Search research publications and outputs

  1. 1999
  2. Sibelius’ Tapiola: The Full Monty

    Howell, T., 1999.

    Research output: Contribution to conferencePaper

  3. 2003
  4. Towards a novel real-time visual display for singing training

    Howard, D. M., Welch, G. F., Brereton, J. & Himonides, E., 1 Dec 2003, p. 179-182.

    Research output: Contribution to conferenceOther

  5. 2004
  6. VOXed: Technology as a meaningful teaching aid in the singing studio

    Welch, G. F., Himonides, E., Howard, D. M. & Brereton, J., 1 Apr 2004.

    Research output: Contribution to conferenceOther

  7. 2005
  8. Growing Music: Musical Interpretations of L-Systems

    Worth, P. & Stepney, S., 2005, p. 545-550.

    Research output: Contribution to conferencePaper

  9. Perspectives on Matching New Technology for Displaying the Acoustics of the Singing Voice with an Appropriate Pedagogical Model

    Welch, G. F., Howard, D. M., Himonides, E. & Brereton, J., 1 Aug 2005, p. 147.

    Research output: Contribution to conferenceOther

  10. 2006
  11. A mirror for sound: introduction and practical exploration of the WinSingad software for teaching singing

    Howard, D. M., Williams, J., Brereton, J., Welch, G. F., Himonides, E., Howard, A. & DeCosta, M., 1 May 2006, p. 33.

    Research output: Contribution to conferenceOther

  12. Pilot study of the effects of period instruments on the voice

    Daffern, H., Howard, D. M. & Seymour, P., 1 May 2006, p. 43.

    Research output: Contribution to conferenceOther

  13. SPACE-Net: The Spatial Audio Creative Engineering Network

    Murphy, D. T., Brereton, J. & Brookes, T. S., 1 Jun 2006, p. 279-282.

    Research output: Contribution to conferenceOther

  14. 2007
  15. Defining the limits of tuning for tones with and without vibrato

    van Besouw, R., Brereton, J. & Howard, D. M., 1 Sep 2007.

    Research output: Contribution to conferenceOther

  16. 2008
  17. 'Forming the New from the Old: Rautavaarra’s Perspectives on Modernism’

    Howell, T., 2008.

    Research output: Contribution to conferencePaper

  18. Culture and Context: the influence of institutional culture on undergraduate musicians' attitudes to learning and performance

    Haddon, E. & Papageorgi, I., 2008, (Unpublished).

    Research output: Contribution to conferencePaper

  19. Horatio Oratorio: Composing Using Historic Sound Recordings

    Kolkowski, A. & Reuben, F., 2008. 15 p.

    Research output: Contribution to conferencePaper

  20. The ‘Jazz Voice’ in South Africa: A Developmental Physiology

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  21. Thoughts Towards a Rhythmic Understanding of Jazz in South Africa

    Eato, J., 2008.

    Research output: Contribution to conferencePaper

  22. Worldscape Laptop Orchestra

    Field, A. E., Harker, A. J. & Atmadjaja, A., 2008. 5 p.

    Research output: Contribution to conferencePaper

  23. The effect of different acoustic environments on singing voice performance

    Brereton, J. & Howard, D. M., 1 Feb 2008.

    Research output: Contribution to conferenceOther

  24. 2009
  25. 'Headaches Among the Overtones': Thinking Through Music in Beckett.

    Laws, C., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  26. Feldman's Piano Music and Experimental Practising

    Laws, C., 2009.

    Research output: Contribution to conferencePaper

  27. Multiple Teachers: multiple gains?

    Haddon, E., 2009, (Unpublished).

    Research output: Contribution to conferencePaper

  28. 2010
  29. 'I could show you all I know’: Elements of co-creativity in a music theatre context

    Laws, C., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  30. Audio Spatialization for The Morning Line

    Myatt, T. & Malham, D. G., 2010.

    Research output: Contribution to conferencePaper

  31. Evol, direct approaches to the auralisation of mathematical algorithms

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  32. Identity, Antagonism and Terre Thaemlitz

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  33. Making Sense of the Self: music students and self-identity

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  34. Single or Triple Threat? University music students and musical theatre learning

    Haddon, E., 2010.

    Research output: Contribution to conferencePaper

  35. Studio Report, Music Research Centre, University of York

    Myatt, T., 2010.

    Research output: Contribution to conferencePaper

  36. University Music Students and Masterclass Learning

    Haddon, E., 2010, (Unpublished).

    Research output: Contribution to conferencePaper

  37. Yasunao Tone and MP3 Disruption

    Myatt, T., Fell, M. J., Blake, T. & Worth, P. J., 2010.

    Research output: Contribution to conferencePaper

  38. Investigation of Factors Influencing Acoustic Characteristics in Geometric Acoustics Based Auralization

    Foteinou, A., Murphy, D. T. & Masinton, A., 1 Sep 2010, p. 171-181.

    Research output: Contribution to conferencePaper

  39. 2011
  40. Continuing Development for the Musician as Teacher in a University Context

    Haddon, E., 2011, (Accepted/In press).

    Research output: Contribution to conferencePaper

  41. In Preparation: A Performance-led Approach and a New Research Methodology for Dance Science.

    Vahla, A., Redding, E., Hushlak, M. A., Sentler, S., Chin, S., Reuben, F. & Luck, N., 2011.

    Research output: Contribution to conferencePaper

  42. Perceptual cartoonification in multi-spatial sound systems

    Myatt, T. & Lennox, P., 2011.

    Research output: Contribution to conferencePaper

  43. Research Findings: from implications to implementation?

    Haddon, E., 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  44. The Writing’s on the Wall? The piano in co-creative contexts.

    Laws, C., Apr 2011.

    Research output: Contribution to conferencePaper

  45. Know Where You Are: Kenny Wheeler, the performers' composer

    Eato, J. E., 7 Apr 2011.

    Research output: Contribution to conferencePaper

  46. Sounded gesture and enacted sounds (preliminary report)

    Laws, C., Brooks, W. & Harron, D., May 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  47. Creative Accounting: Beckett and the re-imagining of musical authority

    Laws, C., Jun 2011, (In preparation).

    Research output: Contribution to conferencePaper

  48. Township Comets: the impact of South African jazz on the UK scene

    Eato, J. E., 27 Jun 2011.

    Research output: Contribution to conferencePaper

  49. Sounded Gestures and Enacted Sounds (updated version)

    Laws, C., Brooks, W. & Harron, D., Jul 2011, (Unpublished).

    Research output: Contribution to conferencePaper

  50. Bergman's Modernism: Colours & Improvisations; coherence & integration

    Howell, T., 26 Sep 2011.

    Research output: Contribution to conferencePaper

  51. 2012
  52. Modularity, Immediacy and Exchange in Improvisation using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  53. Music in Beckett’s Nacht und Träume: Vocality and Imagination

    Laws, C., 2012.

    Research output: Contribution to conferencePaper

  54. Real-time Plunderphonics: Appropriating Keyboard Performances as they Occur

    Reuben, F., 2012.

    Research output: Contribution to conferencePaper

  55. Workshop: Improvisation with Live Instruments using SuperCollider

    Reuben, F., 2012.

    Research output: Contribution to conferenceOther

  56. ‘A Shadow, An Aura and Some Notes on Light: Re-defining the Sibelius Legacy’

    Howell, T., 2012, (Accepted/In press).

    Research output: Contribution to conferencePaper

  57. Know Where You Are: Kenny Wheeler, the performers’ composer

    Eato, J. E., 27 Mar 2012.

    Research output: Contribution to conferencePaper

  58. Bach and the Belly Dancer: Jacky Lansley’s 'Guest Suites'

    Eato, J. E., 8 May 2012.

    Research output: Contribution to conferencePaper

  59. The control of early decay time on auralization results based on geometric acoustic modelling

    Foteinou, A. & Murphy, D. T., 18 Jun 2012.

    Research output: Contribution to conferencePaper

  60. In re: "Experimental Music"

    Brooks, W., 21 Jun 2012, p. 37-62.

    Research output: Contribution to conferencePaper

  61. Achieving convolution-based reverberation through use of geometric acoustic modeling techniques

    Oxnard, S. & Murphy, D. T., 17 Sep 2012, p. 105. 4 p.

    Research output: Contribution to conferencePaper

  62. Networks of meaning in the audio-visual work of Ryoichi Kurokowa

    Field, A. E., 27 Oct 2012, p. 318-326.

    Research output: Contribution to conferencePaper

  63. 2013
  64. Partners in time: Developing a piano duet partnership

    Haddon, E. & Hutchinson, M. A., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  65. The development of the individual voice within the institutional community

    Haddon, E., 2013, (Unpublished).

    Research output: Contribution to conferencePaper

  66. Serve with Curry and Rice: the Ghoemaisation of Jazz at the Cape

    Eato, J. E., 28 Jun 2013.

    Research output: Contribution to conferencePaper

  67. Fissures, fragments and the prospect of silence in the work of Samuel Beckett

    Laws, C., 7 Aug 2013.

    Research output: Contribution to conferencePaper

  68. Umhlaba Wethu: landscape in the Eastern Cape jazz imaginary

    Eato, J. E. & Dalamba, L., Sep 2013.

    Research output: Contribution to conferencePaper

  69. Sound and Music in Beckett's All That Fall

    Laws, C., 9 Dec 2013.

    Research output: Contribution to conferencePaper

  70. 2014
  71. Samuel Beckett: Dramatic text as music, music as text (invited paper)

    Laws, C., 19 May 2014.

    Research output: Contribution to conferencePaper

  72. A Climbing Vine Through Concrete: jazz in 1960s apartheid South Africa

    Eato, J. E., 6 Sep 2014.

    Research output: Contribution to conferencePaper

  73. Musical Subjectivity in Action: Piano Personae.

    Laws, C., 2 Oct 2014.

    Research output: Contribution to conferencePaper

  74. Knowing ‘I’?: Musical Subjectivity, Embodiment and Interaction

    Laws, C., 1 Dec 2014.

    Research output: Contribution to conferencePaper

  75. 2015
  76. Piano performance: Group classes for the lifelong learner

    Haddon, L., 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  77. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 7 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  78. "America, I Love You": Music and the Nation in 1915

    Brooks, W., 10 Mar 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  79. The Legacy of Beckett in Music Theatre

    Laws, C., 10 Apr 2015.

    Research output: Contribution to conferencePaper

  80. A Collection of Small Choices

    Eato, J. E. & Bruce, H., 14 May 2015.

    Research output: Contribution to conferencePaper

  81. Dakar: articulating the tremendous

    Eato, J. E. & Wells, J., 30 Jun 2015.

    Research output: Contribution to conferencePaper

  82. Performance, Subjectivity and Experimentation

    Laws, C., 30 Sep 2015.

    Research output: Contribution to conferencePaper

  83. Johnnies, Tommies, and Sammies: Music and transnational identities

    Brooks, W. F., Magee, G., Bashford, C., Matheson, L. & Vickers, J., 15 Nov 2015, (Unpublished).

    Research output: Contribution to conferencePaper

  84. 2016
  85. Singing Arcs: Sounding the Early History of Electronic Music

    Reuben, F. & Kolkowski, A., 2016.

    Research output: Contribution to conferencePaper

  86. The Online Orchestra: Latency in Network Performance

    Reuben, F., 2016.

    Research output: Contribution to conferencePaper

  87. The sound of white

    Suckling, M. C., 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  88. Towards automatic music recommendation for audio branding scenarios

    Herzog, M., Lepa, S. & Egermann, H. W., 2016. 3 p.

    Research output: Contribution to conferencePaper

  89. Piano Personae: Performance, Subjectivity and Experimentation

    Laws, C. A., 17 Jul 2016.

    Research output: Contribution to conferencePaper

  90. Modalities of Memorial: The Double Trauma of 1918 and Its Aftermaths

    Brooks, W. F. & Ertan, D., 23 Nov 2016, (Unpublished).

    Research output: Contribution to conferencePaper

  91. 2017
  92. "Shake it out" - How Motion Capture and Smartphone-Assessed Movement Can Predict Properties of Music

    Irrgang, M., Steffens, J., Egermann, H. W. & Weinzierl, S., 2017.

    Research output: Contribution to conferenceAbstract

  93. Automatische Vorhersage musik-induzierter Attributassoziationen im Kontext von Audio-Branding

    Egermann, H. W., Lepa, S., Herzog, M., Schoenrock, A. & Steffens, J., 2017.

    Research output: Contribution to conferenceAbstract

  94. Playing and Instruments; Sound and Embodiment: Ceci n'est pas un piano; is it a pianist?

    Laws, C. A., 31 Mar 2017.

    Research output: Contribution to conferencePaper

  95. THIS IS… IS IT?

    Laws, C. A., 29 Apr 2017.

    Research output: Contribution to conferencePaper

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