart's Don Giovanni in London

    Cowgill, R., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, (Musical Life in Europe 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  26. Multispatial Sound

    Myatt, T., 2008, The Morning Line: Seville Biennial of Contemporary Art. Zyman, D. & Ebersberger, E. (eds.). Vienna: Thyssen-Bornemizsa Art Contemporary

    Research output: Chapter in Book/Report/Conference proceedingChapter

  27. Opera Orchestras in Georgian and Early Victorian London

    Cowgill, R. & Dideriksen, G., 2008, The Opera Orchestra in 18th- and 19th-Century Europe. Jensen, N. M. & Piperno, F. (eds.). Berlin: Berliner Wissenschafts-Verlag, Vol. 1. p. 259-321 63 p. (Musical Life in Europe, 1600-1900: Circulation, Institutions, Representation).

    Research output: Chapter in Book/Report/Conference proceedingChapter

  28. Social feedback influences emotional feelings of music

    Egermann, H., Grewe, O., Kopiez, R. & Altenmüller, E., 2008, Proceedings of the 10th International Conference of Music Perception and Cognition, Sapporo, Japan..

    Research output: Chapter in Book/Report/Conference proceedingConference contribution

  29. Sounds of Piety and Devotion: Music in the Queen’s Chapel

    Wainwright, J., 2008, Henrietta Maria: Piety, Politics and Patronage. Griffey, E. (ed.). Aldershot : Ashgate Publishing Company, p. 195-213 18 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter